Exhibitions

Blackface Artwork

Blackface: A Reclamation of Beauty, Power and Narrative

April 20 – June 15, 2019

about the exhibition | exhibition essay

Featured artists: Tawny Chatmon, Alfred Conteh, Jerrell Gibbs, Karina Griffith, Jas Knight, Arvie Smith and Felandus Thames.
Exhibition essay by Halima Taha. Curated by Myrtis Bedolla and Jessica Stafford Davis

Artwork

Exhibitions

Building Bridges II The Politics of Love – Identity…

Building Bridges II: The Politics of Love, Identity and Race

13th Havana Biennial, Havana, Cuba
April 12 – May 12, 2019

Galeria Carmen Montilla – photo by Chris Bedolla

Location
Galeria Carmen Montilla
Norma Jimenez Iradiz, Directora
Calle de los Oficios No. 162, Old Havana
Opening Reception: April 13, 2019, 6:00 pm – 8:00 pm

Curators Myrtis Bedolla and Ana Joa reunite for the second iteration of Building Bridges II: The Politics of Love, Identity, and Race. In bridging peoples, politics, and cultures, the exhibition investigates the dogma of love, gender politics, and prevailing assumptions about identity and race. We thank Eusebio Leal Spengler, Old Havana Restoration Project for his support.

Los curadores Myrtis Bedolla y Ana Joa se reúnen para la segunda versión de Haciendo Puentes II: La Política del Amor, la Identidad y la Raza. Al unir a los pueblos, la política y las culturas, la exposición investiga el dogma del amor, la política de género y los supuestos prevalentes sobre la identidad y la raza. Agradecemos a Eusebio Leal Spengler, Havana Vieja Restauracion Proyecto por su apoyo.

American Artists: Tawny Chatmon, Wesley Clark, Larry Cook, Alfred Conteh, Anna U. Davis, Morel Doucet, Vance Gragg, Susan Goldman, Michael Gross, Ronald Jackson, M. Scott Johnson, and Delita Martin.

Cuban Artists: Julia Valdés Borrero, Luis Jorge Joa, Daylene Rodriquez Moreno, Caridad Ramos Mosquera, Zaida del Rio, Eduardo Roca Salazar (Choco), Alicia Leal Veloz, and Jorge Jacas Vivanco.


Artwork


Photos


Exhibitions

Black Face: A Reclamation of Beauty, Power and Narrative

Blackface: A Reclamation of Beauty, Power, and Narrative


April 20 – June 15, 2019

Artists’ Talk: June 15th, 6:00 – 8:00 pm

exhibition essay by Halima Taha

Curators: Myrtis Bedolla and Jessica Stafford Davis

Galerie Myrtis and The Agora Culture present Blackface: A Reclamation of Beauty, Power, and Narrative. In asserting the beauty of the black body, affirming its power — and societal and historical place, curators Myrtis Bedolla and Jessica Stafford Davis offer a counter narrative to the racist archetypes that evolved from 18th century minstrelsy, and its negative stereotyping of African Americans that prevails today.

The exhibition explores contemporary notions of black identity through photography by Tawny Chatmon, and painters Alfred Conteh, Jerrell Gibbs, and Jas Knight; and offers an investigation of blackface from a historical perspective presented in paintings by Arvie Smith and multidisciplinary works by Felandus Thames. The addition of a compiling video by filmmaker Karina Griffith captured in Berlin, Germany evokes the maligning of blackness through an international lens.

In addressing the insidious nature of minstrelsy and the appropriation of black culture — to deploy and rationalize the subjugation of African Americans for financial gain, Frederick Douglass described blackface performers as:

“…the filthy scum of white society, who have stolen from us a complexion, denied them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.”
Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press.

Artwork

SCOPE Miami Beach


Galerie Myrtis will participate in the SCOPE Miami Beach during Miami, Basel. The art fair runs from December 4-9. SCOPE Miami Beach features 140 International Exhibitors from 25 countries and 60 cities, and welcomes over 60,000 visitors over the course of 6 days.

FEATURED ARTISTS

LOCATION
SCOPE Miami Beach Pavilion – Booth H15
801 Ocean Drive
Miami Florida 33139
scope-art.com

SHOW HOURS
Platinum First View
Platinum Cardholders or By Invitation
Tuesday, December 4th, 12pm – 4pm

VIP | Press Preview
VIP Cardholders and Accredited Press, or By Invitation
Tuesday, December 4th, 4pm – 8pm

GENERAL ADMISSION
Complimentary for VIP and Platinum Cardholders

Wednesday, December 5th, 11am – 8pm
Thursday, December 6th, 11am – 8pm
Friday, December 7th, 11am – 8pm
Saturday, December 8th, 11am – 8pm
Sunday, December 9th, 11am – 8pm

Day Pass | $40
Multi-Day Pass | $75
Student + Senior | $30

Art Basel

SCOPE Miami Beach 2018

Galerie Myrtis will participate in the SCOPE Miami Beach during Miami, Basel. The art fair runs from December 4-9. SCOPE Miami Beach features 140 International Exhibitors from 25 countries and 60 cities, and welcomes over 60,000 visitors over the course of 6 days.

