Exhibitions

Ontology: Communal Expressions of Being

Ontology: Communal Expressions of Being

February 19th – April 30, 2022

FEATURED ARTISTS
Lavett Ballard | Wesley Clark | Alfred Conteh
Susan Goldman | Michael Gross | M. Scott Johnson
Megan Lewis | Delita Martin | Arvie Smith
Nelson Stevens | Felandus Thames

about the artist | view artwork

This group exhibition explores concepts of existence and being, drawing inspiration from the metaphysical theory of ontology, the study of the nature of things, and their reality, identity, and relatedness.

In this exhibit, visual narratives conceived in conceptual work, paintings, prints, photography, and sculpture draw parallels between shared occurrences and belief systems derived from the artists’ personal experiences and convictions. Here the theory of ontology will be tested and either accepted or rejected as truth, as we question, do our human experiences inextricably link us? Discourse on the notion of communal expressions will challenge relatedness. And social constructionism leads the debate on what defines being, reality, and identity.


Megan Lewis
Calm, 2021
Oil and acrylic on canvas
60 x 36 ″

Artist

UTA Artist Space – Literary Muse

UTA Artist Space in collaboration with Galerie Myrtis presents
Literary Muse curated by Myrtis Bedolla

Opening Reception: Saturday, September 4, 2-5PM
UTA Artist Space
403 Foothill Rd. Beverly Hills, CA 90210

utaartistspace.com


UTA Artist Space presents Literary Muse, a new group exhibition inspired by Black literary novelists, poets, and scholars, curated by Baltimore-based Myrtis Bedolla of Galerie Myrtis. On view from September 4 through September 25, 2021, the powerful presentation brings together paintings, photographs, prints, and sculptures by twelve contemporary artists working across the United States: Lavett Ballard, Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.

The incisive writings of Black scholars, poets, and authors of fiction bear the weight of a complicated history, at times celebrated and at others, bemoaned. In Literary Muse, their words are the interpretive impulse for imagery that defines the architecture of the Black ethos. The result is a visual vernacular constructed in paintings, photographs, prints, sculptures, and conceptual works composed in hair beads and wood that interrogates the inherent complexities of race.

Steeped in the writings of authors such as Ta-Nahisi Coates, bell hooks, Dr. Beverly Daniel Tatum, Charles Sowell, Alice Walker, and Isabel Wilkerson, these artists draw from a lexicon of Black narratives. They create visual illustrations that probe the connection between the past and present, challenge the inequalities of structural racism, honor the traditions of the Black family’s devoted fathers and mothers, encourage Black economic empowerment and selfhood, and give symbolic meaning to poetry and fiction through visual tropes that explore Black plight.

Looking for inspiration beyond the prose of philosophers, economists, theorists, psychologists, sociologists, and historians, artists turn to the lyrics of Black composers and vocalists elucidating a truth—a gospel truth—bound-up in ancestry and spirituality rooted in the polyrhythms of Africa. Here, they find their muse in rhythms first laid down in African American spirituals which influenced the gospel, jazz, R&B, hip-hop, and rap music of today. These are the sounds that permeate the artists’ studios, consciously and subconsciously inspiring works that touch the depths of our souls.

Through the confluence of literature and artistry, Literary Muse contextualizes the Black experience through a non-Western lens. The notion of Blackness, its history, ancestry, and culture are presented as written and interpreted by its people. Scholars and composers who might otherwise remain obscure are placed at the forefront, as their words influence profound works that offer critical discourse on that which affirms and defines what it means to be Black.

— Myrtis Bedolla

“Myrtis Bedolla has a sharp eye for extraordinary artists. To wield their art and animate the words of these great Black authors and poets—to bring their narratives to life visually—is a phenomenal talent,” says Arthur Lewis, UTA Fine Arts, and UTA Artist Space Creative Director.

image
Oluma x Chimdi x Anwi by Monica Ikegwu, Oil on Canvas, 36″ in x 48″ in, 2021,
Literary Muse: Beverly Daniel Tatum, Why are all the Black Kids Sitting Together in the Cafeteria?
Image courtesy of the artist and Galerie Myrtis

Renaissance: Noir at UTA Artist Space, Beverly Hills, CA…

UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020. Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

view the exhibition

The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

Exhibitions

Renaissance Noir UTA Artist Space

Renaissance: Noir
UTA Artist Space, Beverly Hills, CA
Curated by Myrtis Bedolla

UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020. Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

view the exhibition

The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

Renaissance: Noir Blackness on the Continuum


by Myrtis Bedolla, Curator

Tea With Myrtis

Artistically Speaking

Tea with Myrtis: Artistically Speaking

These are one-on-one conversations between an artist featured in the Women Heal through Rite and Ritual exhibit and Myrtis Bedolla. Offered as a twist on the formal teas held in the gallery, the virtual chats promise to be lighthearted and spontaneous. So brew your favorite tea and join me for tea time.


