Educational Videos

Print Making Demonstration

Print Making Demonstration

Demonstration: The Secret Garden is the culmination of Goldman’s three year collaboration with Elizabeth Catlett, Michael Gross, Jake Muirhead, Marti Patchell and Renee Stout in which etchings, monotypes, screen prints, and woodcuts become the conveyers of nature and personal mythology.

related exhibition: The Secret Garden: Revealing the Inner Sanctum
 

 

Related Videos

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Demonstration was held during The Secret Garden: Revealing the Inner Sanctum Artist’s Talk

Exhibition Video

Afruika Artist Talk

Afruika: The Primal Source

 
Artist Talk: Elsa Gebreyesus makes her solo debut in Af.Rui.Ka: The Primal Source, a visual narrative of her experiences in and of Africa. Inspired by modern artists from Ethiopia and Eritera who incorporate Fidel, their ancient writing system, Gebreyesus interprets these symbols using her unique language, textures and themes.

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Exhibition Video

Abstraction: The Syncopation of Light, Color and Form –…

Abstraction: The Syncopation of Light, Color and Form

 
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Artists’ Talk: Artists assert their creative voices through textured canvases rich with vibrant hues, and sculptures which free the inherent beauty of the natural stone. Drawing from their intuitions and imaginations, the artists form rhythmic patterns employing light and color to explore social issues, and the metaphysical and spiritual realm.

Featured Artists: David Carlson, Calvin Coleman, Elsa Gebreyesus, Michael Gross, M. Scott Johnson and Jeffrey Kent.

Exhibitions

Myth-Power-Spirit

 
Ephrem Kouakou, Untitled, arcylic pigment on canvas, 67” x 48”

Exploring Myth, Power and Spirit

works by painter Ephrem Kouakou and Shona Sculptors of Zimbabwe

March 24 – April 22, 2012

In ”Exploring Myth, Power and Spirit” the fables and beliefs of the peoples of Cote d’Ivoire and Zimbabwe are explored through mythical figures woven around powerful imagery which captures the spirit of each culture.

Ivorian painter, Ephrem Kouakou and Zimbabwean sculptors, Richard Mteki, Tutani Mugavzi and Lazarus Takawira create works inspired by deities, family, the strength of women, their passion for life, and the understanding of sacrifice, reflection, and inward journeys.

Exhibitions

Art of the Collectors 3

Genesis (detail) by Alvin Hollingsworth
Genesis (detail) by Alvin Hollingsworth

Art of the Collectors 3

May 6 – July 15, 2012

Accompanying the exhibit are two art salons hosted by Tea with Myrtis:
Preserving your Visual Legacy – watch video
Finding your Passion and Enriching your Life – watch video
 
Art of the Collectors 3 explores the role of the collector in preserving our visual heritage through works which connect us to our past and serve as a bridge to our future. The exhibition features important works of art by prominent African American artists as well as african art objects. The exhibit offers collectors the opportunity to sell works and acquire new ones, and to view rare pieces held in private hands for generations.

Featured artists: Charles Alston, Romare Bearden, Anne Bouie, Elizabeth Catlett, Dr. Albert Carter, William Carter, Richard Dempsey, Joeseph Holton, Sam Gilliam, Sargent Johnson, Lois Mailou Jones, Jacob Lawrence, Al Loving, E.J. Montgomery, Godfrey Ndaba, Charles Sebree, Ellen Powell Tiberino and James Wells. Also featured will be African masks and statues.

Video

EJ Montgomery-Artist Talk

Evangeline J. Montgomery

Artist’s Talk: In her recent body of work, the artist E.J. Montgomery employs her 40-plus years of experience to demonstrate her mastery of the printmaking process. In the role of abstractionist, E.J. captures your imagination through her brilliant use of vibrant colors and rich motifs in mixed media collage, lithographs and silkscreens.

