Featured artists: Tawny Chatmon, Alfred Conteh, Jerrell Gibbs, Karina Griffith, Jas Knight, Arvie Smith and Felandus Thames.
Exhibition essay by Halima Taha. Curated by Myrtis Bedolla and Jessica Stafford Davis
Artwork
Tawny Chatmon
The Awakening: Covered
Photography, Photo- Manipulation, Montage, Embellished with 24k gold leaf
38" x 49" Framed
2017
Tawny Chatmon
The Redemption: Girl Enlightened
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
51" x 62" Framed
2018/2019
Tawny Chatmon
The Redemption: Castles
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
34.5" x 42" Framed
2018/2019
Tawny Chatmon
The Awakening:Not Charlotte
Photography, Photo- Manipulation, Montage, Embellished with 24k gold leaf
53" x 45" Framed
2017
Alfred Conteh RJ and His People
Acrylic on Canvas
84" x 47.5"
2019
Alfred Conteh
Lil' Will
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2017
Alfred Conteh
Debo
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2016
Alfred Conteh
Portia
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2016
Jerrell Gibbs
Vive y Aprende
Oil on canvas
60" x 48" Unframed
2019
Jerrell Gibbs
Trees
Oil on canvas
36" x 48" Unframed
2019
Jerrell Gibbs
Quiero Amo
Oil on canvas
60" x 48" Unframed
2019
Jerrell Gibbs
Git It
Oil on canvas
48" x 36" Unframed
2019
Karina Griffith
Crude Processions (video clip)
Video
7 min. 1 sec.
2013
Jas Knight
Untitled (Androgynous female) Fugue No.5
Oil on linen
18" x 22" Sold unframed
2019
Jas Knight
Untitled Prelude No.4
Oil on linen
17" x 20" Sold unframed
2019
Jas Knight
(Androgynous female) Prelude No.5
Work on paper
32.5" x 27.5" Framed
2019
Jas Knight
Fugue No. 2 in Ultramarine & Black
Oil on linen
28" x 41" Sold unframed
2017
Jas Knight
Untitled (Two Men)
Oil on linen
35" x 47" Unframed
2019
Jas Knight
Fugue No.6
Oil on linen
28" x 22" Sold unframed
2019
Arvie Smith
Tight Rope
Oil on canvas
40” x 30” Framed
2014
Arvie Smith
Nigger Hair Tobacco
Oil on canvas
24” x 24" Framed
2009
Felandus Thames
Portrait of the First Post-Black Hairbeads on coated wire
24" x 39" x 1”
2019
Building Bridges II: The Politics of Love, Identity and Race
13th Havana Biennial, Havana, Cuba
April 12 – May 12, 2019
Location
Galeria Carmen Montilla
Norma Jimenez Iradiz, Directora
Calle de los Oficios No. 162, Old Havana
Opening Reception: April 13, 2019, 6:00 pm – 8:00 pm
Curators Myrtis Bedolla and Ana Joa reunite for the second iteration of Building Bridges II: The Politics of Love, Identity, and Race. In bridging peoples, politics, and cultures, the exhibition investigates the dogma of love, gender politics, and prevailing assumptions about identity and race. We thank Eusebio Leal Spengler, Old Havana Restoration Project for his support.
Los curadores Myrtis Bedolla y Ana Joa se reúnen para la segunda versión de Haciendo Puentes II: La Política del Amor, la Identidad y la Raza. Al unir a los pueblos, la política y las culturas, la exposición investiga el dogma del amor, la política de género y los supuestos prevalentes sobre la identidad y la raza. Agradecemos a Eusebio Leal Spengler, Havana Vieja Restauracion Proyecto por su apoyo.
American Artists: Tawny Chatmon, Wesley Clark, Larry Cook, Alfred Conteh, Anna U. Davis, Morel Doucet, Vance Gragg, Susan Goldman, Michael Gross, Ronald Jackson, M. Scott Johnson, and Delita Martin.
Cuban Artists: Julia Valdés Borrero, Luis Jorge Joa, Daylene Rodriquez Moreno, Caridad Ramos Mosquera, Zaida del Rio, Eduardo Roca Salazar (Choco), Alicia Leal Veloz, and Jorge Jacas Vivanco.
