Artist
Artist
Artist
Artist
Susan Goldman Bio
Biography
Susan J. Goldman, artist, master printmaker, curator and filmmaker, is Founding Director of Printmaking Legacy Project ®, (PLP®) a non-profit based dedicated to the documentation, preservation and conservation of printmaking practice and history.
She is curator for Forward Press: 21stAmerican Printmaking, PLP®’s premier 2019 major national print exhibition for the greater Washington DC community, at the American University Museum, Katzen Center for the Arts.
Goldman is also Founding Director of Lily Press®, which began as a private studio in 2000. Her first collaborative projects included Elizabeth Catlett, and most recently for Sam Gilliam, Sylvia Snowden, Keiko Hara.
Goldman received her Bachelor of Fine Arts from Indiana University-Bloomington in 1981, and a Master of Fine Arts from Arizona State University-Tempe, in 1984.
After moving to Washington in 1990, Goldman taught printmaking at the Corcoran College of Art and Design, MICA, Georgetown University, and was Master Printer/Program Director at Pyramid Atlantic.
From 2000-2012 was Adjunct Professor/Master Printer for Navigation Press at George Mason University-Fairfax.
Goldman received a National Endowment for the Arts Grant 2011-12, as producer and director of Midwest Matrix ®, an hour-long groundbreaking documentary videotape DVD on the fine art printmaking tradition of the American Midwest.
Goldman sustains a full-time vibrant studio practice producing and exhibiting her own work nationally and internationally. Her work is in private and public collections worldwide
Artist
Susan Goldman Video
Susan Goldman
Susan Goldman - Artists' Talk Intro: The Secret Garden Revealing the Inner Sanctum
The Secret Garden Revealing the Inner Sanctum - Susan Goldman
Susan Goldman: The World is Going to Hell and I am Printing Yellow!
Exhibitions
Beautiful but Flawed
Beautiful But Flawed
August 11 – August 12, 2012
artwork | watch artist’s talk
In this special weekend solo exhibition, Beautiful But Flawed, Jamea Richmond-Edwards examines the complex lives of women in her family. Through paintings and drawings, this emerging artist grapples with issues faced by those she describes as “beautiful but flawed, praised but hated, and stern but fragile.”
Detroit-bred Jamea Richmond-Edwards studied painting and drawing at Jackson State University, and began illustrating for The Jackson Free Press and a children’s book titled ”Grandma’s Biscuits” by Robert Little while in college. Since graduating, Jamea has moved on to teach art to elementary, middle, and high school students while developing her own unique style of mixed media portraiture.
artwork
Orange Flower, ink, acrylic, conte and mixed media collage on paper, 12in x 12in, unframed Request viewing, 2010
Pink Hat, ink, acrylic, conte and mixed media collage on paper, 12in x 12in, unframed Request viewing, 2010
Baby Owl, ink, acrylic and mixed media collage on canvas, 36in x 36in, unframed, 2010
Color Me, ink, acrylic, watercolor, and conte on canvas, 36in x 36in, unframed, 2011
Window #4, ink, acrylic and mixed media collage on paper, 12in x 12in, framed, 2010
Lost in the Woods, ink, acrylic and watercolor on mylar, 25in x 12in, unframed, 2012
Yellow Hat, ink, acrylic, conte and mixed media collage on paper, 12in x 16in, unframed, 2010
Nothing But the Truth, ink, acrylic, rhinestones, and mixed media collage on mylar, 40in x 50in, unframed, 2011
Red Roses, ink, acrylic, glitter, and mixed media collage on mylar, 16.5in x 13.5in, framed, 2011
Emerge from the Darkness, ink, acrylic and mixed media collage on canvas, 36in x 36in, unframed, 2011
Full Moon, ink, rhinestones, watercolor and mixed media collage on paper, 48.5in x 41in, unframed, 2012
Mouth of Pearls, ink, acrylic, glitter, and mixed media collage on mylar, 16.5in x 13.5in, framed, 2011
Wings Not Meant to Fly, ink, acrylic and mixed media collage on canvas, 36in x 36in, unframed, 2012
Untitled ink, glitter, acrylic, watercolor, and mixed media collage on mylar, 82in x 36in, 2012
Awaiting, ink, acrylic and mixed media collage on canvas, 36in x 36in, unframed, 2010
Praise Me, Ink, acrylic and mixed media collage on canvas, 36in x 36in, unframed, 2011
Red Flower, ink, acrylic and mixed media collage on canvas, 24in x 28in, unframed, 2010
It Could Be a Sad Story, ink, acrylic and mixed media collage on mylar, 89in x 36in, unframed, 2011
Ain’t Nothing Raggedy About This, ink, acrylic and mixed media collage on mylar, 36in x 91in, unframed, 2011
All the Pretty Roses, ink, acrylic, rhinestones, and mixed, media collage on mylar, 50in x 40in, 2011
Untitled 2, conte and ink on paper, 11.5in x 8in, framed, 2012
Untitled 3, conte and ink on paper, 11.5in x 8in, framed, 2012
Untitled 4, conte and ink on paper, 11.5in x 8in, framed, 2012
Untitled 1, conte and ink on paper, 11.5in x 8in, framed, 2012
Untitled 5, conte and ink on paper, 11.5in x 8in, framed, 2012
Untitled 6, conte and ink on paper, 11.5in x 8in, framed, 2012
Untitled
Untitled
Untitled
Exhibitions
Revealing the African Presence in Renaissance Europe: The Contemporary…
Revealing the African Presence in Renaissance Europe: The Contemporary Response
September 27, 2012 – January 19, 2013
Eight artists influenced by works featured in the Walters Art Museums’ exhibition Revealing the African Presence in Renaissance Europe collate modern culture to interpret the role of Africans serving as diplomats, merchants, slaves, and rulers through an aesthetic rooted in black cultural history.
