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	<title>Felandus Thames Archives - Galerie Myrtis</title>
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		<title>The Armory Show 2025 &#8211; Felandus Thames &#8211; She Did What She Could</title>
		<link>https://galeriemyrtis.net/the-armory-show-2025-felandus-thames-she-did-what-she-could/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 02 Sep 2025 02:36:19 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Armory Show]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=48285</guid>

					<description><![CDATA[Felandus Thames, She Did What She Could, 2025 Felandus Thames, Minute by Minute, 2024]]></description>
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<p><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Felandus-Thames-700x700-1.png"/>Felandus Thames, <i>She Did What She Could, 2025</i><br />
         <audio class="wp-audio-shortcode" id="audio-48285-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://galeriemyrtis.net/wp-content/uploads/2025/08/Felandus_Thames-She_Did_What_She_Could.mp3?_=1" /><a href="https://galeriemyrtis.net/wp-content/uploads/2025/08/Felandus_Thames-She_Did_What_She_Could.mp3">https://galeriemyrtis.net/wp-content/uploads/2025/08/Felandus_Thames-She_Did_What_She_Could.mp3</a></audio></p>
<p></a></p>
<p><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Felandus-Thames-minute-by-minute.png"/>Felandus Thames, <i>Minute by Minute, 2024</i><br />
         <audio class="wp-audio-shortcode" id="audio-48285-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Felandus_Thames-Minute-by-Minute.mp3?_=2" /><a href="https://galeriemyrtis.net/wp-content/uploads/2025/09/Felandus_Thames-Minute-by-Minute.mp3">https://galeriemyrtis.net/wp-content/uploads/2025/09/Felandus_Thames-Minute-by-Minute.mp3</a></audio></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">48285</post-id>	</item>
		<item>
		<title>The Armory Show -2025 &#8211; Booth Page</title>
		<link>https://galeriemyrtis.net/the-armory-show-2025-booth-page/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 01 Sep 2025 11:01:47 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Armory Show]]></category>
		<category><![CDATA[Bria Sterling-Wilson]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Jerrell Gibbs]]></category>
		<category><![CDATA[Ronald Jackson]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=48198</guid>

					<description><![CDATA[Jerrell Gibbs, Longing, 2024 Ronald Jackson, Neither Do I Confirm or Deny My Involvement, 2025 Bria Sterling Wilson, My American Gothic, 2025 Felandus Thames, She Did What She Could, 2025]]></description>
										<content:encoded><![CDATA[<div style="max-width: 400px; margin: 0 auto; padding: 20px; display: flex; flex-direction: column; align-items: center; gap: 30px;">
<p>   <!-- Image 1: Download PDF --><br />
    <a href="https://galeriemyrtis.net/wp-content/uploads/2025/09/Armory-Show-Price-List-Galerie-Myrtis-9-30.pdf"><br />
    <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Armory_Show_2025_logo_Rounded-b.jpg" 
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  </a></p>
<p>  <!-- Image 2: Download PDF 
  <a href="https://galeriemyrtis.net/wp-content/uploads/2025/04/Galerie_Myrtis-154-Catalog.pdf">
    <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/04/154_Booth_Catalog.jpg" 
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<p>  <!-- Image 3: Play Audio --><br />
    <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Jerrell-Gibbs-Longing-700x700-1.png"/>Jerrell Gibbs, <i>Longing</i>, 2024<br />
         <audio class="wp-audio-shortcode" id="audio-48198-3" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Jerrell_Gibbs-Longing.mp3?_=3" /><a href="https://galeriemyrtis.net/wp-content/uploads/2025/09/Jerrell_Gibbs-Longing.mp3">https://galeriemyrtis.net/wp-content/uploads/2025/09/Jerrell_Gibbs-Longing.mp3</a></audio></p>
<p><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Ronald-Jackson-700x700-1.png"/>Ronald Jackson, <i>Neither Do I Confirm or Deny My Involvement, 2025</i><br />
         <audio class="wp-audio-shortcode" id="audio-48198-4" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://galeriemyrtis.net/wp-content/uploads/2025/08/Ronald_Jackson-Neither_Do_I.mp3?_=4" /><a href="https://galeriemyrtis.net/wp-content/uploads/2025/08/Ronald_Jackson-Neither_Do_I.mp3">https://galeriemyrtis.net/wp-content/uploads/2025/08/Ronald_Jackson-Neither_Do_I.mp3</a></audio></p>
<p><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Bria-Sterling-Wilson-700x700-1.png"/>Bria Sterling Wilson, <i>My American Gothic, 2025</i><br />
         <audio class="wp-audio-shortcode" id="audio-48198-5" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://galeriemyrtis.net/wp-content/uploads/2025/08/Bria_Sterling-Wilson-My_American_Gothic.mp3?_=5" /><a href="https://galeriemyrtis.net/wp-content/uploads/2025/08/Bria_Sterling-Wilson-My_American_Gothic.mp3">https://galeriemyrtis.net/wp-content/uploads/2025/08/Bria_Sterling-Wilson-My_American_Gothic.mp3</a></audio></p>
<p><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/09/Felandus-Thames-700x700-1.png"/>Felandus Thames, <i>She Did What She Could, 2025</i><br />
         <audio class="wp-audio-shortcode" id="audio-48198-6" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://galeriemyrtis.net/wp-content/uploads/2025/08/Felandus_Thames-She_Did_What_She_Could.mp3?_=6" /><a href="https://galeriemyrtis.net/wp-content/uploads/2025/08/Felandus_Thames-She_Did_What_She_Could.mp3">https://galeriemyrtis.net/wp-content/uploads/2025/08/Felandus_Thames-She_Did_What_She_Could.mp3</a></audio><br />
<Hr> </hr>
<p>  <a href="http://eepurl.com/MxUXP"><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/04/join_mailing_list.png" 
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</a>
</div>
