Curators: Myrtis Bedolla and Jessica Stafford Davis
Galerie Myrtis and The Agora Culture present Blackface: A Reclamation of Beauty, Power, and Narrative. In asserting the beauty of the black body, affirming its power — and societal and historical place, curators Myrtis Bedolla and Jessica Stafford Davis offer a counter narrative to the racist archetypes that evolved from 18th century minstrelsy, and its negative stereotyping of African Americans that prevails today.
The exhibition explores contemporary notions of black identity through photography by Tawny Chatmon, and painters Alfred Conteh, Jerrell Gibbs, and Jas Knight; and offers an investigation of blackface from a historical perspective presented in paintings by Arvie Smith and multidisciplinary works by Felandus Thames. The addition of a compiling video by filmmaker Karina Griffith captured in Berlin, Germany evokes the maligning of blackness through an international lens.
In addressing the insidious nature of minstrelsy and the appropriation of black culture — to deploy and rationalize the subjugation of African Americans for financial gain, Frederick Douglass described blackface performers as:
“…the filthy scum of white society, who have stolen from us a complexion, denied them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.” Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press.
Artwork
Tawny Chatmon
The Awakening: Covered
Photography, Photo- Manipulation, Montage, Embellished with 24k gold leaf
38" x 49" Framed
2017
Tawny Chatmon
The Redemption: Girl Enlightened
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
51" x 62" Framed
2018/2019
Tawny Chatmon
The Redemption: Castles
Photography, Photo- Manipulation, 24k gold leaf, Acrylic paint
34.5" x 42" Framed
2018/2019
Tawny Chatmon
The Awakening:Not Charlotte
Photography, Photo- Manipulation, Montage, Embellished with 24k gold leaf
53" x 45" Framed
2017
Alfred Conteh RJ and His People
Acrylic on Canvas
84" x 47.5"
2019
Alfred Conteh
Lil' Will
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2017
Alfred Conteh
Debo
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2016
Alfred Conteh
Portia
Acrylic and Charcoal on Paper
36” x 28.5” Framed
2016
Jerrell Gibbs
Vive y Aprende
Oil on canvas
60" x 48" Unframed
2019
Jerrell Gibbs
Trees
Oil on canvas
36" x 48" Unframed
2019
Jerrell Gibbs
Quiero Amo
Oil on canvas
60" x 48" Unframed
2019
Jerrell Gibbs
Git It
Oil on canvas
48" x 36" Unframed
2019
Karina Griffith
Crude Processions (video clip)
Video
7 min. 1 sec.
2013
Jas Knight
Untitled (Androgynous female) Fugue No.5
Oil on linen
18" x 22" Sold unframed
2019
Jas Knight
Untitled Prelude No.4
Oil on linen
17" x 20" Sold unframed
2019
Jas Knight
(Androgynous female) Prelude No.5
Work on paper
32.5" x 27.5" Framed
2019
Jas Knight
Fugue No. 2 in Ultramarine & Black
Oil on linen
28" x 41" Sold unframed
2017
Jas Knight
Untitled (Two Men)
Oil on linen
35" x 47" Unframed
2019
Jas Knight
Fugue No.6
Oil on linen
28" x 22" Sold unframed
2019
Arvie Smith
Tight Rope
Oil on canvas
40” x 30” Framed
2014
Arvie Smith
Nigger Hair Tobacco
Oil on canvas
24” x 24" Framed
2009
Felandus Thames
Portrait of the First Post-Black Hairbeads on coated wire
24" x 39" x 1”
2019
Need help picking the perfect artwork? Want to know how to start collecting art? Hear from experts in the field to get the inside scoop about how to build your very own collection. Presenters: Myrtis Bedolla, Galerie Myrtis, Baltimore, Art Historian, Appraiser and Author Halima Taha, (Collecting African American Art: Works on Paper and Canvas, 1999) and renowned Collector Walter O. Evans who has amassed one of the greatest fine art collections in the country.
In conjunction with our Maryland Collects: Jacob Lawrence exhibition.
This is an RSVP Only.
Regular Admission Payable at Museum: Members – Free / Non-Members $8