<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Tawny Chatmon Archives - Galerie Myrtis</title>
	<atom:link href="https://galeriemyrtis.net/tag/tawny-chatmon/feed/" rel="self" type="application/rss+xml" />
	<link>https://galeriemyrtis.net/tag/tawny-chatmon/</link>
	<description>Fine Art and Advisory</description>
	<lastBuildDate>Thu, 07 May 2026 22:57:28 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0.2</generator>

<image>
	<url>https://galeriemyrtis.net/wp-content/uploads/2020/03/cropped-browser-logo-1-32x32.jpg</url>
	<title>Tawny Chatmon Archives - Galerie Myrtis</title>
	<link>https://galeriemyrtis.net/tag/tawny-chatmon/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">39290426</site>	<item>
		<title>ExpoChicago</title>
		<link>https://galeriemyrtis.net/expochicago/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 21:29:23 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Catalog]]></category>
		<category><![CDATA[Catalogue]]></category>
		<category><![CDATA[Devin Allen]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=48504</guid>

					<description><![CDATA[EXPO CHICAGO April 9–12, 2026 Navy Pier&#8217;s Festival Hall, Chicago IL Reclaiming the Lens: Memory, Reflection, and Reclamation in Contemporary Black Art Open PDF Play Audio Artwork &#038; Price List<div><a class="btn-filled btn" href="https://galeriemyrtis.net/expochicago/" title="ExpoChicago">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<div style="max-width:1100px; margin:0 auto; padding:24px 18px 60px; font-family:Georgia, 'Times New Roman', serif; color:#1f1f1f; line-height:1.7;">
<div style="margin:0 0 22px;">
    <img decoding="async"
      src="https://galeriemyrtis.net/wp-content/uploads/2026/04/EXPO-CHICAGO-26_Web-Banners-2.png"
      alt="Galerie Myrtis presents Expo Chicago Booth 221"
      style="width:100%; height:auto; display:block; border-radius:30px; box-shadow:0 10px 28px rgba(0,0,0,.14);">
  </div>
<div style="text-align:center; margin-bottom:24px;">
<div style="font-size:13px; letter-spacing:.18em; text-transform:uppercase; color:#7b7b7b; margin-bottom:12px;"><a href="https://www.expochicago.com" target="_blank">EXPO CHICAGO<br />
April 9–12, 2026<br />
Navy Pier&#8217;s Festival Hall, Chicago IL</a></div>
</p>
<h2 style="margin:0; font-size:25px; line-height:1.12; font-weight:600;">Reclaiming the Lens: Memory, Reflection, and Reclamation in Contemporary Black Art</h2>
</p></div>
<div style="display:flex; flex-wrap:wrap; gap:22px; margin:0 0 38px;">
<div style="flex:1 1 320px; border:1px solid rgba(0,0,0,.14); border-radius:18px; background:#fcfaf7; padding:24px 22px 18px; box-shadow:0 6px 20px rgba(0,0,0,.04); text-align:center;">
      <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/Galerie-Myrtis_EXPO-CHICAGO_2026_FINAL-WEB-VERSION_APRIL-9_CATALOG.pdf" style="text-decoration:none; color:inherit; display:inline-block;"><br />
        <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2026/04/Expo-Catalog-Cover-Print-352x500-1.png" alt="Print catalog cover" style="width:200px; max-width:100%; height:auto; display:block; margin:0 auto 10px; border-radius:8px;"><br />
      </a><br />
      <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/Galerie-Myrtis_EXPO-CHICAGO_2026_FINAL-WEB-VERSION_APRIL-9_CATALOG.pdf" style="display:inline-block; padding:12px 22px; background:#111; color:#fff; text-decoration:none; border-radius:999px; font-size:13px; letter-spacing:.08em; text-transform:uppercase;">Open PDF</a>
    </div>
<div style="flex:1 1 320px; border:1px solid rgba(0,0,0,.14); border-radius:18px; background:#fcfaf7; padding:24px 22px 18px; box-shadow:0 6px 20px rgba(0,0,0,.04); text-align:center;">
      <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/Expo-Chicago-2026-Catalog-Audio-Long-v2.mp3" style="text-decoration:none; color:inherit; display:inline-block;"><br />
        <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2026/04/Expo-Catalog-Cover-Audio-352x500-1.png" alt="Audio catalog cover" style="width:200px; max-width:100%; height:auto; display:block; margin:0 auto 10px; border-radius:8px;"><br />
      </a><br />
      <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/Expo-Chicago-2026-Catalog-Audio-Long-v2.mp3"  style="display:inline-block; padding:12px 22px; background:#111; color:#fff; text-decoration:none; border-radius:999px; font-size:13px; letter-spacing:.08em; text-transform:uppercase;">Play Audio</a>
    </div>
</p></div>
<div style="border:1px solid rgba(0,0,0,.14); border-radius:18px; background:#fcfaf7; padding:14px 26px; margin-top:38px; box-shadow:0 6px 20px rgba(0,0,0,.04);">
<h3 style="margin:0 0 8px; text-align:center; font-size:25px; font-weight:600;">Artwork &#038; Price List</h3>
<p style="margin:0 0 14px; text-align:center; font-size:16px; color:#444;">
    <a href="https://www.artgalleria.com/folio?p=c3168f0b-44f0-417d-84ef-f6b636d73f39" style="color:blue; text-decoration:none;">view artworks</a> |    <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/Galerie-Myrtis-Expo-Chicago-2026-Sales-Catalog-2026-04-06v2.pdf" style="color:blue; text-decoration:none;">download price list</a>
  </p>
<p>  <a href="https://www.artgalleria.com/folio?p=c3168f0b-44f0-417d-84ef-f6b636d73f39" style="display:block; margin:0; padding:0; border:none; text-decoration:none;"><br />
    <img decoding="async" 
      src="https://galeriemyrtis.net/wp-content/uploads/2026/04/Sales-List-Image.png"
      alt="Sales List cover"
      style="width:100%; height:auto; display:block; margin:0; padding:0; border:none; border-radius:0;"><br />
  </a>
</div>
</p>
<div style="display:flex; flex-wrap:wrap; align-items:flex-start; gap:26px; border:1px solid rgba(0,0,0,.14); border-radius:18px; background:#fcfaf7; padding:26px; margin:0 0 22px; box-shadow:0 6px 20px rgba(0,0,0,.04);">
<div style="flex:0 0 135px;">
      <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2026/04/Devin.png" alt="Devin Allen" style="width:135px; height:auto; display:block; border-radius:10px;">
    </div>
<div style="flex:1 1 500px; min-width:260px;">
<h3 style="margin:0 0 6px; font-size:25px; line-height:1.2; font-weight:600;">Devin Allen</h3>
<div style="margin:0 0 12px; font-size:14px; color:#666; font-style:italic;">b. 1988, Baltimore, Maryland</div>
<p style="margin:0; font-size:17px;">
        Devin Allen is an accomplished photographer and author who adeptly captures the experiences of African Americans, encompassing their joys, struggles, and realities. Allen’s dynamic imagery often portrays scenes from his hometown, presenting an alternative narrative to the prevalent depictions of the city and its inhabitants in the media. <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/DEVIN-EXPO-CHICAGO_2026_FINAL-WEB-VERSION.pdf"><font size = "2" font color = "blue">read the featured catalog entry for Devin</font></a>
      </p>
</p></div>
</p></div>
<div style="display:flex; flex-wrap:wrap; align-items:flex-start; gap:26px; border:1px solid rgba(0,0,0,.14); border-radius:18px; background:#fcfaf7; padding:26px; margin:0 0 22px; box-shadow:0 6px 20px rgba(0,0,0,.04);">
<div style="flex:0 0 135px;">
    <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2026/04/Tawny.png" alt="Tawny Chatmon" style="width:135px; height:auto; display:block; border-radius:10px;">
  </div>
<div style="flex:1 1 500px; min-width:260px;">
<h3 style="margin:0 0 6px; font-size:25px; line-height:1.2; font-weight:600;">Tawny Chatmon</h3>
<div style="margin:0 0 12px; font-size:14px; color:#666; font-style:italic;">b. 1979, Tokyo, Japan</div>
<p style="margin:0 0 18px; font-size:17px;">
      Tawny Chatmon’s work explores identity, heritage, and the beauty of Black childhood through richly layered portraiture. Working primarily with photography as a foundation, her practice expands into material processes that include hand-embroidery, beading, metallic pigments, and other mixed media that center Black children and families with dignity and grace. <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/TAWNY-EXPO-CHICAGO_2026_FINAL-WEB-VERSION.pdf"><font size = "2" font color = "blue">read the featured catalog entry for Tawny</font></a>
    </p>
<div style="font-size:12px; letter-spacing:.14em; text-transform:uppercase; color:#7b7b7b; margin:0 0 12px;">Related Video Works</div>
<div style="display:flex; flex-wrap:wrap; gap:18px;">
<div style="flex:1 1 320px;">
<div style="font-size:16px; font-weight:600; margin:0 0 8px;">The Reconciliation / Economic Heritage</div>
<div style="border:1px solid rgba(0,0,0,.10); border-radius:12px; overflow:hidden; background:#fff;">
          <iframe
            width="100%"
            height="215"
            src="https://www.youtube.com/embed/6_HyNOxlGG8"
            title="The Reconciliation / Economic Heritage"
            style="border:0; display:block;"
            allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture"
            allowfullscreen><br />
          </iframe>
        </div>