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		<post-id xmlns="com-wordpress:feed-additions:1">48198</post-id>	</item>
		<item>
		<title>The Armory Show &#8211; 2025</title>
		<link>https://galeriemyrtis.net/the-armory-show-2025/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 28 Aug 2025 21:42:02 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Armory Show]]></category>
		<category><![CDATA[Bria Sterling-Wilson]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Jerrell Gibbs]]></category>
		<category><![CDATA[Ronald Jackson]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=48168</guid>

					<description><![CDATA[The Armory Show September 5–7, 2025 Javits Center 429 11th Avenue New York, NY 10001 Ticket Information Galerie Myrtis &#8211; Booth F1 Jerrell Gibbs &#124; Ronald Jackson Bria Sterling-Wilson &#124;<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-armory-show-2025/" title="The Armory Show &#8211; 2025">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h1>The Armory Show</h1>
<p><font size  = "5">September 5–7, 2025</font><img fetchpriority="high" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/08/Jerrell-Gibbs-Longing.png" alt="" width="666" height="731" class="alignright size-full wp-image-48176" srcset="https://galeriemyrtis.net/wp-content/uploads/2025/08/Jerrell-Gibbs-Longing.png 666w, https://galeriemyrtis.net/wp-content/uploads/2025/08/Jerrell-Gibbs-Longing-273x300.png 273w" sizes="(max-width: 666px) 100vw, 666px" /></p>
<p>
Javits Center<br />
429 11th Avenue<br />
New York, NY 10001<br />
<a href="https://www.thearmoryshow.com/tickets"><font color = "red">Ticket Information</font></a></p>
<p>
<b>Galerie Myrtis &#8211; Booth F1</b></p>
<p>
<a href="https://galeriemyrtis.net/jerrell-gibbs-biography">Jerrell Gibbs</a> | <a href="https://galeriemyrtis.net/ronald-jackson-bio">Ronald Jackson</a><br />
<a href="https://galeriemyrtis.net/bria-sterling-wilson-bio">Bria Sterling-Wilson</a> | <a href="https://galeriemyrtis.net/felandus-thames-biography">Felandus Thames</a></p>
<p>
<a href="https://www.artgalleria.com/folio?p=ca45fcba-c75b-4fa8-8024-d7480da68cce"><font color = "blue">view artwork</font></a> | <a href="https://galeriemyrtis.net/wp-content/uploads/2025/09/the-armory-_stylized-catalog_compressed_final-web-5-3.pdf"><font color = "blue">view catalog</font></a></p>
<p>
The Armory Show opens New York’s fall art season by bringing the world’s leading international contemporary and modern art galleries to the Javits Center each year. The fair emphasizes thoughtful programming, elevated presentations, curatorial excellence, meaningful institutional partnerships, and engaging public art activations.</p>
<p>Galerie Myrtis will make its debut at <a href="https://www.thearmoryshow.com/"><font color = "blue">The Armory Show</font></a>, featuring artwork in a special exhibition titled <a href="https://www.thearmoryshow.com/exhibitors/2025/focus?sortBy=city&#038;view=list" target="_blank"><font color = "blue">Focus</font></a>. The exhibition highlights artists and galleries of the American South—a vital region to the American art landscape, and home to some of the country’s most celebrated artists—investigating the region as a nexus for diverse populations and a pillar in contemporary American art.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">48168</post-id>	</item>
		<item>
		<title>The Brave: Affirming Power, Presence &#038; Possibility</title>
		<link>https://galeriemyrtis.net/the-brave-affirming-power-presence-and-possibility/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 02 Jul 2025 19:40:15 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[and Bria Wilson-Sterling]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Devin Allen]]></category>
		<category><![CDATA[Fabiola Jean-Louis]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[James Seward]]></category>
		<category><![CDATA[Jerrell Gibbs]]></category>
		<category><![CDATA[Lavett Ballard]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Megan Lewis]]></category>
		<category><![CDATA[Ronald Jackson]]></category>
		<category><![CDATA[Wesley Clark]]></category>
		<category><![CDATA[Ya La'Ford]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=48071</guid>

					<description><![CDATA[The Brave: Affirming Power, Presence &#038; Possibility August 30 – October 11, 2025 Opening Reception Saturday, August 30 &#124; 6:00 – 8:00 PM view artwork Galerie Myrtis is pleased to<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-brave-affirming-power-presence-and-possibility/" title="The Brave: Affirming Power, Presence &#038; Possibility">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h1>The Brave: Affirming Power, Presence &#038; Possibility</h1>
<p><font size  = "5">August 30 – October 11, 2025</font><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/07/Ronald_Jackson_Baddass.png" alt="" width="700" height="808" class="alignright size-full wp-image-48114" srcset="https://galeriemyrtis.net/wp-content/uploads/2025/07/Ronald_Jackson_Baddass.png 700w, https://galeriemyrtis.net/wp-content/uploads/2025/07/Ronald_Jackson_Baddass-260x300.png 260w" sizes="(max-width: 700px) 100vw, 700px" /></p>
<p>
<b>Opening Reception</b></font><br />
Saturday, August 30 | 6:00 – 8:00 PM</p>
<p>
<a href="https://www.artgalleria.com/folio?p=f6c38ce2-40cd-4204-9bc6-5d8463d56c0b"><font color = "blue">view artwork</font></a></p>
<p>
Galerie Myrtis is pleased to present The Brave: Affirming Power, Presence &#038; Possibility, a powerful group exhibition curated by Myrtis Bedolla. On view from August 30 through October 11, 2025, the exhibition features contemporary artists whose work explores the emotional, historical, and imaginative landscapes of the African diaspora.</p>
<p>
