Exhibitions

Building Bridges II The Politics of Love – Identity…

Building Bridges II: The Politics of Love, Identity and Race

13th Havana Biennial, Havana, Cuba
April 12 – May 12, 2019

Galeria Carmen Montilla – photo by Chris Bedolla

Location
Galeria Carmen Montilla
Norma Jimenez Iradiz, Directora
Calle de los Oficios No. 162, Old Havana
Opening Reception: April 13, 2019, 6:00 pm – 8:00 pm

Curators Myrtis Bedolla and Ana Joa reunite for the second iteration of Building Bridges II: The Politics of Love, Identity, and Race. In bridging peoples, politics, and cultures, the exhibition investigates the dogma of love, gender politics, and prevailing assumptions about identity and race. We thank Eusebio Leal Spengler, Old Havana Restoration Project for his support.

Los curadores Myrtis Bedolla y Ana Joa se reúnen para la segunda versión de Haciendo Puentes II: La Política del Amor, la Identidad y la Raza. Al unir a los pueblos, la política y las culturas, la exposición investiga el dogma del amor, la política de género y los supuestos prevalentes sobre la identidad y la raza. Agradecemos a Eusebio Leal Spengler, Havana Vieja Restauracion Proyecto por su apoyo.

American Artists: Tawny Chatmon, Wesley Clark, Larry Cook, Alfred Conteh, Anna U. Davis, Morel Doucet, Vance Gragg, Susan Goldman, Michael Gross, Ronald Jackson, M. Scott Johnson, and Delita Martin.

Cuban Artists: Julia Valdés Borrero, Luis Jorge Joa, Daylene Rodriquez Moreno, Caridad Ramos Mosquera, Zaida del Rio, Eduardo Roca Salazar (Choco), Alicia Leal Veloz, and Jorge Jacas Vivanco.


Artwork


Photos


Catalog

Michael Gross – Abstraction Catalogue

Michael Gross: Abstraction

Price: $20.00 USD + S&H

Michael Gross, painter and printmaker, offers expressive and emotionally filled works using a kaleidoscope of color. Gross creates art as “a means of grappling with the impulses and struggles that make up the way I see my place in the world.” Through his visual lexicon, which is devoid of ideological reference, Gross seeks to create order from chaos. His lyrical compositions of concatenated lines, textured surfaces and rich hues, invoke Abstract Expressionism and pay homage to artists who inspire his work: Willem de Kooning, Richard Diebenkorn and Jackson Pollock.

Exhibitions

Black Face: A Reclamation of Beauty, Power and Narrative

Blackface: A Reclamation of Beauty, Power, and Narrative


April 20 – June 15, 2019

Artists’ Talk: June 15th, 6:00 – 8:00 pm

exhibition essay by Halima Taha

Curators: Myrtis Bedolla and Jessica Stafford Davis

Galerie Myrtis and The Agora Culture present Blackface: A Reclamation of Beauty, Power, and Narrative. In asserting the beauty of the black body, affirming its power — and societal and historical place, curators Myrtis Bedolla and Jessica Stafford Davis offer a counter narrative to the racist archetypes that evolved from 18th century minstrelsy, and its negative stereotyping of African Americans that prevails today.

The exhibition explores contemporary notions of black identity through photography by Tawny Chatmon, and painters Alfred Conteh, Jerrell Gibbs, and Jas Knight; and offers an investigation of blackface from a historical perspective presented in paintings by Arvie Smith and multidisciplinary works by Felandus Thames. The addition of a compiling video by filmmaker Karina Griffith captured in Berlin, Germany evokes the maligning of blackness through an international lens.

In addressing the insidious nature of minstrelsy and the appropriation of black culture — to deploy and rationalize the subjugation of African Americans for financial gain, Frederick Douglass described blackface performers as:

“…the filthy scum of white society, who have stolen from us a complexion, denied them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.”
Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press.

