Women Heal through Rite and Ritual – Artwork

Women Heal through Rite and Ritual – Online Exhibition

Artists | Artwork | Videos | Exhibition Catalog | About the Exhibition

Artwork

Sigrid Vollerthun Video

In my work, I am pursuing both the visible beauty, which I find abundantly in nature, and the invisible, which we can glimpse occasionally. My camera has become the main instrument in this pursuit. From the start, I dreamed of using it not only as a recording device but also as a painter’s brush, filling the film with glorious colors, intriguing forms and inspiring abstracts.

My enthusiasm for vivid colors has always been a dominant force in my life, and I enjoy expressing this in my images, at the same time aiming at conveying serenity and harmony… a contemplation of peace and wholeness.

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ARTIST-DRAFT-MF

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Real Fly Fishing, 1997
Sam Gilliam
Rose Harper Art Collection
The Rose Harper
Art Collection
April Shower, 2007
Joseph Holston
Yellow Cap, 1974
Joseph Holston
Trevignon, Brittanny, 1963
Lois Mailou Jones
Paris Le-Sair, Year Unknown
Lois Mailou Jones
Creat
Genesis Creation, 1990
Jacob Lawrence

James Williams Video

James Williams II

Art | Video | Statement | Resume
 
 

     Videos

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HiddenMasters

Hidden Masters: Artists Rising Above Anonymity
 
The “Hidden Masters: Artists Rising Above Anonymity” series explores the artwork and examines the lives of artists whose careers were eclipsed by their contemporaries. This series will bring these artists to the forefront and pays homage to their creative genius.

Hidden Masters Exhibtion featurng Delilah Pierce
October 15th – February 11, 2012

click here for more information
 
 

Hidden Masters:
 
Delilah Pierce (1904 – 1992) see Delilah Pierce art work

Born in Washington, D.C., in 1904, Delilah Pierce served as an educator, artist and curator. During the course of her professional career, she participated in exhibitions with preeminent African-American artists: Elizabeth Catlett, Margaret Burroughs, Richard Dempsey, David Driskell, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Hughie Lee Smith, Alma Thomas, James Wells, and Charles White. Her work is in the permanent collections of the Smithsonian Museum of American Art, University of the District of Columbia, Howard University, Evans-Tibbs Collection, Barnett-Aden Collection, Smith-Mason Gallery of Art, Bowie State College.


 
Anderson Pigatt (1928 – 2009) see Anderson Pigatt’s art work

Anderson Pigatt was born in Raeford, North Carolina, October 20, 1928. Anderson launched his sculpture career late in 1960’s. He received vocational training in general woodworking and carpentry at George Washington Carver High School. A self-taught sculptor, his work is represented in a number of private and institutional collections. Other sculptures are in the Brooklyn Museum, Brooklyn, New York; Reginald F. Lewis Museum, Baltimore, MD; and the American Visionary Art Museum, Baltimore, MD.                                        

Sigrid Vollerthun – Statement

Statement

“What delights us in visible beauty is the invisible.”
Marie von Ebner-Eschenbach (1830-1916)

 
In my work, I am pursuing both the visible beauty, which I find abundantly in nature, and the invisible, which we can glimpse occasionally. My camera has become the main instrument in this pursuit. From the start, I dreamed of using it not only as a recording device but also as a painter’s brush, filling the film with glorious colors, intriguing forms, inspiring abstracts.

My enthusiasm for vivid colors has always been a dominant force in my life, and I enjoy expressing this in my images, at the same time aiming at conveying serenity and harmony… a contemplation of peace and wholeness.

The works in this exhibit have one thing in common: They start as 35 mm photographs, macro photo montages or multiple exposures. Some of the images then are transformed—sometimes to the point of becoming completely unrecognizable—into dreamscapes, fantasies, otherworldly creatures or painterly abstracts.

Hibiscus-Candle
Hibiscus-Candle
The Iris prints have been executed by David Adamson Editions, Washington, DC on handmade archival watercolor paper with special fine art inks. They range in size from 42”x28” to 20”x13”.

Also included are Polaroid emulsion lifts (8”x10”) transferred onto “Inomachi”, pearlescent Japanese paper handmade from pure Kozo fibers, as well as images created in Photoshop printed with pigment inks on archival paper.

Sigrid Vollerthun – Bio

Sigrid Vollerthun

Art Work | Statement | Bio | Resume

Biography

Sigrid Vollerthun was born and raised in Tilsit, Germany (currently known as Russia) in 1935. All her life she has had an interest in visual arts and design. From 1972-1979 she was active in the Committee of the Art Society of the International Monetary Fund, Washington, DC.

Ms. Vollerthun’s interest in photography began during the early 1990s when she joined two very active camera clubs. After attending numerous workshops and seminars (a. o. by renowned Canadian photographer, Freeman Patterson, photographer and educator, Joseph Miller, and photographer, artist and author, Theresa Airey), Sigrid knew she had found her passion and her pursuit of becoming a fine art photographer began.

Sigrid_Vollerthun

 
 
Nature is the subject of many of Ms. Vollerthun’s photographs; however, digital fantasies, abstract imagery and dreamscapes are a major part of her repertoire.

Sigrid is a self-taught photographer, who is the recipient of several prestigious photographic awards including a coveted winner’s trophy in the International Photography Contest of NATURE’S BEST Photography Magazine in 2003 and 1998. She has participated in many juried exhibitions. In 2004, her photographs were featured in the documentary series entitled “Photographers of Northern Virginia” produced by Channel 10, Public Access Television.

Ms. Vollerthun’s photographs have gained the attention of art critics. In May, 1999, Nancy Ungar of the Gazette Entertainment wrote, “For Sigrid Vollerthun color itself is the subject. Vollerthun pulls her camera in so tightly on an iris that the identification of the object as a flower is almost lost and the iris becomes a color abstraction.”

In July, 2003, Claudia Rousseau of the Gazette Entertainment wrote, “…In her triptych, “Bird of Paradise”, the echo of the jewel-like colors of the tropical flower and its natural habitat are expressed in overlapping elongated forms. Flame-like, they almost appear to be swaying. The very large “Santa Fe Mood” recalls Georgia O’Keefe’s New Mexico landscapes without imitating them. In “Red Calla Fantasy” and “Calla Meditation”, Vollerthun analyses the lily’s forms simultaneously graphic and organic abstractions.”