</p></div>
<div style="flex:1 1 320px;">
<div style="font-size:16px; font-weight:600; margin:0 0 8px;">Restoration Series</div>
<div style="border:1px solid rgba(0,0,0,.10); border-radius:12px; overflow:hidden; background:#fff;">
          <iframe
            width="100%"
            height="215"
            src="https://www.youtube.com/embed/Z8m1aJdu7Lw"
            title="Restoration Series"
            style="border:0; display:block;"
            allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture"
            allowfullscreen><br />
          </iframe>
        </div>
</p></div>
</p></div>
</p></div>
</div>
<div style="display:flex; flex-wrap:wrap; align-items:flex-start; gap:26px; border:1px solid rgba(0,0,0,.14); border-radius:18px; background:#fcfaf7; padding:26px; margin:0 0 22px; box-shadow:0 6px 20px rgba(0,0,0,.04);">
<div style="flex:0 0 135px;">
      <img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2026/04/Scott.png" alt="M. Scott Johnson" style="width:135px; height:auto; display:block; border-radius:10px;">
    </div>
<div style="flex:1 1 500px; min-width:260px;">
<h3 style="margin:0 0 6px; font-size:25px; line-height:1.2; font-weight:600;">M. Scott Johnson</h3>
<div style="margin:0 0 12px; font-size:14px; color:#666; font-style:italic;">b. 1968, Inkster, Michigan</div>
<p style="margin:0; font-size:17px;">
        M. Scott Johnson came of age in the sonic laboratory of Detroit techno—a site where Black futurity learned to inhabit circuitry, loop, and pulse. That machinic rhythm permeates his sculptural vocabulary, as syncopation and repetition are transposed into line, cut, and void. His sculptures embody an Afrosurrealist materialism: objects rooted in atavistic memory yet emerging like dream fragments in material form. <a href="https://galeriemyrtis.net/wp-content/uploads/2026/04/SCOTT-EXPO-CHICAGO_2026_FINAL-WEB-VERSION.pdf"><font size = "2" font color = "blue">read the featured catalog entry for Scott</font></a>
      </p>
</p></div>
</p></div>
<p><center><br />
  <a href="http://eepurl.com/MxUXP"><img decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/04/join_mailing_list.png" 
         style="width: 35%; height: auto; border-radius: 10px;" /><br />
</a>
</div>
]]></content:encoded>
					
		
		<enclosure url="https://galeriemyrtis.net/wp-content/uploads/2026/04/Expo-Chicago-2026-Catalog-Audio-Long-v2.mp3" length="14527489" type="audio/mpeg" />

		<post-id xmlns="com-wordpress:feed-additions:1">48504</post-id>	</item>
		<item>
		<title>1-54 Contemporary African Art Fair</title>
		<link>https://galeriemyrtis.net/1-54-contemporary-african-art-fair/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 09 Apr 2025 13:32:58 +0000</pubDate>
				<category><![CDATA[Art Fairs]]></category>
		<category><![CDATA[Lavett Ballard]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=47607</guid>

					<description><![CDATA[1-54 Contemporary African Art Fair May 8th &#8211; 11th 28 Liberty Street, New York NY 10005 Ticket Information Galerie Myrtis &#8211; Booth 04 Featured Artist: Lavett Ballard Tawny Chatmon Monica<div><a class="btn-filled btn" href="https://galeriemyrtis.net/1-54-contemporary-african-art-fair/" title="1-54 Contemporary African Art Fair">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h2>1-54 Contemporary African Art Fair</h2>
<p><img fetchpriority="high" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2025/04/Monica-Ikegwu-Noah-2.jpg" alt="" width="666" height="731" class="alignright size-full wp-image-47609" srcset="https://galeriemyrtis.net/wp-content/uploads/2025/04/Monica-Ikegwu-Noah-2.jpg 666w, https://galeriemyrtis.net/wp-content/uploads/2025/04/Monica-Ikegwu-Noah-2-273x300.jpg 273w" sizes="(max-width: 666px) 100vw, 666px" /></h2>
<p><font size = "5">May 8th &#8211; 11th</font><br />
28 Liberty Street, New York<br />
NY 10005<br />
<a href="https://154contemporaryafricanartfair.artsvp.com/c6c09c?link=website"><font color = "red">Ticket Information</font></a></p>
<p><font color = "blue">Galerie Myrtis &#8211; Booth 04</font><br />
<b>Featured Artist:</b><br />
Lavett Ballard<br />
Tawny Chatmon<br />
Monica Ikegwu</p>
<p><a href="https://www.artgalleria.com/folio?p=a982b019-13a6-4fb5-b8f1-28f2f83b557d"><font color = "blue">view artwork</font></a> | <a href="https://galeriemyrtis.net/wp-content/uploads/2025/04/Galerie_Myrtis-154-Catalog.pdf"><font color = "Blue">1-54 artist&#8217;s catalog</font></a></p>
<p>The 1-54 Contemporary African Art Fair will feature a curated selection of galleries presenting contemporary works by both emerging and established artists from Africa and its diaspora. As always, 1-54 will collaborate with leading institutions to offer tailored programming.</p>
<p><b>VIP Preview Day</b><br />
Thursday, May 8, 2025<br />
11 am &#8211; 7 pm</p>
<p><b>Public Hours</b><br />
Friday May 9th, 11 am &#8211; 7 pm<br />
Saturday May 10th, 11 am &#8211; 7 pm<br />
Sunday May 11th, 11 am &#8211; 6 pm</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">47607</post-id>	</item>
		<item>
		<title>There Within Lies the Gospel</title>
		<link>https://galeriemyrtis.net/there-within-lies-the-gospel/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 19 Jul 2023 17:36:10 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">https://galeriemyrtis.net/?p=46149</guid>

					<description><![CDATA[There Within Lies the Gospel: Truth Opening Reception September 2, 2023 2:00 – 6:00 pm This exhibition celebrates the rich history of black religious and spiritual traditions while also challenging<div><a class="btn-filled btn" href="https://galeriemyrtis.net/there-within-lies-the-gospel/" title="There Within Lies the Gospel">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II.png" alt="" width="508" height="676" class="alignright size-full wp-image-46152" srcset="https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II.png 832w, https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II-225x300.png 225w, https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II-769x1024.png 769w, https://galeriemyrtis.net/wp-content/uploads/2023/07/Monica-Ikegwu-Light-in-the-Darkness-II-768x1023.png 768w" sizes="auto, (max-width: 508px) 100vw, 508px" /><center><font size  = "6"><b>There Within Lies the Gospel: Truth</font></b></p>
<p><font size = "4"><b>Opening Reception</b><br />
September 2, 2023<br />
2:00 – 6:00 pm</font></center></p>
<p>This exhibition celebrates the rich history of black religious and spiritual traditions while also challenging the ways in which these practices continue to evolve and adapt in response to contemporary social and cultural realities.</p>
<p><b>Featured artists:</b> <a href="https://galeriemyrtis.net/tawny-chatmon/"><font color = "blue">Tawny Chatmon</font></a>, <a href="https://galeriemyrtis.net/wesley-clark/"><font color = "blue">Wesley Clark</font></a>, <a href="https://galeriemyrtis.net/morel-doucet/"><font color = "blue">Morel Doucet</font></a>, <a href="https://galeriemyrtis.net/monica-ikegwu/"><font color = "blue">Monica Ikegwu</font></a>,<a href="https://galeriemyrtis.net/m-scott-johnson/"><font color = "blue">M. Scott Johnson</font></a>, <a href="https://galeriemyrtis.net/delita-martin/"><font color = "blue">Delita Martin</font></a>, and  <a href="https://galeriemyrtis.net/felandus-thames/"><font color = "blue">Felandus Thames</font></a>.<br />
<center><a href="https://www.artgalleria.com/folio?p=e1a62c7a-e4bb-4b87-b847-141b3cbdc900"><font size = "4" font color = "blue">view artwork</font></a></center></p>
<p>Programming includes a book signing for &#8220;Shifting Time: African American Artists 2020-2021&#8221; on Saturday, September 16th from 5 &#8211; 7 pm. The event is in collaboration with the Petrucci Family Foundation (PFF). Claudia Volpe, the Director of PFF, and essayists Klare Scarborough and Berrisford Boothe will join featured artists for the event. </p>
<p><center><font size = "4">Exhibition Dates<br />
September 2 – October 21, 2023</center></font></p>
<p>
<font size = "2"><b>artwork</b><br />
<i>Light in the Darkness II</i>, 2023<br />
Oil Paint on Canvas, 24 x 18&#8243;<br />
by Monica Ikegwu</font></p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">46149</post-id>	</item>
		<item>
		<title>The Speculative Future of Blackness &#8211; Artist Talk &#8211; 2022 Venice Biennial</title>
		<link>https://galeriemyrtis.net/the-speculative-future-of-blackness-artist-talk-2022-venice-biennial/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 31 Mar 2022 18:00:23 +0000</pubDate>
				<category><![CDATA[Artist Talk]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<category><![CDATA[Venice]]></category>
		<category><![CDATA[Venice Biennial]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45510</guid>