Artwork

Film Screening – Daughters of the Dust


Parkway Theater
5 W. North Avenue
Baltimore, MD 21201
Ticket Price: $12

film trailer | film ticket info. | exhibition

Galerie Myrtis invites you to join Myrtis Bedolla in conversation with artist Delita Martin who will discuss the Julie Daniels’ 1991 film Daughters of the Dust, and its influence on her work and current series Between Spirits and Sisters.

The program will begin with an introduction of the movie by curator of film, Sterling Warren who will talk about its cultural and historical significance. Warren’s talk will be followed by the screening of Daughters of the Dust. At the conclusion of the film, Bedolla and Martin will engage in dialogue as Martin reflects on the bond amongst women in her family, how those relationships are reflected in her work, and her quest to preserve passed down traditions.

Left Image: Still image from Daughters of the Dust, 1991
Right Image: Delita Martin, Blue Dress and Colored Dreams, Gelatin printing, acrylic, hand-stitching, and conte, 84″ x 53″, 2015.


MEET THE ARTIST

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the Fine Arts faculty at the University of Arkansas at Little Rock, Martin currently works as a full-time artist in her studio, Black Box Press.
read full bio

Martin’s solo exhibition Between Spirits and Sisters is currently on view at Galerie Myrtis until February 2, 2019.




CURATOR OF FILM

Sterling Warren is a writer, artist and curator based in Baltimore. A native of Washington D.C., Sterling graduated from Howard University’s School of Communications, receiving a BA in Film. He is currently a graduate student in the Museum Studies and Historical Preservation program at Morgan State University.  Sterling has collaborated with several art and history institutions including the James E. Lewis Museum of Art, the Maryland Historical Society, the Lillie Carroll Jackson Civil Rights Museum, the Walters Art Museum, and Galerie Myrtis (where he is currently the curator of film).
Photograph by Akea Brown


FOUNDING DIRECTOR, GALERIE MYRTIS

Myrtis Bedolla is founding director of Galerie Myrtis, a contemporary fine art gallery and art advisory located in Baltimore, Maryland. Voted, Best Gallery by the Baltimore Sun in 2017, Bedolla has also been featured in BMORE Art magazine, Issue 3, Living with Art: Myrtis Bedolla Builds a Home and Gallery in Old Goucher and in the Baltimore Style Magazine, October 2013 issue Women in the Arts which honored women at the helm of the Baltimore art scene.
read full bio

Photograph courtesy: photography.spartana.com

Artist Talk

Between Spirits and Sisters – Film Screening – Daughters…

Between Spirits and Sisters by Delita Martin

 
Film Screening: Daughters of the Dust
Parkway Theater
5 W. North Avenue
Baltimore, MD 21201

film trailer | artwork

Galerie Myrtis invites you to join Myrtis Bedolla in conversation with artist Delita Martin who will discuss the Julie Dash’s 1991 film Daughters of the Dust, and its influence on her work and current series Between Spirits and Sisters.

The program will begin with an introduction of the movie by curator of film, Sterling Warren who will talk about its cultural and historical significance. Warren’s talk will be followed by the screening of Daughters of the Dust. At the conclusion of the film, Bedolla and Martin will engage in dialogue as Martin reflects on the bond amongst women in her family, how those relationships are reflected in her work, and her quest to preserve traditions that have been passed down through generations.

Left Image: Still image from Daughters of the Dust, 1991
Right Image: Delita Martin, Blue Dress and Colored Dreams, Gelatin printing, acrylic, hand-stitching, and conte, 84″ x 53″, 2015.


Meet The Artist

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the Fine Arts faculty at the University of Arkansas at Little Rock, Martin currently works as a full-time artist in her studio, Black Box Press.
read full bio

Martin’s solo exhibition Between Spirits and Sisters is currently on view at Galerie Myrtis until February 2, 2019.


