Medium: Oil on Wood
Dimensions: 4ft x 4ft x 5in
Year: 1976
Signed: Skunder 76
Condition: Excellent
Provenance: Ridgley Collection – Purchased from the artist
The Rose Harper Collection of South African Art is a survey of works created during the apartheid era (1987–1994), by black artists, who today are recognized as the preeminent artists of South Africa. Within the rich diversity of their creative expressions are references – both direct and metaphorical – to barriers and transcendence. Often referred to as propaganda or protest art, the imagery reflects the consciousness of a people. The art became the weapon of empowerment; the voice for those who were not allowed to speak without fear of prosecution.
These brilliant and powerful works of art serve as historic documentation of the black experience. Artwork created during the apartheid era is becoming increasing rare as many of the artists died young, as they were subjected to the cruelties of apartheid. So much of their art was ephemeral, but their legacy lives on. The body of work they left behind possess an emotional force and vision for equality, freedom and democracy, yet to be fully realized by the indigenous people of South Africa.
The Rose Harper Collection is recognized as one of the leading, privately held collections of South African art in the United States. An art connoisseur for over thirty years, Ms. Harper has cultivated a collection of extraordinary beauty and exceptional value.
Ms. Harper is a philanthropist, entrepreneur, lecturer, adjunct professor, author, global events planner, and contributing writer to golf publications; and has received countless awards for her lifetime achievements in the field of sports and business development.
Medium: Paper Collage with Acrylic on Paper and Poly Propylene
Dimensions: Size of Art: 27” x 50” – Framed Size: 39” x 61 ¼”
Year: 1997
Signed: Sam Gilliam
Condition: Excellent
Provenance: Hazel Beach; Purchased from the Artist
Born in Washington, D.C., in 1904, Delilah W. Pierce served as an educator, artist and curator. Her artistic abilities were discovered at an early age by a teacher who found it difficult to believe that she was able to draw so well.
Delilah is known for her fluid style, which ranged from figurative to abstraction. Her colorful compositions are inspired by nature, social justice, and her travels to Europe and Africa. Pierce was revered by her peers and according to art critic Judith Means, “The way she perceives the world, with joy and optimism, and the stunning clarity of her finely-developed aesthetic sense are integral not only to her character but also to the vivid visual textures of her work.”
Delilah had numerous solo exhibitions and exhibited in more than 150 group shows. During the course of her professional career, she participated in exhibitions with preeminent African-American artists: Elizabeth Catlett, Margaret Burroughs, Richard Dempsey, David Driskell, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Hughie Lee Smith, Alma Thomas, James Wells, and Charles White.
Her works were featured at: Barnett/Aden Gallery, Cosmos Club, Corcoran Gallery, Howard University Gallery, Margaret Dickey Gallery, Smithsonian Anacostia Museum, and Smithsonian Institute in Washington, D.C.; Baltimore Museum of Art, Baltimore, Maryland and Hampton Institute (University), Hampton, Virginia and Kenkeleba Gallery in New York.
In 1988, Delilah served as curator for the exhibition “Inspiration: 1961-1989” which was held at the Smithsonian Anacostia Museum and featured the work of thirty-four African-American artists who were members of the District of Columbia Art Education Association. The exhibition, a survey of the works of its members demonstrated the extraordinary talent and served as stated by Ms. Pierce, “ in documenting the history and the staying power of an organization with more than twenty-five years of community involvement and a rich legacy of service.
She was a member of the Smith-Mason Gallery of Art in Washington, D.C. and the Old Sculpin Gallery and Cousen Rose Gallery in Massachusetts.
Her work is in the permanent collections of the Smithsonian Museum of American Art, University of the District of Columbia, Howard University, Evans-Tibbs Collection, Barnett-Aden Collection, Smith-Mason Gallery of Art, Bowie State College.
Pierce attended Miner Normal (Miner Teachers College) and then Howard University where she earned a B.S. degree. She went on to receive a Masters in art and art education from Teachers College-Columbia University in New York City; and received an honorary degree, Doctor of Humane Letters, from the University of the District of Columbia, Washington, D.C. Pierce received an Agnes-Meyer Fellowship to study abroad in Europe, the Middle East and Africa. Her educational study includes travel to London, Paris, Holland, Rome, Greece, Lebanon, the Holy Land, the River Jordan, Cairo, Ethiopia, Nigeria, Ghana and Dakar.
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