					<description><![CDATA[Artist Talk: The Speculative Future of Blackness Sunday, April 24, 2022 Palazzo Michiel Strada Nova, 4391 30121 Campo Santi Apostoli Venezia VE, Italy Myrtis Bedolla, Curator of The Afro-Futurist Manifesto:<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-speculative-future-of-blackness-artist-talk-2022-venice-biennial/" title="The Speculative Future of Blackness &#8211; Artist Talk &#8211; 2022 Venice Biennial">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<p><font size = "4">Artist Talk: The Speculative Future of Blackness<br />
Sunday, April 24, 2022</font></p>
<div  style="display: block; margin: 0px auto;"  id="_ytid_87248"  width="1140" height="641"  data-origwidth="1140" data-origheight="641"  data-relstop="1" data-facadesrc="https://www.youtube.com/embed/f9dIJRFHEyU?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=1&#038;rel=0&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=light&#038;color=red&#038;controls=1&#038;" class="__youtube_prefs__ epyt-facade  epyt-is-override  no-lazyload" data-epautoplay="1" ><img decoding="async" data-spai-excluded="true" class="epyt-facade-poster skip-lazy" loading="lazy"  alt="YouTube player"  src="https://i.ytimg.com/vi/f9dIJRFHEyU/maxresdefault.jpg"  /><button class="epyt-facade-play" aria-label="Play"><svg data-no-lazy="1" height="100%" version="1.1" viewBox="0 0 68 48" width="100%"><path class="ytp-large-play-button-bg" d="M66.52,7.74c-0.78-2.93-2.49-5.41-5.42-6.19C55.79,.13,34,0,34,0S12.21,.13,6.9,1.55 C3.97,2.33,2.27,4.81,1.48,7.74C0.06,13.05,0,24,0,24s0.06,10.95,1.48,16.26c0.78,2.93,2.49,5.41,5.42,6.19 C12.21,47.87,34,48,34,48s21.79-0.13,27.1-1.55c2.93-0.78,4.64-3.26,5.42-6.19C67.94,34.95,68,24,68,24S67.94,13.05,66.52,7.74z" fill="#f00"></path><path d="M 45,24 27,14 27,34" fill="#fff"></path></svg></button></div>
<p>Palazzo Michiel<br />
Strada Nova, 4391<br />
30121 Campo Santi Apostoli<br />
Venezia VE, Italy</p>
<p>Myrtis Bedolla, Curator of <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-venice-biennial/"><font color = "blue">The Afro-Futurist Manifesto: Blackness Reimagined</font></a> exhibition, moderates a discussion with artists Tawny Chatmon, M. Scott Johnson, Delita Martin, and Arvie Smith, whose works offer discourse into African Americans&#8217; socio-political concerns and pays tribute to the resiliency, creativity, and spirituality that have historically sustained Black people.</p>
<p>Blackness and the possibilities of its future are the impulses that drive the imaginations of the artists who draw inspiration from Afrofuturism, Black existentialism, spirituality, and futurist thought to construct a Black universe of tomorrow.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">45510</post-id>	</item>
		<item>
		<title>Tawny Chatmon &#8211; PRESS</title>
		<link>https://galeriemyrtis.net/tawny-chatmon-press/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 18 Mar 2022 18:26:40 +0000</pubDate>
				<category><![CDATA[Press]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45359</guid>

					<description><![CDATA[PRESS Experience Magazine, Issue 38, 2022 (pgs. 15-17) Majestic Reflections by Yaniya Lee &#8230;&#8221;while galleries, museums, and other art spaces begin to reassess their mission statements and take a serious<div><a class="btn-filled btn" href="https://galeriemyrtis.net/tawny-chatmon-press/" title="Tawny Chatmon &#8211; PRESS">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h2>PRESS</h2>
<p><a href="https://issuu.com/spafax/docs/bba-experience-magazine-issue_38_2022"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/09/press-experience-mag-38.jpg" alt="" width="125" height="158" class="alignleft size-full wp-image-45773" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/09/press-experience-mag-38.jpg 380w, https://galeriemyrtis.net/wp-content/uploads/2022/09/press-experience-mag-38-238x300.jpg 238w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Experience Magazine, Issue 38, 2022 (pgs. 15-17)<br />
Majestic Reflections by Yaniya Lee</b></font></p>
<p>
&#8230;&#8221;while galleries, museums, and other art spaces begin to reassess their mission statements and take a serious look at how diversity can improve their environments, talents such as Chatmon lead the conversations centering on&#8230; a dramatic and sensational celebration of Black beauty.&#8221;<a href="https://issuu.com/spafax/docs/bba-experience-magazine-issue_38_2022"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://bmoreart.com/2022/05/parallels-and-meaningful-difference-activating-the-renaissance.html"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2018/10/press-bmoreart-1.png" alt="" width="125" height="125" class="alignleft size-full wp-image-39004" /></a><font size = "3"><b>BMORE Art, May, 2022<br />
Parallels and Meaningful Difference: Activating the Renaissance by Kerr Houston</b></font></p>
<p>
&#8230;Arguably, the most extraordinary pairing in the entire show involves the placement of <font color = "000000"><b>Tawny Chatmon’s</b></font> haunting Covered/Vienna? next to an enigmatic oil painting by Pontormo. Both works are dual portraits, and both pair a coolly confident adult woman—embodiments, really, of sprezzatura— with a girl in a hesitant pose.<a href="https://bmoreart.com/2022/05/parallels-and-meaningful-difference-activating-the-renaissance.html"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.washingtonpost.com/magazine/2022/02/08/painter-who-surrounds-her-black-subjects-with-gold/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/10/washingotn_post-press.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-44917" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/10/washingotn_post-press.jpg 200w, https://galeriemyrtis.net/wp-content/uploads/2021/10/washingotn_post-press-150x150.jpg 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Washington Post Magazine, February, 2022</b><br />
A painter who surrounds her Black subjects with gold by Lesile Gray Streeter</b></font></p>
<p>
&#8230;[Chatmon&#8217;s] glittering pieces find their roots in in the works of past creators like Gustav Klimt &#8230; Chatmon who was named as one of &#8220;<a href="https://www.shondaland.com/inspire/a38036813/7-artists-you-should-know-now/"><font color = "blue">7 Artists You Should Know</font></a>&#8221; by director Shinda Rimes&#8217;s Shondaland site and seven others Black artists are part of the exhibit curated by Myrtis Bedolla, of Baltimore&#8217;s Galerie Myrtis.<a href="https://www.washingtonpost.com/magazine/2022/02/08/painter-who-surrounds-her-black-subjects-with-gold/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.culturetype.com/2021/08/01/latest-news-in-black-art-guggenheim-hires-diversity-chief-galerie-myrtis-presenting-exhibition-at-venice-biennale-kehinde-wiley-redesigns-mtv-moonperson-more/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo.jpg" alt="" width="145" height="145" class="alignleft size-full wp-image-42877" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo.jpg 125w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-24x24.jpg 24w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-36x36.jpg 36w, https://galeriemyrtis.net/wp-content/uploads/2020/06/culture-type-logo-48x48.jpg 48w" sizes="auto, (max-width: 145px) 100vw, 145px" /></a><font size = "3"><b>Culture Type, August, 2021</b><br />
Latest News in Black Art: Guggenheim Hires Diversity Chief, <b>Galerie Myrtis Presenting Exhibition at Venice Biennale,</b> Kehinde Wiley Redesigns MTV Moonperson &#038; More <b>by Victoria L. Valentine</b></font></p>
<p>
Galerie Myrtis Fine Art &#038; Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.<a href="https://www.culturetype.com/2020/06/10/on-view-renaissance-noir-curated-by-myrtis-bedolla-at-uta-artist-space/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.washingtonpost.com/entertainment/museums/art-gallery-shows-dc-area/2021/06/23/683f8478-d2be-11eb-ae54-515e2f63d37d_story.html"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/10/washingotn_post-press.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-44917" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/10/washingotn_post-press.jpg 200w, https://galeriemyrtis.net/wp-content/uploads/2021/10/washingotn_post-press-150x150.jpg 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Art Critique, June 2021<br />
In the galleries: An intimate panorama of video art’s variety and breadth by Mark Jenkins [mention of Tawny Chatmon]</b></font></p>
<p>The Maryland artist, a veteran commercial photographer, makes crisp pictures of cherished people and then adorns them with loosely painted jewels and flowers. The ornaments, rendered with pigment and gold leaf and sometimes three-dimensional, complement lustrous shades of Black skin and hair.</i><a href="https://www.washingtonpost.com/entertainment/museums/art-gallery-shows-dc-area/2021/06/23/683f8478-d2be-11eb-ae54-515e2f63d37d_story.html" target="_blank" rel="noopener noreferrer"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://abc.com/shows/soul-of-a-nation/episode-guide/season-01/04-soul-of-a-nation-black-joy"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/04/press_abc-logo.png" alt="" width="125" height="125" class="alignleft size-full wp-image-43959" /></a></a><font size = "3"><b>ABC Entertainment, 2021<br />
