Tawny Chatmon – PRESS

PRESS

Experience Magazine, Issue 38, 2022 (pgs. 15-17)
Majestic Reflections by Yaniya Lee

…”while galleries, museums, and other art spaces begin to reassess their mission statements and take a serious look at how diversity can improve their environments, talents such as Chatmon lead the conversations centering on… a dramatic and sensational celebration of Black beauty.” full article


BMORE Art, May, 2022
Parallels and Meaningful Difference: Activating the Renaissance by Kerr Houston

…Arguably, the most extraordinary pairing in the entire show involves the placement of Tawny Chatmon’s haunting Covered/Vienna? next to an enigmatic oil painting by Pontormo. Both works are dual portraits, and both pair a coolly confident adult woman—embodiments, really, of sprezzatura— with a girl in a hesitant pose. full article


Washington Post Magazine, February, 2022
A painter who surrounds her Black subjects with gold by Lesile Gray Streeter

…[Chatmon’s] glittering pieces find their roots in in the works of past creators like Gustav Klimt … Chatmon who was named as one of “7 Artists You Should Know” by director Shinda Rimes’s Shondaland site and seven others Black artists are part of the exhibit curated by Myrtis Bedolla, of Baltimore’s Galerie Myrtis. full article


Culture Type, August, 2021
Latest News in Black Art: Guggenheim Hires Diversity Chief, Galerie Myrtis Presenting Exhibition at Venice Biennale, Kehinde Wiley Redesigns MTV Moonperson & More by Victoria L. Valentine

Galerie Myrtis Fine Art & Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames. full article


Art Critique, June 2021
In the galleries: An intimate panorama of video art’s variety and breadth by Mark Jenkins [mention of Tawny Chatmon]

The Maryland artist, a veteran commercial photographer, makes crisp pictures of cherished people and then adorns them with loosely painted jewels and flowers. The ornaments, rendered with pigment and gold leaf and sometimes three-dimensional, complement lustrous shades of Black skin and hair. full article


ABC Entertainment, 2021
Tawny Chatmon’s Artworks Featured in Soul of a Nation on ABC

Soul of a Nation, a six-episode series, presents viewers with a unique window into authentic realities of Black life and dive deeper into this critical moment of racial reckoning. Tawny Chatmon’s artworks were featured in episode 4, titled Black Joy, which was referenced in the coda of poetry by Boston Globe Journalist, Jeneé Osterheldt who spoke on what defines Black Joy. abc – soul of a nation


Focus, February, 2021
10 Black Photographers on Instagram You Should Be Following by Brendan Mitchell [features Tawny Chatmon]

February is Black History Month, so we’ve taken the opportunity to profile some of our favorite Black photographers on Instagram. The artists featured below are masters of their trade. Their Instagram profiles are filled with visually striking imagery, from captivating portraits to surrealist visual art. full article


Whitewall, October, 2020
Myrtis Bedolla is Deploying Art to Address Political and Social Issues by Katy Donoghue

Galerie Myrtis presents “Women Heal through Rite and Ritual” through the end of the year. The show’s focus was conceived prior to this year’s health crisis, and yet its timing could not be more fitting. Work by artists Lavett Ballard, Tawny Chatmon, Oletha DeVane, Shanequa Gay, Delita Martin, Elsa Muñoz, and Renée Stout look to non-Western traditions of the women’s role as nurturer, both physically and spiritually. full article


Musée Magazine, September, 2020
Tawny Chatmon’s “The Redemption”

…The models who are mostly children all have an array of hairstyles — braids with beads, locs, plaits embellished with ornate hair jewelry, Bantu knots, and “ afro puffs.” Some wear crowns, regalia that is representative of reclaiming the power of being Black with “ Black hair” and are dressed in the splendor of gold outfits befitting kings and queens. full article


FastCompany, February 2020
Fotografiska New York is a photo museum for the Instagram era (video features Tawny Chatmon at 2:10)

Fotografiska New York is now open in the historic Church Missions House in Manhattan. The photo museum for the modern world emphasizes experience—it’s open late and guests can stay for a glass of wine—while enjoying more current work than is available in traditional museums. full article