Inspired by the anthemic lyrics of Danielle Ponder’s <i>Some of Us Are Brave</i>, the exhibition centers artists who examine the complexities of Black freedom, the weight of injustice, and the radical potential of self-definition. Through painting, sculpture, photography, mixed media, and installation, The Brave calls forth a collective testimony that honors ancestral strength, celebrates embodied truth, and demands space for joy, grief, intimacy, and transformation.</p>
<p>
Featured artists: Devin Allen, Lavett Ballard, Wesley Clark, Jerrell Gibbs, Fabiola Jean-Louis, Felandus Thames, Megan Lewis, Delita Martin, Ronald Jackson, M. Scott Johnson, Ya La’Ford, James Seward, and Bria Wilson-Sterling.</p>
<p>
<iframe width="320" height="200" src="https://www.youtube.com/embed/GC5UBAoa6nw?si=kQDAMNGpLgI1dehE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">48071</post-id>	</item>
		<item>
		<title>There Within Lies the Gospel</title>
		<link>https://galeriemyrtis.net/there-within-lies-the-gospel/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 19 Jul 2023 17:36:10 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=46149</guid>

					<description><![CDATA[There Within Lies the Gospel: Truth Opening Reception September 2, 2023 2:00 – 6:00 pm This exhibition celebrates the rich history of black religious and spiritual traditions while also challenging<div><a class="btn-filled btn" href="https://galeriemyrtis.net/there-within-lies-the-gospel/" title="There Within Lies the Gospel">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II.png" alt="" width="508" height="676" class="alignright size-full wp-image-46152" srcset="https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II.png 832w, https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II-225x300.png 225w, https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II-769x1024.png 769w, https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II-768x1023.png 768w" sizes="auto, (max-width: 508px) 100vw, 508px" /><center><font size  = "6"><b>There Within Lies the Gospel: Truth</font></b></p>
<p><font size = "4"><b>Opening Reception</b><br />
September 2, 2023<br />
2:00 – 6:00 pm</font></center></p>
<p>This exhibition celebrates the rich history of black religious and spiritual traditions while also challenging the ways in which these practices continue to evolve and adapt in response to contemporary social and cultural realities.</p>
<p><b>Featured artists:</b> <a href="https://galeriemyrtis.net/tawny-chatmon/"><font color = "blue">Tawny Chatmon</font></a>, <a href="https://galeriemyrtis.net/wesley-clark/"><font color = "blue">Wesley Clark</font></a>, <a href="https://galeriemyrtis.net/morel-doucet/"><font color = "blue">Morel Doucet</font></a>, <a href="https://galeriemyrtis.net/monica-ikegwu/"><font color = "blue">Monica Ikegwu</font></a>,<a href="https://galeriemyrtis.net/m-scott-johnson/"><font color = "blue">M. Scott Johnson</font></a>, <a href="https://galeriemyrtis.net/delita-martin/"><font color = "blue">Delita Martin</font></a>, and  <a href="https://galeriemyrtis.net/felandus-thames/"><font color = "blue">Felandus Thames</font></a>.<br />
<center><a href="https://www.artgalleria.com/folio?p=e1a62c7a-e4bb-4b87-b847-141b3cbdc900"><font size = "4" font color = "blue">view artwork</font></a></center></p>
<p>Programming includes a book signing for &#8220;Shifting Time: African American Artists 2020-2021&#8221; on Saturday, September 16th from 5 &#8211; 7 pm. The event is in collaboration with the Petrucci Family Foundation (PFF). Claudia Volpe, the Director of PFF, and essayists Klare Scarborough and Berrisford Boothe will join featured artists for the event. </p>
<p><center><font size = "4">Exhibition Dates<br />
September 2 – October 21, 2023</center></font></p>
<p>
<font size = "2"><b>artwork</b><br />
<i>Light in the Darkness II</i>, 2023<br />
Oil Paint on Canvas, 24 x 18&#8243;<br />
by Monica Ikegwu</font></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">46149</post-id>	</item>
		<item>
		<title>Context Art Miami 2022</title>
		<link>https://galeriemyrtis.net/context-art-miami-2022/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Nov 2022 17:10:57 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[awny Chatmon]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Megan Lewis]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=45887</guid>

					<description><![CDATA[1 Herald Plaza, Miami, FL 33132, USA Booth #A3 TICKETS &#038; INFORMATION Galerie Myrtis announces our participation in CONTEXT Art Miami featuring new works from Tawny Chatmon, Morel Doucet, Monica<div><a class="btn-filled btn" href="https://galeriemyrtis.net/context-art-miami-2022/" title="Context Art Miami 2022">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.contextartmiami.com/dealer-details/1018/galerie-myrtis"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/11/CONTEXT-logo-2022-dates.png" alt="" width="404" height="217" class="alignleft size-full wp-image-45888" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/11/CONTEXT-logo-2022-dates.png 1024w, https://galeriemyrtis.net/wp-content/uploads/2022/11/CONTEXT-logo-2022-dates-300x161.png 300w, https://galeriemyrtis.net/wp-content/uploads/2022/11/CONTEXT-logo-2022-dates-768x413.png 768w" sizes="auto, (max-width: 404px) 100vw, 404px" /></a><br />
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</br><br />
</br><br />
<a href="https://www.google.com/maps/search/?api=1&#038;query=1%20Herald%20Plaza%2C%20Miami%2C%20FL%2033132%2C%20USA" rel="noopener" target="_blank"><font color = "blue"><br />
<font size = "4">1 Herald Plaza, Miami, FL 33132, USA</font><br />
Booth #A3</a></font><br />
<a href="https://www.contextartmiami.com/tickets" rel="noopener" target="_blank"><font color = "red"><b>TICKETS &#038; INFORMATION</b></font></a></p>
<p>Galerie Myrtis announces our participation in CONTEXT Art Miami featuring new works from Tawny Chatmon, Morel Doucet,  Monica Ikegwu, Megan Lewis,  Delita Martin, and Felandus Thames at Booth A3.<br />
