Statement
It is my belief that our memories and experiences are directly responsible for who we become. What we are exposed to, what we read, the toys we play with as children, what we view… I attribute this thought to my desire to make sure I’m sending a clear message (with my work) and that the message I am sending is “saying something” important; because if I believe we are shaped by our memories, as an artist, I must also believe that I too play a small part in shaping and shifting the views of anyone who comes in contact with my work. I did not always think this way but once realized, the thought never left me.
The primary theme that drives my art practice today is celebrating the beauty of black childhood. I am currently devoted to creating portraits that are inspired by artworks spanning various periods in Western Art with the intent of bringing to the forefront faces that were often under-celebrated in this style of work.
My camera remains my primary tool of communication, while my constant exploration of diverse ways of expression moves me to add several different layers using a variety of mediums. After a portrait session is complete, I typically digitally manipulate my subjects and unite them with other components to achieve a work that is a new expression. Often lending to them the eyes of someone their elder and more wise and almost always exaggerating and/or emphasizing their hair and features in a celebratory way. Thereafter, I may superimpose antique patterns and textures, collage vintage botanical and wildlife illustrations, or add hand-drawn digital illustration. If I feel I am not yet complete, after each portrait is refined and printed, I may combine paint and gold leaf adding ornamental elements.. By experimenting with various art practices, I allow myself to follow no set of rules while creating instinctually and fluidly. Each layer serves it’s very own meaningful purpose.
It is my hope that with each theme I explore and with each portrait I create, something vital is etched into the memory of the viewer.
-Tawny Chatmon
The Redemption: Castles
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
34.5″ x 42″ Framed
2018/2019