Artwork
Julia Valdes Borrero, Cuban
Título/Untitled
Acrílico-técnica mixta/canvas 140 x 140 cm
2019
Tawny Chatmon, USA
The Redemption/She is Gold
Photography, Photo-Manipulation, Gold leaf, acrylic paint
24"x28" unframed
2019
Wesley Clark, USA
Sentence Structure
Wood, xerox transfer, oil, nails
34 x 7 inches - varied
2011
Larry Cook, USA
Camille
Medium: Photography - archival ink jet print (2/4)
Dimensions: 24 x 20 inches
2011
Larry Cook, USA
Maria
Medium: Photography - archival ink jet print (3/4)
Dimensions: 24 x 20 inches
2011
Alfred Conteh, USA
Title: Calvin
Medium: Acrylic and atomized steel dust on paper
Dimensions: 22 x 30 inches
Year: 2019
Anna U. Davis, USA
Title: Tug of War
Medium: Acrylic, Ink and Paper Collage on Stretched Belgian linen
Dimensions: 30 x 40 inches
Year: 2019
Morel Doucet, USA
We be Hair, Cells, and Everything Black
Silkscreen on paper with rice paper
22 1/2" x 30"
2019
Morel Doucet, USA
When they Stay in the Sun their Shadows Grow with Regrets
Silkscreen on paper with coconut husk
22 ½ x 30 inches
2019
Vance M Gragg, USA
Hermandad y Tradicion (Sister Hood and Tradition)
Photographic Prints - Face Mounted to
Acrylic Display
Photo Collage: 9 Prints
48"x48"
Susan Goldman, USA
Black Flower Square, Y.B.T.R.
Screenprint
Edition no: 1/1 (Monotype)
40 x 30 inches
2018
Michael Gross, USA
Going
Screenprint
Edition no: 18/30
30 x 22 ½ inches
2005
Ronald Jackson, USA
Untitled, #1
Oil, fabric and paper collaged on watercolor paper
22 x 30 inches
2019
Ronald Jackson, USA
Untitled, #2
Oil, fabric and paper collaged on watercolor paper
22 x 30 inches
2019
Luis Jorge Joa, Cuban
Desafió/Challenge
Vinilo/PVC (fotografia) 50 x70 cm
2017
Luis Jorge Joa, Cuban
El General bajo la Tormenta/The General under the Storm
Vinilo/PVC (fotografia) 50 x70 cm
2017
M. Scott Johnson, USA
Africoid Cranium 3026 a.d.
Marble
14 h x 12w x 7d inches, 45 lbs
2013
Michael Scott Johnson, USA
Resurrection of Shango
Digital photomontage
24 x 36 inches
2015
Delita Martin, USA
Title: Aziza (Spirit of the Forest)
Medium: Gelatin Printing, Relief, Charcoal, Fabric, Hand-stitching
Dimensions: 30 x 43 inches
Year: 2019
Daylene Rodriquez Moreno, Cuban
Pagador de Promesas/ Payer of Promises
Photography, 120 x 80 cm
2018
Daylene Rodriquez Moreno, Cuban,
Sueño con Serpientes/ Dreamer with Snakes
Photography, 110 x 150 cm
2018
Curators: Myrtis Bedolla and Jessica Stafford Davis
Galerie Myrtis and The Agora Culture present Blackface: A Reclamation of Beauty, Power, and Narrative. In asserting the beauty of the black body, affirming its power — and societal and historical place, curators Myrtis Bedolla and Jessica Stafford Davis offer a counter narrative to the racist archetypes that evolved from 18th century minstrelsy, and its negative stereotyping of African Americans that prevails today.
The exhibition explores contemporary notions of black identity through photography by Tawny Chatmon, and painters Alfred Conteh, Jerrell Gibbs, and Jas Knight; and offers an investigation of blackface from a historical perspective presented in paintings by Arvie Smith and multidisciplinary works by Felandus Thames. The addition of a compiling video by filmmaker Karina Griffith captured in Berlin, Germany evokes the maligning of blackness through an international lens.
In addressing the insidious nature of minstrelsy and the appropriation of black culture — to deploy and rationalize the subjugation of African Americans for financial gain, Frederick Douglass described blackface performers as:
“…the filthy scum of white society, who have stolen from us a complexion, denied them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.” Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press.
Artwork
Tawny Chatmon
The Awakening: Covered
Photography, Photo- Manipulation, Montage, Embellished with 24k gold leaf
38" x 49" Framed
2017
Tawny Chatmon
The Redemption: Girl Enlightened
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
51" x 62" Framed
2018/2019
Tawny Chatmon
The Redemption: Castles
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
34.5" x 42" Framed
2018/2019
Tawny Chatmon
The Awakening:Not Charlotte
Photography, Photo- Manipulation, Montage, Embellished with 24k gold leaf
53" x 45" Framed
2017
Alfred Conteh RJ and His People
Acrylic on Canvas
84" x 47.5"
2019
Alfred Conteh
Lil' Will
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2017
Alfred Conteh
Debo
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2016
Alfred Conteh
Portia
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2016
Jerrell Gibbs
Vive y Aprende
Oil on canvas
60" x 48" Unframed
2019
Jerrell Gibbs
Trees
Oil on canvas
36" x 48" Unframed
2019
Jerrell Gibbs
Quiero Amo
Oil on canvas
60" x 48" Unframed
2019
Jerrell Gibbs
Git It
Oil on canvas
48" x 36" Unframed
2019
Karina Griffith
Crude Processions (video clip)
Video
7 min. 1 sec.