Catalogue

Women Heal through Rite and Ritual – Exhibition Catalog

Women Heal through Rite and Ritual

Exhibition Catalogue

Price: $25.00 USD + S&H

Women Heal through Rite and Ritual draws from the imaginative narratives of artists Lavett Ballard, Tawny Chatmon, Oletha DeVane, Shanequa Gay, Delita Martin, Elsa Muñoz, and Renée Stout who look to non-Western traditions for inspiration in exploring a woman’s role as nurturer of family and community; and as a traditional healer, conjure woman, and clairvoyant who dwells in both the physical and spiritual realms.

about the exhibition | artwork

Curatorial Statement by Myrtis Bedolla
 

Paperback: 53 pages | color
Year published: 2021
Language: English
ISBN: 978-0-9819602
Dimensions: 9 x 9 inches

Exhibition Video

Women Heal through Rite and Ritual – Videos

Women Heal through Rite and Ritual – Online Exhibition

Artists | Artwork | Videos | Exhibition Catalog | About the Exhibition

Videos

note: Mishandling of Fires in Australia is referenced in Elsa Muñoz’s artist statement for Controlled Burn 14.

Exhibitions

Women Heal through Rite and Ritual – Artwork

Women Heal through Rite and Ritual – Online Exhibition

Artists | Artwork | Videos | Exhibition Catalog | About the Exhibition

Artwork

Exhibitions

Women Heal through Rite and Ritual – Renee Stout

Women Heal through Rite and Ritual

Lavett Ballard | Tawny Chatmon | Oletha DeVane | Shanequa Gay | Delita Martin | Elsa Muñoz | Renée Stout | exhibition page

Renée Stout

I aim to present my perspective on this society from the point of view of a person who happens to be a woman descended from myriad cultures, but primarily African American. I observe, I experience, I process and I eventually feel compelled to construct a narrative that expresses thoughts, ideas and experiences that are simultaneously personal and universal. Through my work, I seek to tell an ongoing story as a way of bearing witness to the efforts of marginalized people everywhere, who make do to get through and the strength and creativity that often comes with that persistence. My desire is to reveal the rich, ever-evolving, alternate universe inside of my head as I navigate this limited and outdated system that seeks to mold our everyday reality in ways that run counter to our authentic selves. This parallel universe, filled with mysterious visionary soldiers, strange technological devices and evidence of ritual acts, provides me a kind of transcendence to a state of empowerment that I wish to share with the viewer. Through my work I want to convey the idea that while all human beings may have to function within this theater of the absurd, we don’t have to be of it and the ability to imagine and an open mind is a form of resistance and the escape route.


Biography | Resume

Biography
Born in Junction City, Kansas in 1958 and raised in Pittsburgh, Pennsylvania, Stout received her B.F.A. in painting from Carnegie- Mellon University in 1980. She moved to Washington, D.C. in 1985 where she began to expand into mixed media works. Her early sculptural works found their inspiration in the aesthetics and philosophy of Kongo ritual objects, leading to her becoming the first American artist to have a solo exhibition in the Smithsonian’s Museum of African Art. Stout now creates in a variety of media, including painting, drawing, mixed media sculpture, photography and installation. Through her narrative works, she aims to explore issues that are both personal and universal. In recent bodies of work, she has shared her concerns about the current social and political turmoil as she simultaneously offers the viewer a glimpse into the parallel universe she has created. Stout’s has won many awards, including A Joan Mitchell Award, a Louis Comfort Tiffany Award and a Lifetime Achievement Award from the Women’s Caucus for Art. Her work can be found in numerous museums and private collections, nationally and internationally.


I Can Heal by Renée Stout
courtesy of Wellin Museum of Art