<div class="envira-gallery-feed-output"><img decoding="async" class="envira-gallery-feed-image" tabindex="0" src="https://galeriemyrtis.net/wp-content/uploads/2022/11/chatmon-envira-context-2022.png" title="chatmon-envira-context-2022" alt="" /></div></p>
<p><b>Fair Hours</b><br />
(VIP Preview) Tuesday, November 29 — 6:30pm &#8211; 10pm<br />
Wednesday, November 30 — 11am &#8211; 7pm<br />
Thursday, December 1 — 11am &#8211; 7pm<br />
Friday, December 2 — 11am &#8211; 7pm<br />
Saturday, December 3 — 11am &#8211; 7pm<br />
Sunday, December 4 — 11am &#8211; 6pm<br />
<a href="https://www.contextartmiami.com/tickets" rel="noopener" target="_blank"><font color = "red"><b>TICKETS &#038; INFORMATION</b></font></a></p>
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		<title>The Afro-Futurist Manifesto: Blackness Reimagined &#8211; PRESS</title>
		<link>https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-press/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 14 May 2022 17:09:30 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Larry Cook]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Venice]]></category>
		<category><![CDATA[Venice Biennial]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45600</guid>

					<description><![CDATA[PRESS Personal Structures, July 2022 The Beauty and Confidence of Blackness The Afro-Futurist Manifesto: Blackness Reimagined. With this installation, Galerie Myrtis seeks to provide insight into the socio-political concerns of<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-press/" title="The Afro-Futurist Manifesto: Blackness Reimagined &#8211; PRESS">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h2>PRESS</h2>
<p><a href="https://personalstructures.com/stories/the-beauty-and-confidence-of-blackness/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-ecc-logo.png" alt="" width="125" height="125" class="alignleft size-full wp-image-44310" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-ecc-logo.png 502w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-ecc-logo-300x300.png 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-ecc-logo-150x150.png 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Personal Structures, July 2022<br />
The Beauty and Confidence of Blackness</b></font></p>
<p>
The Afro-Futurist Manifesto: Blackness Reimagined. With this installation, Galerie Myrtis seeks to provide insight into the socio-political concerns of the African-American community and celebrates black culture by paying tribute to the reliance, creativity, ingenuity, and spirituality that has historically sustained Black people, bringing it into a completely new set of Venetian landscapes.<a href="https://personalstructures.com/stories/the-beauty-and-confidence-of-blackness/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://glasstire.com/2022/06/11/10-works-from-the-venice-biennale-that-i-wish-the-fort-worth-modern-would-acquire/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/07/Press-Glasstire.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-45665" /></a><font size = "3"><b>Glasstire, June 2022<br />
10 Works from the Venice Biennale that I Wish the Fort Worth Modern Would Acquire by Colette Copeland</b></font></p>
<p>
[Tawny] Chatmon’s gold-leafed photographic portraits celebrate the beauty of black childhood. Inspired by 15th century Italian artists and artisans, as well as gold-inscribed historical relics, the artist juxtaposes the portraits onto historical landscape paintings as an act of affirmation.<a href="https://glasstire.com/2022/06/11/10-works-from-the-venice-biennale-that-i-wish-the-fort-worth-modern-would-acquire/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.nypl.org/blog/2022/06/29/tribute-afrofuturist-deity-schomburg-center-artist-educator-m-scott-johnson"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/07/Press_New_York_Public_Library.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-45660" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/07/Press_New_York_Public_Library.jpg 523w, https://galeriemyrtis.net/wp-content/uploads/2022/07/Press_New_York_Public_Library-300x297.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2022/07/Press_New_York_Public_Library-150x150.jpg 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>New York Public Library, 2022<br />
Tribute to an Afrofuturist Deity: Schomburg Center Artist &#038; Educator M. Scott Johnson Exhibits at 59th Venice Biennale</b></font></p>
<p>
&#8230;The stone chips were flying as M. Scott Johnson, a sculptor and visual arts instructor at the Center’s Junior Scholars Program, began work on the first sculpture of his triptych, The Metamorphosis of High John the Conqueror: Tribute to an Afrofuturist Deity.<a href="https://www.nypl.org/blog/2022/06/29/tribute-afrofuturist-deity-schomburg-center-artist-educator-m-scott-johnson"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.artlyst.com/features/eight-best-collateral-events-59th-venice-biennale-lee-sharrock/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/05/artlyst-press.png" alt="" width="125" height="125" class="alignleft size-full wp-image-45596" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/05/artlyst-press.png 225w, https://galeriemyrtis.net/wp-content/uploads/2022/05/artlyst-press-150x150.png 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Artlyst, April 2022<br />
Eight Of The Best Collateral Events – 59th Venice Biennale by Lee Sharrock </b></font></p>
<p>
Myrtis Bedolla, founding director of Galerie Myrtis in Baltimore MD, has curated a breathtaking group exhibition at the European Cultural Centre in Palazzo Bembo. Titled ‘The Afro-Futurist Manifesto: Blackness Reimagined’, the exhibition groups together 8 artists who are reclaiming the inequality of white art history from the point of view of a black narrative&#8230;<a href="https://www.artlyst.com/features/eight-best-collateral-events-59th-venice-biennale-lee-sharrock/"> <font color = "blue"><i>full article</i></font></a></p>