2013
Jas Knight
Untitled (Androgynous female) Fugue No.5
Oil on linen
18" x 22" Sold unframed
2019
Jas Knight
Untitled Prelude No.4
Oil on linen
17" x 20" Sold unframed
2019
Jas Knight
(Androgynous female) Prelude No.5
Work on paper
32.5" x 27.5" Framed
2019
Jas Knight
Fugue No. 2 in Ultramarine & Black
Oil on linen
28" x 41" Sold unframed
2017
Jas Knight
Untitled (Two Men)
Oil on linen
35" x 47" Unframed
2019
Jas Knight
Fugue No.6
Oil on linen
28" x 22" Sold unframed
2019
Arvie Smith
Tight Rope
Oil on canvas
40” x 30” Framed
2014
Arvie Smith
Nigger Hair Tobacco
Oil on canvas
24” x 24" Framed
2009
Felandus Thames
Portrait of the First Post-Black Hairbeads on coated wire
24" x 39" x 1”
2019
Galerie Myrtis will participate in the SCOPE Miami Beach during Miami, Basel. The art fair runs from December 4-9. SCOPE Miami Beach features 140 International Exhibitors from 25 countries and 60 cities, and welcomes over 60,000 visitors over the course of 6 days. FEATURED ARTISTS
Galerie Myrtis will participate in the SCOPE Miami Beach during Miami, Basel. The art fair runs from December 4-9. SCOPE Miami Beach features 140 International Exhibitors from 25 countries and 60 cities, and welcomes over 60,000 visitors over the course of 6 days.
Alfred Conteh (b. 1975, Warner Robins, Georgia) is a classically trained artist, who has practiced his craft for more than 20 years. After earning a Bachelor Degree in Fine Arts from Hampton University, Conteh continued his formal education at Georgia Southern University; earning a Master’s Degree in Fine Arts.
As an African American artist, Conteh sheds light on the current realities of African American people; by bringing their stories and experiences to the forefront. Conteh’s creative techniques range from paintings to drawings and sculptures to assemblage works. His artwork can be found in public and private collections throughout the world.
In 2018, Conteh was commissioned by the Smithsonian Institution Traveling Exhibition Service (SITES) to create a portrait of film director, producer, and screenwriter Ryan Coogler.
The portrait titled Home Team is featured in the traveling exhibit Men of Change: Power. Triumph. Truth. The exhibit pays tribute to African American changemakers for their outstanding legacy and contributions.
Conteh’s work in the permanent collections of the Arkansas Arts Center, Little Rock, AR; Bajeel Art Foundation, Dubai, United Arab Emirates; Minneapolis Institute of Art, Minneapolis, MN; Museum of Arts and Sciences Permanent Collection, Macon, GA; Petrucci Family Foundation Collection of African American Art, Ashbury, NJ; Tubman Museum Permanent Collection, Macon, GA; Georgia Southern University Permanent Collection, Statesboro, GA; Georgia Southwestern University Permanent Collection, Swainsboro, GA; Hammonds House Museum Permanent Collection, Atlanta, GA; United Talent Agency, Beverly Hills, CA; and United Way Corporate Collection, Atlanta, GA
As an African American artist, Alfred Conteh sheds light on the current realities of African American people; by bringing their stories and experiences to the forefront. Conteh’s creative techniques range from paintings to drawings and sculptures to assemblage works. His artwork can be found in public and private collections throughout the world.
artwork “Elijah (The Boxer, The Bouncer)”
60 x 60 x 2.5 ″
Acrylic and Atomized Bronze Dust on Canvas
The paintings in this series are visual explorations of how African diasporal societies in the South are fighting social, economic, educational and psychological wars from within and without to survive. The honest and false narratives of history embodied in this series are primarily personified in patinated colossuses that symbolize the culture and realities of the populations they tower over, and the battles we’ve fought and continue to fight. We are at war on two fronts.
The extensions of the “Two Fronts” series are comprised of portraits that investigate the catalytic war that atmospheric conditions constantly wage on natural and manmade surfaces and structures. I’m using metal powders, chemical compounds, acrylic and dry media on paper and canvas to recreate those aging and weathering effects on the faces of people, which are reminiscent of the erosive conditions that patina the lives of black people every day, everywhere.
The camoflauge is emblematic of how america has systematically conditioned African americans to accept and blend into an environment that’s hostile and harmful to our people. Despite our intimate knowledge of the conditions that beleaguer the vast majority of black people, many of us knowingly opt to “hide in plain sight” for fear of being recognized as “anti-status quo” and getting punished by the same systems that oppress us.
artwork: Chrishelle, 2017, Acrylic, charcoal and atomized steel dust on paper, 30″h x 22″w