Tawny Chatmon&#8217;s Artworks Featured in Soul of a Nation on ABC</b></font></p>
<p>Soul of a Nation, a six-episode series, presents viewers with a unique window into authentic realities of Black life and dive deeper into this critical moment of racial reckoning. Tawny Chatmon&#8217;s artworks were featured in episode 4, titled Black Joy, which was referenced in the coda of poetry by Boston Globe Journalist, Jeneé Osterheldt who spoke on what defines Black Joy.<a href="https://abc.com/shows/soul-of-a-nation/episode-guide/season-01/04-soul-of-a-nation-black-joy"> <font color = "blue"><i>abc &#8211; soul of a nation</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.focuscamera.com/wavelength/10-black-photographers-on-instagram-you-should-be-following/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/05/press_focuscamera.png" alt="" width="125" height="125" class="alignleft size-full wp-image-44132" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/05/press_focuscamera.png 200w, https://galeriemyrtis.net/wp-content/uploads/2021/05/press_focuscamera-150x150.png 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a></a><font size = "3"><b>Focus, February, 2021<br />
10 Black Photographers on Instagram You Should Be Following by Brendan Mitchell [features Tawny Chatmon]</b></font></p>
<p>February is Black History Month, so we’ve taken the opportunity to profile some of our favorite Black photographers on Instagram. The artists featured below are masters of their trade. Their Instagram profiles are filled with visually striking imagery, from captivating portraits to surrealist visual art. <a href="https://www.focuscamera.com/wavelength/10-black-photographers-on-instagram-you-should-be-following/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.whitewall.art/art/myrtis-bedolla-curates-renaissance-noir-uta-artist-space"><a href="https://www.whitewall.art/art/myrtis-bedolla-deploying-art-address-political-social-issues"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/06/whitewall-mag.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-42880" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/06/whitewall-mag.jpg 125w, https://galeriemyrtis.net/wp-content/uploads/2020/06/whitewall-mag-24x24.jpg 24w, https://galeriemyrtis.net/wp-content/uploads/2020/06/whitewall-mag-36x36.jpg 36w, https://galeriemyrtis.net/wp-content/uploads/2020/06/whitewall-mag-48x48.jpg 48w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a></a><font size = "3"><b>Whitewall, October, 2020<br />
Myrtis Bedolla is Deploying Art to Address Political and Social Issues by Katy Donoghue</b></font></p>
<p>
Galerie Myrtis presents “Women Heal through Rite and Ritual” through the end of the year. The show’s focus was conceived prior to this year’s health crisis, and yet its timing could not be more fitting. Work by artists Lavett Ballard, Tawny Chatmon, Oletha DeVane, Shanequa Gay, Delita Martin, Elsa Muñoz, and Renée Stout look to non-Western traditions of the women’s role as nurturer, both physically and spiritually.<a href="https://www.whitewall.art/art/myrtis-bedolla-deploying-art-address-political-social-issues"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://museemagazine.com/features/2020/9/10/tawny-chatmons-the-redemption"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/09/press-musee.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-43387" /></a><font size = "3"><b>Musée Magazine, September, 2020<br />
Tawny Chatmon&#8217;s &#8220;The Redemption&#8221;</b></font></p>
<p>
&#8230;The models who are mostly children all have an array of hairstyles — braids with beads, locs, plaits embellished with ornate hair jewelry, Bantu knots, and “ afro puffs.” Some wear crowns, regalia that is representative of reclaiming the power of being Black with “ Black hair” and are dressed in the splendor of gold outfits befitting kings and queens.<a href="https://museemagazine.com/features/2020/9/10/tawny-chatmons-the-redemption"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.fastcompany.com/video/fotografiska-new-york-is-a-photo-museum-for-the-instagram-era/gCBvOOVF"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/02/press-fast_company.png" alt="" width="125" height="125" class="alignleft size-full wp-image-41458" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/02/press-fast_company.png 225w, https://galeriemyrtis.net/wp-content/uploads/2020/02/press-fast_company-150x150.png 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>FastCompany, February 2020<br />
Fotografiska New York is a photo museum for the Instagram era (video features Tawny Chatmon at 2:10) </b></font></p>
<p>
Fotografiska New York is now open in the historic Church Missions House in Manhattan. The photo museum for the modern world emphasizes experience—it&#8217;s open late and guests can stay for a glass of wine—while enjoying more current work than is available in traditional museums.<a href="https://www.fastcompany.com/video/fotografiska-new-york-is-a-photo-museum-for-the-instagram-era/gCBvOOVF"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.architecturaldigest.com/story/new-yorks-newest-museum-fotografiska-makes-its-debut-in-a-historic-landmark-building"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/02/press_arch-digest.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-41480" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/02/press_arch-digest.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2020/02/press_arch-digest-150x150.jpg 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><font size = "3"><b>Architectural Digest, December 2019<br />
Fotografiska Makes Its New York Debut in a Historic Landmark Building [featuring Tawny Chatmon] by Liddy Berman</b></font></p>
<p>
&#8230;Self-taught talent Tawny Chatmon’s dreamy, intimate portraits of children of color, woven through with elements of digital collage, gold leaf, and painting, shine with Klimt-ian beauty.<a href="https://www.architecturaldigest.com/story/new-yorks-newest-museum-fotografiska-makes-its-debut-in-a-historic-landmark-building"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://bellamag.co/an-art-aficionados-haven-fotografiska-new-york-debuts-in-the-flatiron-disctrict/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2019/08/BELLA-magazine.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-40782" /></a><b><font size = "3">Bella Magazine, 2019<br />
An Art Aficionado’s Haven: Fotografiska New York Debuts In The Flatiron District by Rose Aljure</b></font></p>
<p>
Now set to open in the Flatiron District, Fotografiska New York, announced today its expanded inaugural season. The exhibition space will open on October 18th, 2019 with solo presentations of photography by Ellen von Unwerth, Tawny Chatmon.<a href="https://bellamag.co/an-art-aficionados-haven-fotografiska-new-york-debuts-in-the-flatiron-disctrict/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.forbes.com/sites/natashagural/2019/08/15/from-ellen-von-unwerths-bathing-supermodels-to-lars-tunbjrks-everyday-absurdity-fotografiska-sets-its-gaze-on-new-york/#434b74994112"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2019/08/forbes.png" alt="" width="125" height="125" class="alignleft size-full wp-image-40784" srcset="https://galeriemyrtis.net/wp-content/uploads/2019/08/forbes.png 225w, https://galeriemyrtis.net/wp-content/uploads/2019/08/forbes-150x150.png 150w" sizes="auto, (max-width: 125px) 100vw, 125px" /></a><b><font size = "3">FORBES, August 2019<br />
From Ellen Von Unwerth’s Bathing Supermodels To Lars Tunbjörk&#8217;s Everyday Absurdity, Fotografiska Sets Its Gaze On New York by Natasha Gural, Contributor</b></font></p>
<p>
The diverse inaugural exhibition will include: Tawny Chatmon, a self-taught artist who combines paint, digital collage, illustration, and gold leaf&#8230; <a href="https://www.forbes.com/sites/natashagural/2019/08/15/from-ellen-von-unwerths-bathing-supermodels-to-lars-tunbjrks-everyday-absurdity-fotografiska-sets-its-gaze-on-new-york/#434b74994112"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.cityguideny.com/article/fotografiska-new-york-flatiron-photography-exhibit-ellen-von-unwerth"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2019/08/new-york-city-guide.jpg" alt="" width="125" height="125" class="alignleft size-full wp-image-40780" /></a><b><font size = "3">New York City Guide August 2019<br />
Fotografiska New York Set for Fall Opening in Flatiron with Unwerth, Chatmon by Merrill Lee Girardeau</b></font></p>
<p>
