Exhibitions
Delita Martin Sometimes My Blues Change Colors
Sometimes My Blues Change Colors
Relief Printing, Charcoal, Acrylic, Liquid gold leaf, Printed Papers, Hand stitching, Pastels
59 x 63 ″, by Delita Martin
Solo Exhibition – Delita Martin
view exhibition catalog
LOCATION: Featherstone Center for the Arts
30 Featherstone Lane (Martha’s Vineyard)
Oak Bluffs, MA, 02557
508-693-1850
Opening Reception
July 28th, 4:00 – 6:00 pm.
Exhibition
July 28 – September 1, 2024
POSTED AT FEATHERSTONEART.COM:
The exhibit marks a historic milestone as Delita Martin is the inaugural African American artist to present a solo exhibition in the Francine Kelly Gallery at Featherstone Center for the Arts. Curated by Dr. Myrtis Bedolla, this groundbreaking exhibit, opens its doors on Sunday, July 28th, from 4:00 – 6:00 p.m.
As part of the exhibition’s programming, Martin will engage in a conversation with Dr. Bedolla during an Artist Talk scheduled for Wednesday, July 31st, from 4:00 – 5:00 pm. This dialogue promises to provide invaluable insights into Martin’s artistic process and inspirations, offering attendees a deeper understanding of her visionary creations. Events are free and open to the public.
Additionally, a program in collaboration with the Smithsonian American Art Museum (SAAM) will take place on Thursday, August 1st, beginning at 4:00 p.m. Martin and Dalila Scruggs, SAAM’s Augusta Savage Curator of African American Art, will discuss Elizabeth Catlett’s art and legacy.
Booth # 405
Tawny Chatmon (b. 1979, Tokyo, Japan) is a self‐taught, award‐winning artist who has been working in the field of photography for more than 17 years. The primary theme that drives Chatmon’s practice is celebrating the beauty of black childhood. She is currently devoted to creating portraits that are inspired by artworks spanning various periods in Western Art with the intent of bringing to the forefront faces that were often under‐celebrated in this style of work.
Larry Cook (b. 1986, Laurel, Maryland) is an award-winning photographer and conceptual artist whose work spans installation, video, and photography. Cook’s work explores the cultural aesthetic of “club” photography to examine how urban culture and incarceration systems become entwined through backdrops. The backdrop is central for its relationship to the formal, social, and cultural aspects of photographic history.
Morel Doucet (b. 1990, Pilate, Haiti) is a Miami‐based multidisciplinary artist and arts educator that hails from Haiti. He employs ceramics, illustrations, and prints to examine the realities of climate‐gentrification, migration, and displacement within the Black diaspora communities.
Monica Ikegwu (b.1998, Baltimore, Maryland) is a figurative painter. She presents her ideas of the figure in a way that is not only captivating, but also unconventional in her use of color, texture, and composition.
M. Scott Johnson (b. 1968, Inkster, Michigan) is a New York City‐based artist and educator, has carved out a legacy as one of the most stimulating and unique artists of his generation. M. Scott has explored, both in his practice and through his 20‐year visual arts teaching residency at the Schomburg Center for Research in Black Culture in Harlem, New York, a rich vision of contemporary Afro‐aesthetics.
Delita Martin (b. 1972, Conroe, Texas) is a master printmaker, illustrator, and painter based in Huffman, Texas. Through the weaving of history and storytelling, Martin offers a new narrative on the power of women whose stories are not only layered in textures and techniques but also symbolism.
Arvie Smith (b.1938, Houston, Texas) transforms the history of oppressed and stereotyped segments of the American experience into lyrical two‐dimensional master works.
Felandus Thames (b. 1974, Jackson, Mississippi) is a conceptual artist living and practicing in the greater New York area. Thames’ work attempts to transcend didacticisms that are typically associated with anachronistic understandings of representation and instead aligns itself with ideas around the taxonomy of human difference.
Myrtis Bedolla is the owner and founding director of Galerie Myrtis, an emerging blue-chip gallery and art advisory specializing in twentieth and twenty-first-century American art with a focus on work created by African American artists. Bedolla possesses over 30 years of experience as a curator, gallerist, and art consultant.