<hr>
</hr>
<p><a href="https://issuu.com/patriciaandrews-keenan/docs/pigment_international_magazine_2022_layout"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/05/press-pigment-2022.jpg" alt="" width="125" height="146" class="alignleft size-full wp-image-45612" /></a><font size = "3"><b>Pigmment Magazine, 2022<br />
Venice says &#8220;BENVENUTO to Galerie Myrtis in 2022</b></font></p>
<p>
[Galerie Myrtis] is the first Black-owned gallery to be invited to participate in the Biennale-affiliated &#8220;Personal Structures: Time Space and existence.&#8221; The gallery was invited to the prestigious show by the European Cultural Centre-Italy.<a href="https://issuu.com/patriciaandrews-keenan/docs/pigment_international_magazine_2022_layout"> <font color = "blue"><i>full article</i></font></a><br />
</br></p>
<hr>
</hr>
<p><a href="https://www.blackartinamerica.com/index.php/2021/11/04/galerie-myrtis-exhibiting-black-art-at-the-venice-biennale/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/05/black-art-in-america.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-45611" /></a><font size = "3"><b>Black art in America, April 2022<br />
Galerie Myrtis: Exhibiting Black Art at The Venice Biennale by Shantay Robinson</b></font></p>
<p>
By invitation of the European Cultural Centre-Italy, Galerie Myrtis is the first black-owned gallery to be invited to participate in the Biennale-affiliated exhibition Personal Structures: Time, Space, and Existence. This historic moment is predated by the 2020 racial reckoning the world experienced.<a href="https://www.blackartinamerica.com/index.php/2021/11/04/galerie-myrtis-exhibiting-black-art-at-the-venice-biennale/"> <font color = "blue"><i>full article</i></font></a></p>
<hr>
</hr>
<p><a href="https://www.culturetype.com/2021/08/01/latest-news-in-black-art-guggenheim-hires-diversity-chief-galerie-myrtis-presenting-exhibition-at-venice-biennale-kehinde-wiley-redesigns-mtv-moonperson-more/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo.jpg" alt="" width="145" height="145" class="alignleft size-full wp-image-42877" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo.jpg 125w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-24x24.jpg 24w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-36x36.jpg 36w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-48x48.jpg 48w" sizes="auto, (max-width: 145px) 100vw, 145px" /></a><font size = "3"><b>Culture Type, August, 2021</b><br />
Latest News in Black Art: Guggenheim Hires Diversity Chief, <b>Galerie Myrtis Presenting Exhibition at Venice Biennale,</b> Kehinde Wiley Redesigns MTV Moonperson &#038; More <b>by Victoria L. Valentine</b></font></p>
<p>
Galerie Myrtis Fine Art &#038; Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined,” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.<a href="https://www.culturetype.com/2021/08/01/latest-news-in-black-art-guggenheim-hires-diversity-chief-galerie-myrtis-presenting-exhibition-at-venice-biennale-kehinde-wiley-redesigns-mtv-moonperson-more/"><font color = "blue"> <i>full article</i></font></a></p>
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		<title>Felandus Thames &#8211; PRESS</title>
		<link>https://galeriemyrtis.net/felandus-thames-press/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 18 Mar 2022 17:45:57 +0000</pubDate>
				<category><![CDATA[Press]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45350</guid>

					<description><![CDATA[PRESS Cleveland Art Museum, March, 2022 Resistance in Black and White Within the exhibition, Jack Whitten’s large-scale monochromatic abstraction, Rho I (1977) is paired with Felandus Thames’s African King of<div><a class="btn-filled btn" href="https://galeriemyrtis.net/felandus-thames-press/" title="Felandus Thames &#8211; PRESS">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h2>PRESS</h2>
<p><a href="https://medium.com/cma-thinker/resistance-in-black-and-white-2e698046a7a1"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/cleveland-art-museum-logo.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-45356" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/03/cleveland-art-museum-logo.jpg 225w, https://galeriemyrtis.net/wp-content/uploads/2022/03/cleveland-art-museum-logo-150x150.jpg 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Cleveland Art Museum, March, 2022<br />
Resistance in Black and White</b></font></p>
<p>
Within the exhibition, Jack Whitten’s large-scale monochromatic abstraction, Rho I (1977) is paired with Felandus Thames’s African King of Dubious Origins (2022), an intricately beaded reproduction of a 1990s black-and-white photograph of Rodney King after he’d been beaten by four Los Angeles police officers.<a href="https://medium.com/cma-thinker/resistance-in-black-and-white-2e698046a7a1"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.artsy.net/article/artsy-editorial-5-artists-radar-september-09-01-21"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2019/08/artsy-logo.png" alt="" width="125" height="126" class="alignleft size-full wp-image-40992" /></a><font size = "3"><b>Artsy, September, 2021<br />
5 Artists on Our Radar This September &#8211; Artsy Curatorial and Artsy Editorial [mention of Felandus Thames]</b></font></p>
<p>