The inaugural exhibition schedule at Fotografiska New York will feature the photographers Ellen von Unwerth, Tawny Chatmon, Helene Schmitz, and Adi Nes. <a href="https://www.cityguideny.com/article/fotografiska-new-york-flatiron-photography-exhibit-ellen-von-unwerth"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://www.omenkaonline.com/tawny-chatmon-on-reclaiming-black-identity/"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2019/08/omenka-logo.png" alt="" width="125" height="125" class="alignleft size-full wp-image-40990" /></a><b><font size = "3">Omenka Online, July 2019<br />
Tawny Chatmon on Rcclaiming Black Identity by Oliver Enwonwu &#038; Oyindamola Olaniyan</b></font></p>
<p>
In this ninth part of our continuing series on artists in the diaspora who promote Black identity and pride through their work, we present African American artist Tawny Chatmon.<a href="https://www.omenkaonline.com/tawny-chatmon-on-reclaiming-black-identity/"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
<p><a href="https://ppmag.com/profiles/tawny-chatmon-finds-fulfillment-in-driving-cultural-change"><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2019/05/Prof_Photoghapher_mag.png" alt="" width="125" height="125" class="alignleft size-full wp-image-40158" /></a><b><font size = "3">Professional Photographer Magazine, April 2019 Issue<br />
TAWNY CHATMON FINDS FULFILLMENT IN DRIVING CULTURAL CHANGE by Robert Kiener</b></font></p>
<p>
“My heart wasn’t in it anymore.” That’s how Tawny Chatmon remembers feeling about her commercial photography career after her father died. Sitting in her spacious studio, the basement  of her Upper Marlboro, Maryland, home, she chokes back a tear as she remembers the self-selected assignment that changed her life..<a href="https://ppmag.com/profiles/tawny-chatmon-finds-fulfillment-in-driving-cultural-change"><font color = "blue"> <i>full article</i></font></a><br />
</br></p>
<hr />
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">45359</post-id>	</item>
		<item>
		<title>The Afro-Futurist Manifesto Blackness Reimagined &#8211; Venice Biennial</title>
		<link>https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-venice-biennial/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 09 Mar 2022 20:44:03 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Larry Cook]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45170</guid>

					<description><![CDATA[The Afro-Futurist Manifesto: Blackness Reimagined 2022 Venice Biennial Art Exhibition April 23 – November 27, 2022 Palazzo Bembo, Venice, Italy Photo by Matteo Losurdo artwork &#124; artists &#038; curator &#124;<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-venice-biennial/" title="The Afro-Futurist Manifesto Blackness Reimagined &#8211; Venice Biennial">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h1><font color = "000000">The Afro-Futurist Manifesto: Blackness Reimagined</h1>
<p><font size = "5">2022 Venice Biennial Art Exhibition</font><br />
<font size = "4">April 23 – November 27, 2022<br />
Palazzo Bembo, Venice, Italy</font></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3.jpg" alt="" width="1600" height="1068" class="alignnone size-full wp-image-46668" srcset="https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3.jpg 1600w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-300x200.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-1024x684.jpg 1024w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-768x513.jpg 768w, https://galeriemyrtis.net/wp-content/uploads/2024/02/Galerie-Myrtis_ECC2022-©-Matteo-Losurdo-3-1536x1025.jpg 1536w" sizes="auto, (max-width: 1600px) 100vw, 1600px" /><br />
<font size = "2">Photo by Matteo Losurdo</font></p>
<p><a href="https://www.artgalleria.com/folio?p=1d1de49f-b4ea-4095-9010-7481cb5dcdfc"><font color = "blue">artwork</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-meet-the-artist-and-curator-venice-biennial/"><font color = "blue">artists &#038; curator</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-curatorial-statement/"><font color = "blue">curatorial statement</a></font> | <a href="https://galeriemyrtis.net/the-speculative-future-of-blackness-artist-talk-2022-venice-biennial/"><font color = "blue">artist talk</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-press/"><font color = "blue">press</font></a> | <a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-installation-photos/"><font color = "blue">installation photos</font></a></p>
<hr>
</hr>
<p>In <b><font size = "4">The Afro-Futurist Manifesto: Blackness Reimagined</b></font>, artists assert agency over narratives of Black life, offer discourse into the socio-political concerns of African Americans, and pay tribute to the resiliency, creativity, and spirituality that have historically sustained Black people.<br />
<i>● Curated by Myrtis Bedolla, Founding Director, Galerie Myrtis</i></p>
<p><b><font color = "000000">FEATURED ARTISTS</font></b><br />
Tawny Chatmon ● Larry Cook ● Morel Doucet ● Monica Ikegwu ● M. Scott Johnson ● Delita Martin ● Arvie Smith ● Felandus Thames</center></p>
<p><b><font color = "000000">VENUE</font></b><br />
Palazzo Bembo<br />
Riva del Carbon # 4793<br />
30124 Venezia, Italy</p>
<hr>
</hr>
<p><b><font color = "000000">Galerie Myrtis thanks the following sponsors</font></b></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/Fraserfoundation-a.jpg" alt="" width="193" height="50" class="alignnone size-full wp-image-45315" /></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/Joshua-Johnson-Council-logo.jpg" alt="" width="193" height="50" class="alignnone size-full wp-image-45317" /></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/racc_orange_primary-300x60.png" alt="" width="200" height="40" class="alignnone size-medium wp-image-45711" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/03/racc_orange_primary-300x60.png 300w, https://galeriemyrtis.net/wp-content/uploads/2022/03/racc_orange_primary.png 311w" sizes="auto, (max-width: 200px) 100vw, 200px" /></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/UMGC-logo.jpg" alt="" width="193" height="50" class="alignnone size-full wp-image-45318" /></p>
<p>Daniel F Bergsvik and Donald N. Hastler<br />
Reginald and Aliya Browne<br />
Ilona Sochynsky<br />
The Tibbles Family Trust</p>
<hr>
</hr>
<p>Members of the European Cultural Centre Italy Team talk about the sixth edition of Personal Structures, how the project started years ago and its main aim and values<br />
<b>(Galerie Myrtis feature at <font color = "blue">1:46</font>)</b></p>
<div  style="display: block; margin: 0px auto;"  id="_ytid_33297"  width="1140" height="641"  data-origwidth="1140" data-origheight="641"  data-relstop="1" data-facadesrc="https://www.youtube.com/embed/2Ue69fHmcDY?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=1&#038;rel=0&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=light&#038;color=red&#038;controls=1&#038;" class="__youtube_prefs__ epyt-facade  epyt-is-override  no-lazyload" data-epautoplay="1" ><img decoding="async" data-spai-excluded="true" class="epyt-facade-poster skip-lazy" loading="lazy"  alt="YouTube player"  src="https://i.ytimg.com/vi/2Ue69fHmcDY/maxresdefault.jpg"  /><button class="epyt-facade-play" aria-label="Play"><svg data-no-lazy="1" height="100%" version="1.1" viewBox="0 0 68 48" width="100%"><path class="ytp-large-play-button-bg" d="M66.52,7.74c-0.78-2.93-2.49-5.41-5.42-6.19C55.79,.13,34,0,34,0S12.21,.13,6.9,1.55 C3.97,2.33,2.27,4.81,1.48,7.74C0.06,13.05,0,24,0,24s0.06,10.95,1.48,16.26c0.78,2.93,2.49,5.41,5.42,6.19 C12.21,47.87,34,48,34,48s21.79-0.13,27.1-1.55c2.93-0.78,4.64-3.26,5.42-6.19C67.94,34.95,68,24,68,24S67.94,13.05,66.52,7.74z" fill="#f00"></path><path d="M 45,24 27,14 27,34" fill="#fff"></path></svg></button></div>
<p></br></p>
<hr>
</hr>
<h4>Presenting the 2022 ECC Awards</h4>
<p>Like every edition, the European Cultural Centre presents the ECC Awards to commemorate the closing of the exhibition and to honour the participants that haven taken part in it</p>
<p>During the Closing Event on Sunday 27th of November, 2022, ECC Italy announced the winners and special mentions of this year’s ECC Awards, which were carefully selected by the European Cultural Centre curatorial team. The winners received the unique award of the artwork “1 meter” by the Dutch artist René Rietmeyer, initiator of the project Personal Structures and of the European Cultural Centre itself. The nominees were selected for the categories of: painting and mixed media, sculpture and installation, photography, video and digital art, and university research projects and lifetime achievement.</p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-1024x186.png" alt="" width="1024" height="186" class="alignnone size-large wp-image-46890" srcset="https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-1024x186.png 1024w, https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-300x54.png 300w, https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis-768x139.png 768w, https://galeriemyrtis.net/wp-content/uploads/2022/03/ECC_Award_Galerie_myrtis.png 1251w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><br />
