Women Heal through Rite and Ritual

Lavett Ballard | Tawny Chatmon | Oletha DeVane | Shanequa Gay | Delita Martin | Elsa Muñoz | Renée Stout | exhibition page

Lavett Ballard

As a child, I would spend summers at our family farm in Virginia. This ritual of traveling from the North to the South all the while being fed the stories of how we grew to gain the property and how the “Big House” I would be staying in was built by my three times great grandmother’s sons. The house was a step back in time prior, to the flight of the Great Migration which sent masses toward opportunities in the North. Through this experience, I was drawn to the history of the log cabin that held generations of my family in a home surrounded by photographs that chronicled our history.

This experience helped to foster an interest in visual storytelling while fusing the wood that surrounded me during the summers of my youth. My strong affinity for imagery and history has led me to focus on creating a visual lexicon of the African American experience and self-identity.

I’ve spent hours compiling a photographic catalog of female and male images that cover the African diaspora over different geographic areas and historic periods. The prints are collaged, painted, destroyed and reborn to create a re-imagined visual narrative. I use reclaimed large and small aged wood fences, as a symbolic reference to how fences keep people in and out, just as racial and gender identities can act as barriers in our socially. These fences are then arranged as ‘altars’ as icons to honor the strength and determination of each subject.

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Biography | Resume

Biography
Lavett Ballard is an Artist, Art historian, Curator, and Author. She hold a dual Bachelor’s in Studio Art and Art History with a minor in Museum Studies from Rutgers University, and an MFA in Studio Art from the University of the Arts in Philadelphia.

Ballard’s art has been included in literary, film and theatre productions and museum, galleries, public, private institutions and exhibitions nationwide. Among other accolades I have been named by Black Art in America as one of the Top 10 Female Emerging Artists to Collect and has been nominated for the inaugural Art for Social change Pew Foundation funded Residency among other distinguished honors. Her work has been acquired by prominent collections such as the Smithsonian, the African American Museum of Philadelphia, the T. Thomas Fortune Cultural Center, Weeksville Heritage Center, the Petrucci Family Foundation Collection and the Grant and Tamia Hill private Collections.

Ballard views her art as a re-imagined visual narrative of people of African descent. Her use of imagery reflects social issues affecting primarily Black women’s stories within a historical context. Her current body of work uses collaged photos adorned with paint, oil pastels, and metallic foils. These photos are deconstructed and layered on reclaimed large and small aged wood fences. The use of fences is a symbolic reference to how fences keep people in and out, just as racial and gender identities can do the same socially. The fusion of wood and photography offers artwork that both explores her southern roots, visually speaks volumes to continuing themes within her community.