[Thames] will also be featured in the 2022 exhibition “The Afro‐Futurist Manifesto: Blackness Reimagined,” presented by Galerie Myrtis at the <a href="https://galeriemyrtis.net/venice/" rel="noopener" target="_blank"><font color = "blue">Venice Biennale</font></a>. Thames’s work has also been shown at the Mississippi Museum of Art, Real Art Ways, Jenkins Johnson Gallery, Kravets Wehby Gallery, Tilton Gallery, the International Print Center New York, and the African American Museum of Philadelphia&#8230;<a href="https://www.artsy.net/article/artsy-editorial-5-artists-radar-september-09-01-21"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.culturetype.com/2021/08/01/latest-news-in-black-art-guggenheim-hires-diversity-chief-galerie-myrtis-presenting-exhibition-at-venice-biennale-kehinde-wiley-redesigns-mtv-moonperson-more/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo.jpg" alt="" width="145" height="145" class="alignleft size-full wp-image-42877" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo.jpg 125w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-24x24.jpg 24w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-36x36.jpg 36w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-48x48.jpg 48w" sizes="auto, (max-width: 145px) 100vw, 145px" /></a><font size = "3"><b>Culture Type, August, 2021</b><br />
Latest News in Black Art: Guggenheim Hires Diversity Chief, <b>Galerie Myrtis Presenting Exhibition at Venice Biennale,</b> Kehinde Wiley Redesigns MTV Moonperson &#038; More <b>by Victoria L. Valentine</b></font></p>
<p>
Galerie Myrtis Fine Art &#038; Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.<a href="https://www.culturetype.com/2020/06/10/on-view-renaissance-noir-curated-by-myrtis-bedolla-at-uta-artist-space/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.vanityfair.com/london/2021/05/june-sarpong-on-the-power-of-black-art-and-visual-storytelling"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/05/press_vanity-fair.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-44127" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/05/press_vanity-fair.jpg 480w, https://galeriemyrtis.net/wp-content/uploads/2021/05/press_vanity-fair-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/05/press_vanity-fair-150x150.jpg 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a></a><font size = "3"><b>Vanity Fair, May 2021<br />
The Power of Black Art and Visual Storytelling by June Sarpong [mention of Felandus Thames]</b></font></p>
<p>A year since the murder of George Floyd, the art world is finally acknowledging Black artists and curators—and recognising the influence of their imagery has never been more significant. <i>In Baltimore, Myrtis Bedolla’s Galerie Myrtis is experiencing demand for Felandus Thames’ thought-provoking work.</i><a href="https://www.vanityfair.com/london/2021/05/june-sarpong-on-the-power-of-black-art-and-visual-storytelling"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.connecticutartreview.com/blog/2021/3/23/studio-visit-felandus-thames"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/03/conn_art-review.png" alt="" width="125" height="125" class="alignleft size-full wp-image-43957" /></a></a><font size = "3"><b>Connecticut Art Review, March, 2021<br />
Studio Visit | Felandus Thames by Jacquelyn Gleisner</b></font></p>
<p>Pleasure. This is the first word that viewers will connect with the work of Felandus Thames at his solo show The Things That Haunt Me Still at Real Art Ways. Bright orange beads pop against a vibrant kelly green backdrop in this central work. The bold, seraphic font alludes to the colors and diction of advertisements for Newport cigarettes from the 1980s.<a href="https://www.connecticutartreview.com/blog/2021/3/23/studio-visit-felandus-thames"> <font color = "blue"><i>full article</i></font></a><br />
</br></p>
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		<title>The Afro-Futurist Manifesto Blackness Reimagined &#8211; Venice Biennial</title>
		<link>https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-venice-biennial/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 09 Mar 2022 20:44:03 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Larry Cook]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45170</guid>

					<description><![CDATA[The Afro-Futurist Manifesto: Blackness Reimagined 2022 Venice Biennial Art Exhibition April 23 – November 27, 2022 Palazzo Bembo, Venice, Italy Photo by Matteo Losurdo artwork &#124; artists &#038; curator &#124;<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-venice-biennial/" title="The Afro-Futurist Manifesto Blackness Reimagined &#8211; Venice Biennial">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h1><font color = "000000">The Afro-Futurist Manifesto: Blackness Reimagined</h1>
<p><font size = "5">2022 Venice Biennial Art Exhibition</font><br />
<font size = "4">April 23 – November 27, 2022<br />
Palazzo Bembo, Venice, Italy</font></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3.jpg" alt="" width="1600" height="1068" class="alignnone size-full wp-image-46668" srcset="https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3.jpg 1600w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-300x200.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-1024x684.jpg 1024w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-768x513.jpg 768w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-1536x1025.jpg 1536w" sizes="auto, (max-width: 1600px) 100vw, 1600px" /><br />
<font size = "2">Photo by Matteo Losurdo</font></p>
<p><a href="https://www.artgalleria.com/folio?p=1d1de49f-b4ea-4095-9010-7481cb5dcdfc"><font color = "blue">artwork</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-meet-the-artist-and-curator-venice-biennial/"><font color = "blue">artists &#038; curator</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-curatorial-statement/"><font color = "blue">curatorial statement</a></font> | <a href="https://galeriemyrtis.net/the-speculative-future-of-blackness-artist-talk-2022-venice-biennial/"><font color = "blue">artist talk</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-press/"><font color = "blue">press</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-installation-photos/"><font color = "blue">installation photos</font></a></p>
<hr>
</hr>
<p>In <b><font size = "4">The Afro-Futurist Manifesto: Blackness Reimagined</b></font>, artists assert agency over narratives of Black life, offer discourse into the socio-political concerns of African Americans, and pay tribute to the resiliency, creativity, and spirituality that have historically sustained Black people.<br />