The Film


Daughters of the Dust: Members of the Peazant family struggle with the decision to leave their island and move north. On the eve of their departure, memories of their Gullah history and its African roots come rising to the surface. Running time: 112 minutes, PG

Director: Julie Dash


Curator of Film

Sterling Warren is a writer, artist and curator based in Baltimore. A native of Washington D.C., Sterling graduated from Howard University’s School of Communications, receiving a BA in Film. He is currently a graduate student in the Museum Studies and Historical Preservation program at Morgan State University.  Sterling has collaborated with several art and history institutions including the James E. Lewis Museum of Art, the Maryland Historical Society, the Lillie Carroll Jackson Civil Rights Museum, the Walters Art Museum, and Galerie Myrtis (where he is currently the curator of film).
Photograph by Akea Brown


Founding Director, Galerie Myrtis

Myrtis Bedolla is founding director of Galerie Myrtis, a contemporary fine art gallery and art advisory located in Baltimore, Maryland. Voted, Best Gallery by the Baltimore Sun in 2017, Bedolla has also been featured in BMORE Art magazine, Issue 3, Living with Art: Myrtis Bedolla Builds a Home and Gallery in Old Goucher and in the Baltimore Style Magazine, October 2013 issue Women in the Arts which honored women at the helm of the Baltimore art scene.
read full bio

Photograph courtesy: photography.spartana.com

Tea with Myrtis – Artists’ Talk: Members of AfriCOBRA

Tea with Myrtis: Artists’ Talk: Members of AfriCOBRA discuss the history and mission of the collective, and their role in shaping the Black Arts Movement. Melanee Harvey, Ph.D. Assistant Professor of Art History, Howard University joins the conversation. Dr. Harvey authored the essay for the exhibition catalogue AfriCOBRA is a continuum: The Fifty-Year Legacy of the African Commune of Bad Relevant Artists. Myrtis Bedolla, Curator will moderator the discussion. Registration is Required- Seating is Limited

Tea served with savory treats starting at 3:00pm • Discussion begins at 3:30pm

$20 per person

 
Galerie Myrtis extends a special thanks to Darryl Gorman for sponsoring the event.
 

Renee Stout
The Time She Saw too Much, 2010
Acrylic, oil paint, colored pencil and collage on wood panel
36 x 36 inches

Catalogue

AfriCOBRA Catalogue

AfriCOBRA: The Evolution of a Movement


Price: $29.99 USD +S&H – Limited-edition

Galerie Myrtis offers for sale the exhibition catalogue AfriCOBRA: The Evolution of a Movement, commemorating the 50th anniversary of AfriCOBRA (African Commune of Bad Relevant Artists) the coalition of black revolutionary artists whose aesthetic emerged from activism and a commitment to rail against racism through positive, powerful and uplifting imagery.

artwork | artists | about AFRICOBRA

Featured Artists (year of membership)
Akili Ron Anderson (1979), Kevin Cole (2003), Adger Cowans (1978), Michael D. Harris (1979), Napoleon Jones-Henderson (founding member, 1968), James Phillips (1973), Frank Smith (1973), Nelson Stevens (founding member, 1968), Renée Stout (2017)

Catalogue essayist: Melanee Harvey, Ph.D.
Curatorial Statement: Myrtis Bedolla

 

Paperback: 40 pages | 39 color and black and white illustrations
Year published: 2018
Language: English
ISBN: 978-0981960289
Dimensions: 8.5 x 11 inches

Artist’s Talk: Damsels in Distress – Black Edge Wall…

Anna U. Davis, On Top, 2018

Topic: The complexities of gender inequality, sexual harassment, female empowerment, and feminism as a tool for social change are themes Anna U. Davis addresses in her current exhibition Damsels in Distress. Join us for a conversation with the artist as she delves into these topics, shares her personal experiences, and expands upon the drive to create this body of work.

The discussion with Anna U. Davis will be moderated by Myrtis Bedolla, Founder & Director of Galerie Myrtis. And include guest panelists Saida Agostini, poet, advocate and movement builder, and Chief Operating Officer for FORCE; and Khadija Nia Adell, multimedia artist, curator, arts administrator, and Assistant to the Director, Galerie Myrtis.