Featured Artist: Jules Arthur, Maya Freelon Asante, Nathaniel Donnett, Victor Ekpuk, Jeffrey Kent, Jamea Richmond-Edwards, Mario Andres Robinson and Amy Sherald
Chief Curator: Myrtis Bedolla, Founding Director, Galerie Myrtis; Co-Curator: Amy Morton, Owner, Morton Fine Art, and Exhibition Advisor: Joaneath Spicer, Ph.D., Curator of Renaissance and Baroque Art, Walters Art Museum.
Artwork
Jamea Richmond-Edwards, Wings Not Meant to Fly, 2012, mixed media collage, oil on canvas, 36in x 36in
Jamea Richmond-Edwards, The Venus: As I Stand, 2012, ink, acrylic, mixed media collage on mylar, 25in x 40in
Jamea Richmond-Edwards, It Could be a Sad Story,
2011, ink, acrylic and mixed media collage on mylar, 89in x 36in
2011, ink, acrylic and mixed media collage on mylar, 89in x 36in
Jamea Richmond-Edwards, Venus: If it Don’t Make Dollars, It Don’t Make Cents, 2012, ink, acrylic and mixed media collage on mylar, 40in x 25in
Maya Freelon Asante, Defy Definition, 2012, tissue ink mono/photo print, 12in x 7in
Nathaniel Donnett, Overshadowed, 2012, plastic, 86in x 44in
Maya Freelon Asante,Do You See What I See?, 2012, tissue ink mono/photo print, 30in x 40in
Jeffrey Kent, Black Mannequins: Perceptions of Africa Series #3, 2012, acrylic and collage on canvas, 29in x 29in
Maya Freelon Asante, Actual vs. Factual, 2012 tissue ink mono/photo print, 40in x 35in
Jeffrey Kent, African Presenza Risposta Contemporanea: Perceptions of Africa Series #1, 2012, collage, acrylic and gold leaf on canvas, 18in x 14in
Jeffrey Kent, Dry Countries: The Perceptions of Africa Series, #2, 2012, mixed media, acrylic, collage, oil stick on canvas, 30in x 24in
Amy Sherald, Grand Dame Queenie , 2012, oil on canvas, 54in x 43in
Amy Sherald, Welfare Queen, 2012, oil on canvas, 54in x 43in
Victor Ekpuk, ETHIOP, 2012, acrylic and steel on panel, 48in x 48in
Victor Ekpuk, Union of Pope Clement VII and Simonetta da Collevecchio, 2012, rhinestones, acrylic and colored glass on board, 42in x 72in
Nathaniel Donnett, Do You Want Moor?, 2012, conte, graphite, color pencil and gold leaf foil, plastic and paper bags, 85in x 50in
Nathaniel Donnett, Queen B and the B Stands for Been Signing My Own Check, 2012, conte, graphite color pencil, plastic and paper bags, 32in x 51in
Mario Andres Robinson, Mrs. Johnson, 2006, watercolor on paper, 15in x 15in
Mario Andres Robinson, Charlestine, 2006, watercolor on paper, 11in x 14in
Mario Andres Robinson, The Novelist, 2011, oil on panel, 11in x 14in
Jules Arthur, Gullah Dance of Freedom, 2012, oil on canvas and mixed media collage on wood, 40in x 30in
Secondary Market
Sam Gilliam – Real Fly Fishing
Sam Gilliam
Real Fly Fishing
Medium: Paper Collage with Acrylic on Paper and Poly Propylene
Dimensions: Size of Art: 27” x 50” – Framed Size: 39” x 61 ¼”
Year: 1997
Signed: Sam Gilliam
Condition: Excellent
Provenance: Hazel Beach; Purchased from the Artist
Elizabeth Catlett – Mother and Child
Art Estate Sales
Elizabeth Catlett
(1915 – 2012)
Mother and Child
Medium: Bronze w/ green patina on granite base
Dimensions:
Mother: 9” x 8 ½ “x 3 ½ ”
Child: 2 ½ ” x 3 ½ ” x 3″
Base: 2” x 4 ½ “x 3 ½”
Year: 1985
Signed: EC
Provenance: Acklyn Lynch, PhD; Gift from the Artist
Condition: Sculpture in excellent condition, base has a minor chip on the back lower right corner.
Estate Sales
Romare Bearden – The Family
Romare Bearden (1911-1988)
The Family
Medium: Color Etching w/Aquatint
Dimensions: 26 ½” x 32”
Edition: 41/175
Year: 1975
Signed: Romare Bearden
Condition: Excellent
Provenance: Caprece Jackson-Garrett; Purchased from the Artist