<i>● Curated by Myrtis Bedolla, Founding Director, Galerie Myrtis</i></p>
<p><b><font color = "000000">FEATURED ARTISTS</font></b><br />
Tawny Chatmon ● Larry Cook ● Morel Doucet ● Monica Ikegwu ● M. Scott Johnson ● Delita Martin ● Arvie Smith ● Felandus Thames</center></p>
<p><b><font color = "000000">VENUE</font></b><br />
Palazzo Bembo<br />
Riva del Carbon # 4793<br />
30124 Venezia, Italy</p>
<hr>
</hr>
<p><b><font color = "000000">Galerie Myrtis thanks the following sponsors</font></b></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/Fraserfoundation-a.jpg" alt="" width="193" height="50" class="alignnone size-full wp-image-45315" /></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/Joshua-Johnson-Council-logo.jpg" alt="" width="193" height="50" class="alignnone size-full wp-image-45317" /></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/racc_orange_primary-300x60.png" alt="" width="200" height="40" class="alignnone size-medium wp-image-45711" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/03/racc_orange_primary-300x60.png 300w, https://galeriemyrtis.net/wp-content/uploads/2022/03/racc_orange_primary.png 311w" sizes="auto, (max-width: 200px) 100vw, 200px" /></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/UMGC-logo.jpg" alt="" width="193" height="50" class="alignnone size-full wp-image-45318" /></p>
<p>Daniel F Bergsvik and Donald N. Hastler<br />
Reginald and Aliya Browne<br />
Ilona Sochynsky<br />
The Tibbles Family Trust</p>
<hr>
</hr>
<p>Members of the European Cultural Centre Italy Team talk about the sixth edition of Personal Structures, how the project started years ago and its main aim and values<br />
<b>(Galerie Myrtis feature at <font color = "blue">1:46</font>)</b></p>
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<p></br></p>
<hr>
</hr>
<h4>Presenting the 2022 ECC Awards</h4>
<p>Like every edition, the European Cultural Centre presents the ECC Awards to commemorate the closing of the exhibition and to honour the participants that haven taken part in it</p>
<p>During the Closing Event on Sunday 27th of November, 2022, ECC Italy announced the winners and special mentions of this year’s ECC Awards, which were carefully selected by the European Cultural Centre curatorial team. The winners received the unique award of the artwork “1 meter” by the Dutch artist René Rietmeyer, initiator of the project Personal Structures and of the European Cultural Centre itself. The nominees were selected for the categories of: painting and mixed media, sculpture and installation, photography, video and digital art, and university research projects and lifetime achievement.</p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-1024x186.png" alt="" width="1024" height="186" class="alignnone size-large wp-image-46890" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-1024x186.png 1024w, https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-300x54.png 300w, https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-768x139.png 768w, https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis.png 1251w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><br />
<a href="https://personalstructures.com/stories/ecc-awards-2022/" rel="noopener" target="_blank"><font color = "blue"><i>see list of other recipients<i></font></a>.</p>
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		<item>
		<title>The Afro-Futurist Manifesto Blackness Reimagined Meet the Artist and Curator Venice Biennial</title>
		<link>https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-meet-the-artist-and-curator-venice-biennial/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 09 Mar 2022 20:14:28 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Larry Cook]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45210</guid>

					<description><![CDATA[Meet the Artist &#038; Curator Tawny Chatmon, Artist view resume Tawny Chatmon (b. 1979, Tokyo, Japan) is a self‐taught, award‐winning artist who has been working in the field of photography<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-meet-the-artist-and-curator-venice-biennial/" title="The Afro-Futurist Manifesto Blackness Reimagined Meet the Artist and Curator Venice Biennial">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<p><br />
</br><br />
<font size ="5">Meet the Artist &#038; Curator</font></p>
<hr>
</hr>
<p><font size = "5" font color = "336699">Tawny Chatmon, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/Tawny_Chatmon_Resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44336" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Tawny Chatmon (b. 1979, Tokyo, Japan) is a self‐taught, award‐winning artist who has been working in the field of photography for more than 17 years. The primary theme that drives Chatmon’s practice is celebrating the beauty of black childhood. She is currently devoted to creating portraits that are inspired by artworks spanning various periods in Western Art with the intent of bringing to the forefront faces that were often under‐celebrated in this style of work.</p>
<p><b>Museum Collection:</b><br />
Minneapolis Institute of Art<br />
Microsoft Corporate Collection<br />
Petrucci Family Foundation Collection of African American Art<br />
University of Maryland Global Campus</p>
<hr>
</hr>
<p><font size = "5" font color = "336699">Larry Cook, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/Larry_Cook_Resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44333" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Larry Cook (b. 1986, Laurel, Maryland) is an award-winning photographer and conceptual artist whose work spans installation, video, and photography. Cook’s work explores the cultural aesthetic of “club” photography to examine how urban culture and incarceration systems become entwined through backdrops. The backdrop is central for its relationship to the formal, social, and cultural aspects of photographic history.</p>
