Each of my paintings starts with a loose sketch, landscape or object and is built up with layer upon layer of paint. Often it will be in a state of chaos before the process of adding and subtracting begins. I do not start with an end in mind when I begin a painting, instead the challenge is to find the end. This process to me is a type of meditation – an intimate conversation between the materials and myself.
I am drawn to abstract compositions because they require us to stop and reflect, to ask questions. Abstract art is also open to multiple interpretations. Each viewer will bring his or her own experiences into play as they contemplate the work. This adds another dimension to the artwork, a sort of interactive communication that flows from the artist, to the painting and eventually the viewer.
In some of my paintings I use collage to enhance the surfaces of the canvases. I enjoy working with acrylic paint because of its versatility enabling me to work in light washes or thick applications. Drawing media in the paintings are caran d’ache and graphite. Some pieces incorporate text from my native language, Tigrinya. I also use sand and other texture media all part of the process of building visual stories that reflect experiences and internal states.
Tigrinya is one of the official languages spoken in Eritrea, a small East African country. It has a phonetic writing system consisting of symbols that represent syllables. Using these symbols in my paintings reflects my connection to my cultural heritage and enables me to express my views about the current situation in Eritrea.