<a href="https://personalstructures.com/stories/ecc-awards-2022/" rel="noopener" target="_blank"><font color = "blue"><i>see list of other recipients<i></font></a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">45170</post-id>	</item>
		<item>
		<title>The Afro-Futurist Manifesto Blackness Reimagined Meet the Artist and Curator Venice Biennial</title>
		<link>https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-meet-the-artist-and-curator-venice-biennial/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 09 Mar 2022 20:14:28 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Larry Cook]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=45210</guid>

					<description><![CDATA[Meet the Artist &#038; Curator Tawny Chatmon, Artist view resume Tawny Chatmon (b. 1979, Tokyo, Japan) is a self‐taught, award‐winning artist who has been working in the field of photography<div><a class="btn-filled btn" href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-meet-the-artist-and-curator-venice-biennial/" title="The Afro-Futurist Manifesto Blackness Reimagined Meet the Artist and Curator Venice Biennial">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<p><br />
</br><br />
<font size ="5">Meet the Artist &#038; Curator</font></p>
<hr>
</hr>
<p><font size = "5" font color = "336699">Tawny Chatmon, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/Tawny_Chatmon_Resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44336" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-TawnyChatmon-Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Tawny Chatmon (b. 1979, Tokyo, Japan) is a self‐taught, award‐winning artist who has been working in the field of photography for more than 17 years. The primary theme that drives Chatmon’s practice is celebrating the beauty of black childhood. She is currently devoted to creating portraits that are inspired by artworks spanning various periods in Western Art with the intent of bringing to the forefront faces that were often under‐celebrated in this style of work.</p>
<p><b>Museum Collection:</b><br />
Minneapolis Institute of Art<br />
Microsoft Corporate Collection<br />
Petrucci Family Foundation Collection of African American Art<br />
University of Maryland Global Campus</p>
<hr>
</hr>
<p><font size = "5" font color = "336699">Larry Cook, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/Larry_Cook_Resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44333" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-larry-cook.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Larry Cook (b. 1986, Laurel, Maryland) is an award-winning photographer and conceptual artist whose work spans installation, video, and photography. Cook’s work explores the cultural aesthetic of “club” photography to examine how urban culture and incarceration systems become entwined through backdrops. The backdrop is central for its relationship to the formal, social, and cultural aspects of photographic history.</p>
<p><b>Museum Collections:</b><br />
Baltimore Museum of Art (promised gift)<br />
Museum of Modern Art<br />
Harvard Art Museums<br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Morel Doucet, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/morel_doucet_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44337" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-morel-doucet-1.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Morel Doucet (b. 1990, Pilate, Haiti) is a Miami‐based multidisciplinary artist and arts educator that hails from Haiti. He employs ceramics, illustrations, and prints to examine the realities of climate‐gentrification, migration, and displacement within the Black diaspora communities.</p>
<p><b>Museum Collections (selected):</b><br />
Pérez Art Museum Miami (PAMM)<br />
UK Contemporary Art Society, Plymouth Box Museum<br />
Petrucci Family Foundation Collection of African American Art<br />
</br><br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Monica Ikegwu, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/monica_ikegwu_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44335" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Monica-Ikegwu_Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Monica Ikegwu (b.1998, Baltimore, Maryland) is a figurative painter. She presents her ideas of the figure in a way that is not only captivating, but also unconventional in her use of color, texture, and composition.</p>
<p><b>Museum Collection:</b><br />
Petrucci Family Foundation Collection of African<br />
American Art<br />
</br><br />
</br><br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">M. Scott Johnson, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/m-scott-johnson_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44334" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-M.-Scott-Johnson-Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />M. Scott Johnson (b. 1968, Inkster, Michigan) is a New York City‐based artist and educator, has carved out a legacy as one of the most stimulating and unique artists of his generation. M. Scott has explored, both in his practice and through his 20‐year visual arts teaching residency at the Schomburg Center for Research in Black Culture in Harlem, New York, a rich vision of contemporary Afro‐aesthetics.</p>
<p><b>Museum Collections:</b><br />
The Hampton University Museum<br />
The Schomburg Center Research in Black Culture<br />
Embassy of Oslo Norway, Arts in Embassies Program<br />
</br><br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Delita Martin, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/delita_martin_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44332" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Delita-Martin_In-Studio_Galerie-Myrtis.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Delita Martin (b. 1972, Conroe, Texas) is a master printmaker, illustrator, and painter based in Huffman, Texas. Through the weaving of history and storytelling, Martin offers a new narrative on the power of women whose stories are not only layered in textures and techniques but also symbolism.</p>
<p><b>Museum Collections (selected):</b><br />
Crystal Bridges Museum<br />
Minneapolis Institute of Art<br />
Minnesota Museum of American Art<br />
National Museum of Women in the Arts<br />
Library of Congress<br />
The Studio Museum in Harlem<br />
Petrucci Family Foundation Collection of African-American Art</p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Arvie Smith, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/arvie_smith_resume.pdf" rel="noopener noreferrer" target="_blank"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44331" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-Arvie_Smith-Headshot.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Arvie Smith (b.1938, Houston, Texas) transforms the history of oppressed and stereotyped segments of the American experience into lyrical two‐dimensional master works.</p>
<p><b>Museum Collections (selected):</b><br />
Delaware Museum of Art<br />
Hallie Ford Museum of Art<br />
Petrucci Family Foundation Collection of African American Art<br />
Portland Art Museum<br />
Reginald F. Lewis Museum<br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Felandus Thames, Artist</font><br />
<a href="https://galeriemyrtis.net/uploads/felandus_thames_resume.pdf"><font color = "6f2a2a">view resume</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44330" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/venice-about_artists-1-1.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Felandus Thames (b. 1974, Jackson, Mississippi) is a conceptual artist living and practicing in the greater New York area. Thames’ work attempts to transcend didacticisms that are typically associated with anachronistic understandings of representation and instead aligns itself with ideas around the taxonomy of human difference.</p>
<p><b>Museum Collections (selected):</b><br />
Aspen Museum of Art<br />
Petrucci Family Foundation Collection of African American Art<br />
Smith Robertson Museum<br />
Studio Museum of Harlem<br />
</br></p>
<hr>
</hr>
<p><font color = "336699" font size = "5">Myrtis Bedolla, Curator</font><br />
<a href="https://galeriemyrtis.net/the-afro-futurist-manifesto-blackness-reimagined-myrtis-bedolla-curator-venice-biennial"><font color = "6f2a2a">about myrtis</font></a></p>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla-300x300.jpg" alt="" width="240" height="240" class="alignleft size-medium wp-image-44488" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla-300x300.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla-150x150.jpg 150w, https://galeriemyrtis.net/wp-content/uploads/2021/07/Myrtis_Bedolla.jpg 502w" sizes="auto, (max-width: 240px) 100vw, 240px" />Myrtis Bedolla is the owner and founding director of Galerie Myrtis, an emerging blue-chip gallery and art advisory specializing in twentieth and twenty-first-century American art with a focus on work created by African American artists. Bedolla possesses over 30 years of experience as a curator, gallerist, and art consultant.</p>