Architectural Digest, December 2019
Fotografiska Makes Its New York Debut in a Historic Landmark Building [featuring Tawny Chatmon] by Liddy Berman

…Self-taught talent Tawny Chatmon’s dreamy, intimate portraits of children of color, woven through with elements of digital collage, gold leaf, and painting, shine with Klimt-ian beauty. full article


Bella Magazine, 2019
An Art Aficionado’s Haven: Fotografiska New York Debuts In The Flatiron District by Rose Aljure

Now set to open in the Flatiron District, Fotografiska New York, announced today its expanded inaugural season. The exhibition space will open on October 18th, 2019 with solo presentations of photography by Ellen von Unwerth, Tawny Chatmon. full article


FORBES, August 2019
From Ellen Von Unwerth’s Bathing Supermodels To Lars Tunbjörk’s Everyday Absurdity, Fotografiska Sets Its Gaze On New York by Natasha Gural, Contributor

The diverse inaugural exhibition will include: Tawny Chatmon, a self-taught artist who combines paint, digital collage, illustration, and gold leaf… full article


New York City Guide August 2019
Fotografiska New York Set for Fall Opening in Flatiron with Unwerth, Chatmon by Merrill Lee Girardeau

The inaugural exhibition schedule at Fotografiska New York will feature the photographers Ellen von Unwerth, Tawny Chatmon, Helene Schmitz, and Adi Nes. full article


Omenka Online, July 2019
Tawny Chatmon on Rcclaiming Black Identity by Oliver Enwonwu & Oyindamola Olaniyan

In this ninth part of our continuing series on artists in the diaspora who promote Black identity and pride through their work, we present African American artist Tawny Chatmon. full article


Professional Photographer Magazine, April 2019 Issue
TAWNY CHATMON FINDS FULFILLMENT IN DRIVING CULTURAL CHANGE by Robert Kiener

“My heart wasn’t in it anymore.” That’s how Tawny Chatmon remembers feeling about her commercial photography career after her father died. Sitting in her spacious studio, the basement of her Upper Marlboro, Maryland, home, she chokes back a tear as she remembers the self-selected assignment that changed her life.. full article


Felandus Thames – PRESS

PRESS

Cleveland Art Museum, March, 2022
Resistance in Black and White

Within the exhibition, Jack Whitten’s large-scale monochromatic abstraction, Rho I (1977) is paired with Felandus Thames’s African King of Dubious Origins (2022), an intricately beaded reproduction of a 1990s black-and-white photograph of Rodney King after he’d been beaten by four Los Angeles police officers. full article


Artsy, September, 2021
5 Artists on Our Radar This September – Artsy Curatorial and Artsy Editorial [mention of Felandus Thames]

[Thames] will also be featured in the 2022 exhibition “The Afro‐Futurist Manifesto: Blackness Reimagined,” presented by Galerie Myrtis at the Venice Biennale. Thames’s work has also been shown at the Mississippi Museum of Art, Real Art Ways, Jenkins Johnson Gallery, Kravets Wehby Gallery, Tilton Gallery, the International Print Center New York, and the African American Museum of Philadelphia… full article


Culture Type, August, 2021
Latest News in Black Art: Guggenheim Hires Diversity Chief, Galerie Myrtis Presenting Exhibition at Venice Biennale, Kehinde Wiley Redesigns MTV Moonperson & More by Victoria L. Valentine

Galerie Myrtis Fine Art & Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames. full article


Vanity Fair, May 2021
The Power of Black Art and Visual Storytelling by June Sarpong [mention of Felandus Thames]

A year since the murder of George Floyd, the art world is finally acknowledging Black artists and curators—and recognising the influence of their imagery has never been more significant. In Baltimore, Myrtis Bedolla’s Galerie Myrtis is experiencing demand for Felandus Thames’ thought-provoking work. full article


Connecticut Art Review, March, 2021
Studio Visit | Felandus Thames by Jacquelyn Gleisner

Pleasure. This is the first word that viewers will connect with the work of Felandus Thames at his solo show The Things That Haunt Me Still at Real Art Ways. Bright orange beads pop against a vibrant kelly green backdrop in this central work. The bold, seraphic font alludes to the colors and diction of advertisements for Newport cigarettes from the 1980s. full article