Tea With Myrtis

Tea with Myrtis – Art of the Collectors VI

Art of the Collectors VI

Panel Discussion | artwork

YouTube player

Topic: Discussion concerning issues that govern transferring art collections to family members and donating art to museums and universities.
Panelist’s: Alvah T. Beander, Melanin Art Appraisals, LLC • Berrisford Boothe, Principal Curator, Petrucci Family Foundation Collection of African-American Art • J. Larry Frazier, Attorney for Wills, Estates & Probate Law • Myrtis Bedolla, Founding Director, Galerie Myrtis

Alvah T. Beander

Alvah Beander possesses over 30 years of experience as a personal property appraiser specializing in African, African American, and African Diaspora art. Her company, Melanin Art Appraisals has been incorporated since 2002. She has served as an appraiser and consultant for the PBS series, “The Rise and Fall of Jim Crow: Johnnie Lee Gray paintings”; and was selected to appraise the African art gifts to former President George W. Bush and former Secretary of State Condolezza Rice; and served as consultant to the National Museum of African American History and Culture Plan for Action Presidential Commission.
 
 
Beander is a frequent lecturer and has presented at such organizations as the International Monetary Fund (IMF), American Society of Appraisers (ASA), The International Society of Appraisers (ISA), Lockheed Martin Corp., The Congressional Black Caucus, The Embassy of Ghana, and The Phillips Collection.

In 2016, Beander became a member of the international appraisal association, Royal Institute of Chartered Surveyors. She is a member of the prestigious ArtTable, Inc. and a lifetime member of the National Black M.B.A. Beander earned her M.B.A. from Marymount University and is an adjunct professor of business management, entrepreneurship and ethics.


Berrisford Boothe

Berrisford Boothe is the former Acting Department Chair of Art, Architecture, and Design at Lehigh University where he teaches beginning and advanced studio practice in drawing, painting and design. Boothe, born in Kingston, Jamaica is a multiple-media artist who has been a visible and well-established presence in the Eastern U.S. art scene for over 20 years. He has carefully crafted a career as painter, digital artist, printmaker, photographer, installation artist, lecturer, and curator.

Boothe has served on the Pennsylvania Council of the Arts and his work is part of collections public and private nationwide and in South America. Berrisford’s career has been presented in Halima Taha’s Collecting African American

Art. He was one of 100 artists nationwide featured in Robert Wuthnow’s book Creative Spirituality: The Way of the Artist. He was in the 2008 seminal exhibition: In Search of the Missing Masters: The Lewis Tanner Moore Collection of African American Art at The Woodmere Art Museum in Philadelphia, PA. His work has been featured in exhibitions at The Allentown Art Museum, The Fabric Workshop and Museum, Philadelphia, PA, The African American Museum, Philadelphia, PA and The William Benton Museum of Art. Professor Boothe has initiated and taught courses on African-American art and aesthetics from pre-colonial Africa to Contemporary America as part of Lehigh’s Africana Studies program.

In 2004–2005 while on sabbatical in Cambridge, England, he was a member of St. Barnabas Print studios. There, he produced new work with director James Hill and exhibited as a painter, photographer, and printmaker. In Cambridge, he also collaborated with master printmaker Kip Gresham at Gresham’s renowned Print Studio. The editioned prints completed there became part of collections at The Fitzwilliam Museum and The Kasser Foundation of Montclair, N.J. In addition, he was artist-in-residence at The London Print Studio where he continues a collaborative project with director John Philips.


J. Larry Frazier

Larry Frazier possesses over 22 years of experience as an attorney specializing in estate planning, trust and will contest litigation, probate and art collection planning. He started his practice in 1995 after working for the federal government and a small firm. He taught Trusts, Estates and Administration for five years at the USDA Graduate School and has been featured in Black Enterprise Magazines on succession planning for small businesses.

Frazier has presented on estate planning in numerous forms and been a regular panelist for the Estates, Trusts, and Probate Section of the DC Bar where he has been recognized as “Lawyer of The Year.”