<p>Established in 2006, the mission of the gallery is to utilize the visual arts to raise awareness for artists who deserve recognition for their contributions in artistically portraying our cultural, social, historical, and political landscapes; and to recognize art movements that paved the way for freedom of artistic expression.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">45210</post-id>	</item>
		<item>
		<title>UTA Artist Space &#8211; Literary Muse</title>
		<link>https://galeriemyrtis.net/uta-artist-space-literary-muse/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 02 Sep 2021 01:00:35 +0000</pubDate>
				<category><![CDATA[Artist]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Alfred Conteh]]></category>
		<category><![CDATA[Arvie Smith]]></category>
		<category><![CDATA[Delita Martin]]></category>
		<category><![CDATA[Felandus Thames]]></category>
		<category><![CDATA[Larry Cook]]></category>
		<category><![CDATA[Lavett Ballard]]></category>
		<category><![CDATA[M. Scott Johnson]]></category>
		<category><![CDATA[Monica Ikegwu]]></category>
		<category><![CDATA[Morel Doucet]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Ronald Jackson]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<category><![CDATA[Wesley Clark]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=44790</guid>

					<description><![CDATA[UTA Artist Space in collaboration with Galerie Myrtis presents Literary Muse curated by Myrtis Bedolla Opening Reception: Saturday, September 4, 2-5PM UTA Artist Space 403 Foothill Rd. Beverly Hills, CA<div><a class="btn-filled btn" href="https://galeriemyrtis.net/uta-artist-space-literary-muse/" title="UTA Artist Space &#8211; Literary Muse">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h2><center>UTA Artist Space in collaboration with Galerie Myrtis presents<br />
<a href="http://utaartistspace.com/exhibitions/literary-muse/" rel="noopener noreferrer" target="_blank"><b>Literary Muse</b></a> curated by Myrtis Bedolla</h2>
<p></center><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi.jpg" alt="" width="1080" height="808" class="aligncenter size-full wp-image-44738" srcset="https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi.jpg 2500w, https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi-300x225.jpg 300w, https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi-1024x766.jpg 1024w, https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi-768x575.jpg 768w, https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi-1536x1150.jpg 1536w, https://galeriemyrtis.net/wp-content/uploads/2020/04/OlumaxChimdixAnwi-2048x1533.jpg 2048w" sizes="auto, (max-width: 1080px) 100vw, 1080px" /></p>
<p><a href="http://utaartistspace.com/exhibitions/literary-muse/" rel="noopener noreferrer" target="_blank"><font size = "4"><b>Opening Reception: Saturday, September 4, 2-5PM<br />
UTA Artist Space<br />
403 Foothill Rd. Beverly Hills, CA 90210</font><br />
<font size = "4"><b>utaartistspace.com</font></b></a></p>
<hr>
</hr>
<p>UTA Artist Space presents <a href="http://utaartistspace.com/exhibitions/literary-muse/" rel="noopener noreferrer" target="_blank"><b>Literary Muse</b></a>, a new group exhibition inspired by Black literary novelists, poets, and scholars, curated by Baltimore-based Myrtis Bedolla of Galerie Myrtis. On view from September 4 through September 25, 2021, the powerful presentation brings together paintings, photographs, prints, and sculptures by twelve contemporary artists working across the United States: Lavett Ballard, Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.</p>
<p>The incisive writings of Black scholars, poets, and authors of fiction bear the weight of a complicated history, at times celebrated and at others, bemoaned. In Literary Muse, their words are the interpretive impulse for imagery that defines the architecture of the Black ethos. The result is a visual vernacular constructed in paintings, photographs, prints, sculptures, and conceptual works composed in hair beads and wood that interrogates the inherent complexities of race.</p>
<p>Steeped in the writings of authors such as Ta-Nahisi Coates, bell hooks, Dr. Beverly Daniel Tatum, Charles Sowell, Alice Walker, and Isabel Wilkerson, these artists draw from a lexicon of Black narratives. They create visual illustrations that probe the connection between the past and present, challenge the inequalities of structural racism, honor the traditions of the Black family’s devoted fathers and mothers, encourage Black economic empowerment and selfhood, and give symbolic meaning to poetry and fiction through visual tropes that explore Black plight.</p>
<p>Looking for inspiration beyond the prose of philosophers, economists, theorists, psychologists, sociologists, and historians, artists turn to the lyrics of Black composers and vocalists elucidating a truth—a gospel truth—bound-up in ancestry and spirituality rooted in the polyrhythms of Africa. Here, they find their muse in rhythms first laid down in African American spirituals which influenced the gospel, jazz, R&#038;B, hip-hop, and rap music of today. These are the sounds that permeate the artists’ studios, consciously and subconsciously inspiring works that touch the depths of our souls.</p>
<p>Through the confluence of literature and artistry, Literary Muse contextualizes the Black experience through a non-Western lens. The notion of Blackness, its history, ancestry, and culture are presented as written and interpreted by its people. Scholars and composers who might otherwise remain obscure are placed at the forefront, as their words influence profound works that offer critical discourse on that which affirms and defines what it means to be Black. </p>
<p>— Myrtis Bedolla</p>
<p><i>“Myrtis Bedolla has a sharp eye for extraordinary artists. To wield their art and animate the words of these great Black authors and poets—to bring their narratives to life visually—is a phenomenal talent,” says Arthur Lewis, UTA Fine Arts, and UTA Artist Space Creative Director.</i></p>
<p><b>image</b><br />
<i>Oluma x Chimdi x Anwi by Monica Ikegwu</i>, Oil on Canvas, 36&#8243; in x 48&#8243; in, 2021,<br />
<b>Literary Muse:</b> Beverly Daniel Tatum, Why are all the Black Kids Sitting Together in the Cafeteria?<br />
Image courtesy of the artist and Galerie Myrtis</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">44790</post-id>	</item>
		<item>
		<title>Tawny Chatmon &#8211; If I’m no longer here I wanted you to Know Videos</title>
		<link>https://galeriemyrtis.net/tawny-chatmon-if-im-no-longer-here-i-wanted-you-to-know-videos/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 21 Apr 2021 10:21:22 +0000</pubDate>
				<category><![CDATA[Exhibition Video]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=44008</guid>

					<description><![CDATA[If I’m no longer here, I wanted you to Know… Solo Exhibition featuring Tawny Chatmon May 15 &#8211; July 10, 2021 &#8211; by appt. only about the exhibition]]></description>
										<content:encoded><![CDATA[<h2>If I’m no longer here, I wanted you to Know…</h2>
<p><font size  = "4">Solo Exhibition featuring Tawny Chatmon</font><br />
<font size = "3">May 15 &#8211; July 10, 2021 &#8211; <font color = "880000" font size = "3"><b>by appt. only</b></font></font><br />
<a href="https://galeriemyrtis.net/tawny-chatmon-if-im-no-longer-here-i-wanted-you-to-know/"><font color = "blue">about the exhibition</font></a> <!--<a href="https://www.artgalleria.com/folio?p=4e3e5768-4e5c-4697-bfae-b8700bde711c"><font color = "blue">view artwork</font></a>--> <!--<a href="https://www.artgalleria.com/folio?p=4e3e5768-4e5c-4697-bfae-b8700bde711c"><font color = "blue" font size = "4">view artwork</font></a>--><br />
<font size = "2"></font></p>