FEATURED ARTISTS

LOCATION
SCOPE Miami Beach Pavilion
801 Ocean Drive
Miami Florida 33139
scope-art.com

SHOW HOURS
Platinum First View
Platinum Cardholders or By Invitation
Tuesday, December 4th, 12pm – 4pm

VIP | Press Preview
VIP Cardholders and Accredited Press, or By Invitation
Tuesday, December 4th, 4pm – 8pm

GENERAL ADMISSION
Complimentary for VIP and Platinum Cardholders

Wednesday, December 5th, 11am – 8pm
Thursday, December 6th, 11am – 8pm
Friday, December 7th, 11am – 8pm
Saturday, December 8th, 11am – 8pm
Sunday, December 9th, 11am – 8pm

Day Pass | $40
Multi-Day Pass | $75
Student + Senior | $30

Artist

Alfred Conteh Biography

Biography

Alfred Conteh (b. 1975, Warner Robins, Georgia) is a classically trained artist, who has practiced his craft for more than 20 years. After earning a Bachelor Degree in Fine Arts from Hampton University, Conteh continued his formal education at Georgia Southern University; earning a Master’s Degree in Fine Arts.

As an African American artist, Conteh sheds light on the current realities of African American people; by bringing their stories and experiences to the forefront. Conteh’s creative techniques range from paintings to drawings and sculptures to assemblage works. His artwork can be found in public and private collections throughout the world.

In 2018, Conteh was commissioned by the Smithsonian Institution Traveling Exhibition Service (SITES) to create a portrait of film director, producer, and screenwriter Ryan Coogler.

The portrait titled Home Team is featured in the traveling exhibit Men of Change: Power. Triumph. Truth. The exhibit pays tribute to African American changemakers for their outstanding legacy and contributions.

Conteh’s work in the permanent collections of the Arkansas Arts Center, Little Rock, AR; Bajeel Art Foundation, Dubai, United Arab Emirates; Minneapolis Institute of Art, Minneapolis, MN; Museum of Arts and Sciences Permanent Collection, Macon, GA; Petrucci Family Foundation Collection of African American Art, Ashbury, NJ; Tubman Museum Permanent Collection, Macon, GA; Georgia Southern University Permanent Collection, Statesboro, GA; Georgia Southwestern University Permanent Collection, Swainsboro, GA; Hammonds House Museum Permanent Collection, Atlanta, GA; United Talent Agency, Beverly Hills, CA; and United Way Corporate Collection, Atlanta, GA

image courtesy of terrellclark.com

Artist

Alfred Conteh

As an African American artist, Alfred Conteh sheds light on the current realities of African American people; by bringing their stories and experiences to the forefront. Conteh’s creative techniques range from paintings to drawings and sculptures to assemblage works. His artwork can be found in public and private collections throughout the world.

artwork
“Elijah (The Boxer, The Bouncer)”
60 x 60 x 2.5 ″
Acrylic and Atomized Bronze Dust on Canvas

Artist

Alfred Conteh Artist Statement

Statement

The paintings in this series are visual explorations of how African diasporal societies in the South are fighting social, economic, educational and psychological wars from within and without to survive. The honest and false narratives of history embodied in this series are primarily personified in patinated colossuses that symbolize the culture and realities of the populations they tower over, and the battles we’ve fought and continue to fight. We are at war on two fronts.

The extensions of the “Two Fronts” series are comprised of portraits that investigate the catalytic war that atmospheric conditions constantly wage on natural and manmade surfaces and structures. I’m using metal powders, chemical compounds, acrylic and dry media on paper and canvas to recreate those aging and weathering effects on the faces of people, which are reminiscent of the erosive conditions that patina the lives of black people every day, everywhere.

The camoflauge is emblematic of how america has systematically conditioned African americans to accept and blend into an environment that’s hostile and harmful to our people. Despite our intimate knowledge of the conditions that beleaguer the vast majority of black people, many of us knowingly opt to “hide in plain sight” for fear of being recognized as “anti-status quo” and getting punished by the same systems that oppress us.

artwork: Chrishelle, 2017, Acrylic, charcoal and atomized steel dust on paper, 30″h x 22″w