Wesley Clark Press

PRESS

Architectural Digest, June, 2020
Young Black Artists Speak About the Role of Art in This Moment by Nick Mafi

Groundbreaking artists such as Njideka Akunyili Crosby and Jammie Holmes and [Wesley Clark] discuss their work in the context of 2020, and what power art has to lead us toward a better tomorrow. full article


CULTUREVOLT, June, 2020
A Conversation with Wesley Clark, an American artist speaking on issues faced by Black people in America

I guess I’d consider myself on the latter end of emerging. Honestly, it’s not something I think about, though. I’ve never had the best interpretation of the various stages, but in my mind I probably feel like I’m forever emerging. full article


press_icon-Baltimore SunBaltimore Sun, July 3, 2017
A Hot Summer Exhibit at C. Grimaldis Gallery by Tim Smith

The powerful statements start right inside the doorway of the gallery’s main floor, where Wesley Clark’s “My Big Black America,” presented in cooperation with Galerie Myrtis, occupies 10-by-16 feet of wall space.full article


Nashville Arts Magazine, June 2017

In Wesley Clark’s solo exhibition he creates wonders that could be found in a fantastical library. Employing narrative devices such as foreshadowing, looking back, and mixing chronology, he casts light onto ideas shaping the past, present, and future full article



press-bmoreart-logoBMORE Art, June, 2016
Seeing Through the Lens of Black America by Angela Carroll

Wesley Clark, Larry Cook, Linda Day Clark, Oletha DeVane, Nehemiah Dixon III, Susan Goldman, Curlee Holton, Wayson R Jones, Jeffrey Kent, Wendel Patrick, Jamea Richmond-Edwards, and Stephen Towns each contribute critical, timeless inquiries which focalize the unsettling realities of black American experiences. full article


Image of the Black – Press

Pair, 2013 (detail) by Nina Buxenbaum
Pair (detail), 2013 by Nina Buxenbaum

The Image of the Black: Reimagined & Redefined

about the exhibition | artist bios

Press

Baltimore Sun, November 20, 2015
A Provocative, Powerful ‘Image of the Black’ at Galerie Myrtis by Tim Smith
…She casts a penetrating gaze at the viewer that does not let go easily, even far across the elegant, high-ceilinged front room of Galerie Myrtis. The more you look, the more those eyes impart about past, present and perception…
read article

 
 
Baltimore Style Magazine, 2015
Visible Man by Betsy Boyd
Black identity is reclaimed by black artists in The Image of the Black: Reimagined and Redefined, a seven-person exhibition now up and running at Galerie Myrtis. The mixed media show features gorgeously complex Elizabethan-esque oil paintings, shocking photographs depicting notorious black American gangs and KKK members and multimedia works with hand-stitched fabric.
read article

International Review of African American Art, 2015
Stayin Alive
…In this show S. Ross Browne, Nina Buxenbaum, Larry Judah Cook, Ronald Jackson, T. Eliott Mansa, Delita Martin and Arvie Smith draw from the familiar and the imagined to reinscribe the notion of blackness within the context of self.
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Bmore Art, October 2015
The Black Gaze: Where Cliff Huxtable and Cookie Lyon can Coexist by Cara Ober
…Things only got more complicated for black cold brewed coffee enthusiasts this past, blustery January when Empire exploded in front of our eyes. Cookie Lyon showed up in our living rooms draped in animal skins of various kinds and copious amounts of bling…
read article

Empire Artwork

Artwork featured from Galerie Myrtis on Fox’s Empire
 

Empire    WEDNESDAYS on FOX

Galerie Myrtis is pleased to announce that artwork by Jamea Richmond-Edwards, Jeffrey Kent and Arvie Smith will be featured on Fox’s new drama series Empire. The first episode will air January 7, 2015.

Synopsis: Hip-hop artist and CEO of Empire Entertainment, Lucious Lyon (Terrence Howard), has always ruled unchallenged, but a medical diagnosis predicts he will be incapacitated in three years, which prompts the sharks to circle. Without further damaging his family, he must decide which of his three sons will take over. The reappearance of Cookie, his ex-wife (Taraji P. Henson), complicates things; she says he owes her for taking the fall for the drug-running that financed his early career.

empire-pic
 

featured artwork

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