<div class="epyt-gallery  epyt-lb" data-currpage="1" id="epyt_gallery_50484"><div class="lity-hide"><iframe  style="display: block; margin: 0px auto;"  id="_ytid_17009"  width="1140" height="641"  data-origwidth="1140" data-origheight="641"  data-relstop="1" data-lbsrc="https://www.youtube.com/embed/oLaiNwv9FV4?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=1&rel=0&fs=1&playsinline=0&autohide=2&theme=light&color=red&controls=1&index=0&" class="__youtube_prefs__  epyt-lbif no-lazyload" title="YouTube player"  data-epytgalleryid="epyt_gallery_50484"  allow="fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen data-no-lazy="1" data-skipgform_ajax_framebjll=""></iframe></div><div class="epyt-gallery-list epyt-gallery-style-grid"><div class="epyt-pagination "><div tabindex="0" role="button" class="epyt-pagebutton epyt-prev  hide " data-playlistid="PL_HgFykrzztEkOj9q2VdporBBwgGs8G18" data-pagesize="45" data-pagetoken="" data-style="grid" data-epcolumns="3" data-showtitle="1" data-showpaging="1" data-autonext="0" data-hidethumbimg="0" data-thumbplay="1"><div class="epyt-arrow">&laquo;</div> <div>Prev</div></div><div class="epyt-pagenumbers hide"><div class="epyt-current">1</div><div class="epyt-pageseparator"> / </div><div class="epyt-totalpages">1</div></div><div tabindex="0" role="button" class="epyt-pagebutton epyt-next hide " data-playlistid="PL_HgFykrzztEkOj9q2VdporBBwgGs8G18" data-pagesize="45" data-pagetoken="" data-style="grid" data-epcolumns="3" data-showtitle="1" data-showpaging="1" data-autonext="0" data-hidethumbimg="0" data-thumbplay="1"><div>Next</div> <div class="epyt-arrow">&raquo;</div></div><div class="epyt-loader"><img loading="lazy" decoding="async" alt="loading" width="16" height="11" src="https://galeriemyrtis.net/wp-content/plugins/youtube-embed-plus-pro/images/gallery-page-loader.gif"></div></div><div class="epyt-gallery-allthumbs  epyt-cols-3 "><div tabindex="0" role="button" data-videoid="oLaiNwv9FV4" class="epyt-gallery-thumb " ><div class="epyt-gallery-img-box"><div class="epyt-gallery-img" style="background-image: url(https://i.ytimg.com/vi/oLaiNwv9FV4/hqdefault.jpg)"><div class="epyt-gallery-playhover"><img loading="lazy" decoding="async" alt="play" class="epyt-play-img" width="30" height="23" src="https://galeriemyrtis.net/wp-content/plugins/youtube-embed-plus-pro/images/playhover.png" data-no-lazy="1" data-skipgform_ajax_framebjll="" /><div class="epyt-gallery-playcrutch"></div></div></div></div><div class="epyt-gallery-title">Never Your Burden to Carry by Tawny Chatmon</div></div><div tabindex="0" role="button" data-videoid="pL1TMNYMHLs" class="epyt-gallery-thumb " ><div class="epyt-gallery-img-box"><div class="epyt-gallery-img" style="background-image: url(https://i.ytimg.com/vi/pL1TMNYMHLs/hqdefault.jpg)"><div class="epyt-gallery-playhover"><img loading="lazy" decoding="async" alt="play" class="epyt-play-img" width="30" height="23" src="https://galeriemyrtis.net/wp-content/plugins/youtube-embed-plus-pro/images/playhover.png" data-no-lazy="1" data-skipgform_ajax_framebjll="" /><div class="epyt-gallery-playcrutch"></div></div></div></div><div class="epyt-gallery-title">Best by Tawny Chatmon</div></div><div tabindex="0" role="button" data-videoid="Lqwg-4bKMQY" class="epyt-gallery-thumb " ><div class="epyt-gallery-img-box"><div class="epyt-gallery-img" style="background-image: url(https://i.ytimg.com/vi/Lqwg-4bKMQY/hqdefault.jpg)"><div class="epyt-gallery-playhover"><img loading="lazy" decoding="async" alt="play" class="epyt-play-img" width="30" height="23" src="https://galeriemyrtis.net/wp-content/plugins/youtube-embed-plus-pro/images/playhover.png" data-no-lazy="1" data-skipgform_ajax_framebjll="" /><div class="epyt-gallery-playcrutch"></div></div></div></div><div class="epyt-gallery-title">But She Already Knew They Were More Precious Than all the Jewels and Gold in the World&quot; - T. Chatmon</div></div><div class="epyt-gallery-rowbreak"></div><div class="epyt-gallery-clear"></div></div><div class="epyt-pagination "><div tabindex="0" role="button" class="epyt-pagebutton epyt-prev  hide " data-playlistid="PL_HgFykrzztEkOj9q2VdporBBwgGs8G18" data-pagesize="45" data-pagetoken="" data-style="grid" data-epcolumns="3" data-showtitle="1" data-showpaging="1" data-autonext="0" data-hidethumbimg="0" data-thumbplay="1"><div class="epyt-arrow">&laquo;</div> <div>Prev</div></div><div class="epyt-pagenumbers hide"><div class="epyt-current">1</div><div class="epyt-pageseparator"> / </div><div class="epyt-totalpages">1</div></div><div tabindex="0" role="button" class="epyt-pagebutton epyt-next hide " data-playlistid="PL_HgFykrzztEkOj9q2VdporBBwgGs8G18" data-pagesize="45" data-pagetoken="" data-style="grid" data-epcolumns="3" data-showtitle="1" data-showpaging="1" data-autonext="0" data-hidethumbimg="0" data-thumbplay="1"><div>Next</div> <div class="epyt-arrow">&raquo;</div></div><div class="epyt-loader"><img loading="lazy" decoding="async" alt="loading" width="16" height="11" src="https://galeriemyrtis.net/wp-content/plugins/youtube-embed-plus-pro/images/gallery-page-loader.gif"></div></div></div></div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">44008</post-id>	</item>
		<item>
		<title>Tawny Chatmon &#8211; If I’m no longer here I wanted you to Know</title>
		<link>https://galeriemyrtis.net/tawny-chatmon-if-im-no-longer-here-i-wanted-you-to-know/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 20 Apr 2021 19:32:26 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Tawny Chatmon]]></category>
		<guid isPermaLink="false">http://galeriemyrtis.net/?p=43972</guid>

					<description><![CDATA[If I’m no longer here, I wanted you to Know… Solo Exhibition featuring Tawny Chatmon May 15 &#8211; July 10, 2021 by appt. only view artwork &#124; videos Galerie Myrtis<div><a class="btn-filled btn" href="https://galeriemyrtis.net/tawny-chatmon-if-im-no-longer-here-i-wanted-you-to-know/" title="Tawny Chatmon &#8211; If I’m no longer here I wanted you to Know">Read More</a></div>]]></description>
										<content:encoded><![CDATA[<h1>If I’m no longer here, I wanted you to Know…</h1>
<p><img loading="lazy" decoding="async" src="https://galeriemyrtis.net/wp-content/uploads/2021/04/Tawny_Chamon-And-Then-She-Said-Never-Asked-You-To-Worship-Me-1.jpg" alt="" width="658" height="1075" class="alignright size-full wp-image-43985" srcset="https://galeriemyrtis.net/wp-content/uploads/2021/04/Tawny_Chamon-And-Then-She-Said-Never-Asked-You-To-Worship-Me-1.jpg 627w, https://galeriemyrtis.net/wp-content/uploads/2021/04/Tawny_Chamon-And-Then-She-Said-Never-Asked-You-To-Worship-Me-1-184x300.jpg 184w" sizes="auto, (max-width: 658px) 100vw, 658px" /></p>
<p><font size  = "5">Solo Exhibition featuring Tawny Chatmon</font><br />
<font size = "4">May 15 &#8211; July 10, 2021<br />
<font color = "880000" font size = "3"><b>by appt. only</b></font></font></p>
<p><a href="https://www.artgalleria.com/folio?p=b4bde152-82b6-409f-a8dd-79bda7f13bac"><font color = "blue">view artwork</font></a> | <a href="https://galeriemyrtis.net/tawny-chatmon-if-im-no-longer-here-i-wanted-you-to-know-videos"><font color = "blue">videos</font></a></p>
<p>Galerie Myrtis is pleased to present its first solo exhibition with Tawny Chatmon, If I’m no longer here, I wanted you to Know… The show will be on view May 15-July 2021 and offer eighteen new photographs Chatmon developed featuring intimate portraits of family members and friends imbued with sentiments of love, personal ruminations, and lessons she wants to instill in her three children.</p>
<p><b>In, If I’m no longer here, I wanted you to Know…</b> Chatmon expands her oeuvre beyond materiality of the gilded imagery and the influence of Klimt, which she has come to be known. Drawing inspiration from the Byzantine period, Chatmon adorns black bodies with semi-precious stones meticulously placed to construct a narrative on black children and dignity through cultural memory. </p>
<p>Chatmon&#8217;s imagery rewards the viewer who looks beyond the nuanced surface of the photographs and contours of her subjects. A deeper examination reveals allegory and iconology steeped in metaphors protesting racial and social injustice. Chatmon’s cultural and political discourse also extends to the titles of her work.  In your Hoodie or White Tee sends a clear message that black boys, regardless of the clothes they wear, are human beings whose lives should be respected, preserved, and valued by society.</p>
<p>Chatmon’s photos emotively and melodically speak to the legacy she seeks to leave behind.  She has transformed the visual to lyrical through undulating figures that sway with the rhythm of a lullaby—a mother&#8217;s love song to her children filled with memories she wants them to hold on to and life lessons to pass down through generations.</p>
<p>Chatmon is an award-winning photographer; among them is the People Photographer of the Year, International Photo Awards 2018 and First Place, International Photo Awards 2018.</p>
<p><a href="https://www.artgalleria.com/folio?p=b4bde152-82b6-409f-a8dd-79bda7f13bac"><font color = "blue">view artwork</font></a> | <a href="https://galeriemyrtis.net/tawny-chatmon-if-im-no-longer-here-i-wanted-you-to-know-videos"><font color = "blue">videos</font></a></p>
<p>An exhibition catalogue will be available: $45.00 (hardcover)<br />
Catalogue Essayist: Tanisha Jackson, Ph.D., Executive Director of CFAC and Professor of Practice in African American Studies, Syracuse University </p>
<p><font size = "2"></p>
<p style="text-align: right;"><i>And Then She Said “I Never Asked You To Worship Me”</i>, 2020<br />
24k gold leaf, 12k gold leaf, acrylic, mixed media on archival pigment print<br />
Framed: Approx 36” x 50”,  Unframed: 26” x 40” w/5cm border</p>
<p></font></p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">43972</post-id>	</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Page Caching using Disk: Enhanced 
Minified using Disk

Served from: galeriemyrtis.net @ 2026-08-05 00:09:29 by W3 Total Cache
-->