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Artist

Evangeline J. Montgomery Statement

Evangeline J. Montgomery

artwork | video | statement | bio

Statement

For many years I have explored the role of memory and memorials in fashioning human history and identity in my art. My photographs and present abstracted artistic explorations dramatically portray configurations and coding processes of memory.

They represent memory as a template in which the mind stores cherished and sensitive experiences of people, places and events. My art often contains calligraphic marks, strokes, swirling lines, language overlays of varied materials and colors, shadows and atmospheric conditions, naturalistic formations in nature, such as trees, water and rocks.

My photographs offer glimpses of urban and rural landscapes and lifestyles of people of color today. Each work is titled and hopefully that adds to a greater understanding and discussion of the art between artist and viewer.

artwork: Blue Rhythm, Mixed media print, 30” x 22.5” unframed, 2010

Artist

Evangeline J. Montgomery – Bio

Evangeline J. Montgomery

artwork | video | statement | bio

Biography


Evangeline J. Montgomery – Printmaking Legacy Project, Inc.

Evangeline Juliet Montgomery was born on May 2, 1930 in New York City. Her mother was a homemaker and her father, a Baptist minister. She discovered her artistic talents when she received her first oil painting set at the age of fourteen. In 1951, Montgomery earned her high school diploma from Seward Park High School.

From 1951 until 1954, she worked painting faces on dolls and religious statues. In 1955, Montgomery moved to Los Angeles with her husband and worked for Thomas Usher, an African American jewelry designer; while attending Los Angeles City College Evangeline earned an AA degree and she went on earn a BFA from the California College of Arts and Crafts.

Evangeline entered the museum field in 1967 serving as an independent curator to museums, university galleries, community galleries and art centers where she organized over 150 exhibitions. She served as the curator for the Rainbow Sign Gallery in Berkeley, California before becoming an exhibition specialist for the American Association for State and Local History in Nashville, Tennessee and coordinating eight national workshops on “Interpreting the Humanities Through Museum Exhibits”. She also organized national exhibit workshops for the Association of African American Museums. From 1976 until 1979, Montgomery also served as a San Francisco art commissioner.

In 1980, Montgomery moved to Washington, D.C. where she worked as community affairs director for WHMM-TV. In 1983, Montgomery began her career with the United States Department of State as a program development officer for the Arts America Program at the United States Information Agency (USIA), specializing in American exhibitions touring abroad. In this capacity, she developed and implemented successful American fine art programs in the United States and throughout the world.

Ms. Montgomery is an active studio artist working in prints, metals, fiber and photography. Her works are in the Los Angeles Board of Education (Los Angeles, CA), The Oakland Museum (Oakland, CA) and The Museum of the National Center for African American Artists (Boston, MA) collections.

Montgomery has held solo shows in Washington, D.C., Detroit, Philadelphia, Boston and New Orleans. Her group exhibitions include the Washenaw Community College Art Gallery (Ann Arbor, MI), Stella Jones Gallery (New Orleans, LA), National Conference of Artists Gallery (Detroit, MI) and Schomburg Research Center Art Gallery (New York, NY). Montgomery’s solo exhibits include the Brandywine Workshop Printed Image Gallery (Philadelphia, PA), Anderson Gallery (Pontiac, MI), Hampton Institute Museum (Hampton, VA) and DePauw University Art Gallery (Greencastle, IN).

Catalog

Ancient Traditions-Catalogue

Ancient Traditions – Contemporary Forms

ancient_traditions_cover
Price: $5.00 USD + S&H

The cultural voices of the Ghanaian artists are juxtaposed against the rhythm and harmony of the African American artists. As in the tradition of African music, the Ghanaians extend the ancient “call,” eliciting a contemporary “response” from the African Americans. Through this cultural song, we discover the innate similarities derived from the ties of African ancestry— a bond which has not ceased by the separation of an ocean, a bond which continues through atavistic memory.

Paperback: 50 pages | 43 black and white illustrations
Year published: 2004
Language: English
Dimensions: 7.5 x 8 inches