Frazier is a member of the District of Columbia and North Carolina Bars. He is also a member of the National Bar Association, Washington Bar Association, and the District of Columbia Estate Planning Council. He is a graduate of Columbia College and Georgetown University Law Center. He is the co-trustee of the Lois Mailou Jones Pierre-Noel Trust, and the chair of the advisory board of the Smithsonian Anacostia Community Museum.


Myrtis Bedolla

Myrtis Bedolla is founding director of Galerie Myrtis, a contemporary fine art gallery and art advisory located in Baltimore, Maryland. She possesses over 30 years of experience as an advisor to individual collectors, and public and private institutions in the acquisition and sale of fine art; and provides professional curatorial services, lectures and educational programming to corporate, civic and arts organizations.

Galerie Myrtis was voted, Best Gallery by the Baltimore Sun in 2017. Bedolla has been featured in BMORE Art magazine, Issue 3, Living with Art: Myrtis Bedolla Builds a Home and Gallery in Old Goucher and in the Baltimore Style Magazine,

October 2013 issue Women in the Arts which honored women at the helm of the Baltimore art scene.

Bedolla is the recipient of the Foreign Language and Area Studies (FLAS) Fellowship, African Language Institute, Shona Language and Culture, from Michigan State University; holds a Bachelor of Science degree in Business Administration from the University of Maryland, University College, and received her curatorial training at the Maryland Institute College of Art in Baltimore, Maryland, and earned an on-line certificate in Cultural Theory for Curators from the Node Center for Curatorial Studies, Berlin, Germany.

Appointed board memberships include: the Association of African American Museums, Washington, D.C.; Art Advisory Board, University of Maryland University College, College Park Maryland; Board of Directors for the Smith Center for Healing and the Arts, Washington, D.C. Bedolla is a member of ArtTable: a national organization for professional women in the visual arts.

Photograph courtesy Stephen Spartana
photography.spartana.com

AfriCOBRA

AfriCOBRA


September 15 – October 27th, 2018

Featured Artists (year of membership)
Akili Ron Anderson (1979), Kevin Cole (2003), Adger Cowans (1978), Michael D. Harris (1979), Napoleon Jones-Henderson (founding member, 1968), James Phillips (1973), Frank Smith (1973), Nelson Stevens (founding member, 1968), and Renee Stout (2017)

artwork | artists | artists’ talk | photos | catalogue






About AfriCOBRA

Galerie Myrtis Fine Art presents AfriCOBRA: The Evolution of a Movement in celebration of the 50th anniversary of the coalition of black revolutionary artists whose aesthetic emerged from activism and a commitment to rail against racism through positive, powerful and uplifting imagery.

AfriCOBRA (African Commune for Bad Relevant Artists) was inspired by the Black Arts Movement, to expand the canon by creating artwork that speaks to the concerns of black people. In exploring the evolution of their creativity, this exhibition features paintings, photographs, prints, and three-dimensional forms created from 1979 to 2018, by the group’s earliest to its latest members.

Birthed during the height of the Civil Rights Movement, AfriCOBRA shaped a radical black aesthetic that asserted black empowerment, self-determination, and unity among African Diasporic people. The artists’ collective was conceived in 1968, on the South Side of Chicago, by founding members, Jeff Donaldson (1932-2004), Wadsworth Jarrell (b. 1929) and Gerald Williams (b. 1941) who formed the nucleus of the group. As socially and politically conscious artists, they sought to counter white supremacist representations with positive black imagery, presented symbolically and rhythmically to uplift the soul of a nation.

Drawing from the tenets of the Black Power Movement, and the philosophical concepts and aesthetic principals of AfriCOBRA—works emerging from the collective captured the ethos of the black community. Through their imagery, rendered in a palette of “Kool-aid” colors, developed a black iconography rooted in African ancestry and black pride; and a lexicon, as in the term “mimesis at midpoint” to describe their artistic approach. These expressions, couched in idioms, such as, “the rich lustre of a just-washed ‘Fro” formed a vernacular that defines cultural nuances of the black experience.
Myrtis Bedolla, Curator