<p><b>Museum Collections:</b><br />
Baltimore Museum of Art (promised gift)<br />
Museum of Modern Art<br />
Harvard Art Museums<br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Morel Doucet, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/morel_doucet_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44337" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Morel Doucet (b. 1990, Pilate, Haiti) is a Miami‐based multidisciplinary artist and arts educator that hails from Haiti. He employs ceramics, illustrations, and prints to examine the realities of climate‐gentrification, migration, and displacement within the Black diaspora communities.</p>
<p><b>Museum Collections (selected):</b><br />
Pérez Art Museum Miami (PAMM)<br />
UK Contemporary Art Society, Plymouth Box Museum<br />
Petrucci Family Foundation Collection of African American Art<br />
</br><br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Monica Ikegwu, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/monica_ikegwu_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44335" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Monica Ikegwu (b.1998, Baltimore, Maryland) is a figurative painter. She presents her ideas of the figure in a way that is not only captivating, but also unconventional in her use of color, texture, and composition.</p>
<p><b>Museum Collection:</b><br />
Petrucci Family Foundation Collection of African<br />
American Art<br />
</br><br />
</br><br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">M. Scott Johnson, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/m-scott-johnson_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44334" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />M. Scott Johnson (b. 1968, Inkster, Michigan) is a New York City‐based artist and educator, has carved out a legacy as one of the most stimulating and unique artists of his generation. M. Scott has explored, both in his practice and through his 20‐year visual arts teaching residency at the Schomburg Center for Research in Black Culture in Harlem, New York, a rich vision of contemporary Afro‐aesthetics.</p>
<p><b>Museum Collections:</b><br />
The Hampton University Museum<br />
The Schomburg Center Research in Black Culture<br />
Embassy of Oslo Norway, Arts in Embassies Program<br />
</br><br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Delita Martin, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/delita_martin_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44332" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Delita Martin (b. 1972, Conroe, Texas) is a master printmaker, illustrator, and painter based in Huffman, Texas. Through the weaving of history and storytelling, Martin offers a new narrative on the power of women whose stories are not only layered in textures and techniques but also symbolism.</p>
<p><b>Museum Collections (selected):</b><br />
Crystal Bridges Museum<br />
Minneapolis Institute of Art<br />
Minnesota Museum of American Art<br />
National Museum of Women in the Arts<br />
Library of Congress<br />
The Studio Museum in Harlem<br />
Petrucci Family Foundation Collection of African-American Art</p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Arvie Smith, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/arvie_smith_resume.pdf" rel="noopener noreferrer" target="_blank"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44331" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Arvie Smith (b.1938, Houston, Texas) transforms the history of oppressed and stereotyped segments of the American experience into lyrical two‐dimensional master works.</p>
<p><b>Museum Collections (selected):</b><br />
Delaware Museum of Art<br />
Hallie Ford Museum of Art<br />
Petrucci Family Foundation Collection of African American Art<br />
Portland Art Museum<br />
Reginald F. Lewis Museum<br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Felandus Thames, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/felandus_thames_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44330" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Felandus Thames (b. 1974, Jackson, Mississippi) is a conceptual artist living and practicing in the greater New York area. Thames’ work attempts to transcend didacticisms that are typically associated with anachronistic understandings of representation and instead aligns itself with ideas around the taxonomy of human difference.</p>
<p><b>Museum Collections (selected):</b><br />
Aspen Museum of Art<br />
Petrucci Family Foundation Collection of African American Art<br />
Smith Robertson Museum<br />
Studio Museum of Harlem<br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Myrtis Bedolla, Curator</font><br />
<a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-myrtis-bedolla-curator-venice-biennial"><font color = "6f2a2a">about myrtis</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44488" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Myrtis Bedolla is the owner and founding director of Galerie Myrtis, an emerging blue-chip gallery and art advisory specializing in twentieth and twenty-first-century American art with a focus on work created by African American artists. Bedolla possesses over 30 years of experience as a curator, gallerist, and art consultant.</p>
<p>Established in 2006, the mission of the gallery is to utilize the visual arts to raise awareness for artists who deserve recognition for their contributions in artistically portraying our cultural, social, historical, and political landscapes; and to recognize art movements that paved the way for freedom of artistic expression.</p>
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