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Publications
Exhibition Catalogues
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Publications
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Catalog

Price: $15.00 USD – SALE: $7.50 + S&H
What do President Barack Obama, Marilyn Monroe, Martin Luther King, Jr. and Paul Reubens (Pee-wee Herman) have in common? According to artist Charly Palmer, each has a “Tar Baby”. In this exhibition, Palmer boldly asks “What is your Tar Baby?” as he appropriates African folklore to address issues of bigotry, racism and stereotypes. He examines the lives of athletes, civil rights leaders, entertainers, politicians, scholars, African and Native Americans.

Paperback: 56 pages | 47 color illustrations
Year published: 2010
Language: English
ISBN: 978-0981960272
Dimensions: 8.5 x 11 inches
Publications

Price: $20.00 USD + S&H
Our Common Bond: Mother, Daughter, Sister, Self is a compelling testament to the complex societal roles of Black women, derived from imagery of African-American women artists who are bound by their personal experiences as mothers, daughters and sisters; and the effort to maintain their self-identity.
Artists: Maya Freelon Asante, Elizabeth Catlett, Linda Day Clark, Oletha DeVane, Kenyatta Hinkle, Margo Humphrey, Martha Jackson-Jarvis, Valerie Maynard, E.J. Montgomery, Annie Phillips, Delilah Pierce, Joyce Scott, Renee Stout, Evita Tezeno and Joyce Wellman.
Foreward by Leslie King-Hammond, PhD

Paperback: 44 pages | 32 color illustrations
Year published: 2008
Language: English
ISBN: 978-091960258
Dimensions: 8.5 x 11 inches
Artist
Born in Washington, D.C., in 1904, Delilah W. Pierce served as an educator, artist and curator. Her artistic abilities were discovered at an early age by a teacher who found it difficult to believe that she was able to draw so well.
Delilah is known for her fluid style, which ranged from figurative to abstraction. Her colorful compositions are inspired by nature, social justice, and her travels to Europe and Africa. Pierce was revered by her peers and according to art critic Judith Means, “The way she perceives the world, with joy and optimism, and the stunning clarity of her finely-developed aesthetic sense are integral not only to her character but also to the vivid visual textures of her work.”
Delilah had numerous solo exhibitions and exhibited in more than 150 group shows. During the course of her professional career, she participated in exhibitions with preeminent African-American artists: Elizabeth Catlett, Margaret Burroughs, Richard Dempsey, David Driskell, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Hughie Lee Smith, Alma Thomas, James Wells, and Charles White.
Her works were featured at: Barnett/Aden Gallery, Cosmos Club, Corcoran Gallery, Howard University Gallery, Margaret Dickey Gallery, Smithsonian Anacostia Museum, and Smithsonian Institute in Washington, D.C.; Baltimore Museum of Art, Baltimore, Maryland and Hampton Institute (University), Hampton, Virginia and Kenkeleba Gallery in New York.
In 1988, Delilah served as curator for the exhibition “Inspiration: 1961-1989” which was held at the Smithsonian Anacostia Museum and featured the work of thirty-four African-American artists who were members of the District of Columbia Art Education Association. The exhibition, a survey of the works of its members demonstrated the extraordinary talent and served as stated by Ms. Pierce, “ in documenting the history and the staying power of an organization with more than twenty-five years of community involvement and a rich legacy of service.
She was a member of the Smith-Mason Gallery of Art in Washington, D.C. and the Old Sculpin Gallery and Cousen Rose Gallery in Massachusetts.
Her work is in the permanent collections of the Smithsonian Museum of American Art, University of the District of Columbia, Howard University, Evans-Tibbs Collection, Barnett-Aden Collection, Smith-Mason Gallery of Art, Bowie State College.
Pierce attended Miner Normal (Miner Teachers College) and then Howard University where she earned a B.S. degree. She went on to receive a Masters in art and art education from Teachers College-Columbia University in New York City; and received an honorary degree, Doctor of Humane Letters, from the University of the District of Columbia, Washington, D.C. Pierce received an Agnes-Meyer Fellowship to study abroad in Europe, the Middle East and Africa. Her educational study includes travel to London, Paris, Holland, Rome, Greece, Lebanon, the Holy Land, the River Jordan, Cairo, Ethiopia, Nigeria, Ghana and Dakar.
Uncategorized
Hidden Masters: Artists Rising Above Anonymity
The “Hidden Masters: Artists Rising Above Anonymity” series explores the artwork and examines the lives of artists whose careers were eclipsed by their contemporaries. This series will bring these artists to the forefront and pays homage to their creative genius.
Hidden Masters Exhibtion featurng Delilah Pierce
October 15th – February 11, 2012
click here for more information
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Hidden Masters:
Delilah Pierce (1904 – 1992) see Delilah Pierce art work
Born in Washington, D.C., in 1904, Delilah Pierce served as an educator, artist and curator. During the course of her professional career, she participated in exhibitions with preeminent African-American artists: Elizabeth Catlett, Margaret Burroughs, Richard Dempsey, David Driskell, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Hughie Lee Smith, Alma Thomas, James Wells, and Charles White. Her work is in the permanent collections of the Smithsonian Museum of American Art, University of the District of Columbia, Howard University, Evans-Tibbs Collection, Barnett-Aden Collection, Smith-Mason Gallery of Art, Bowie State College.
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Anderson Pigatt (1928 – 2009) see Anderson Pigatt’s art work
Anderson Pigatt was born in Raeford, North Carolina, October 20, 1928. Anderson launched his sculpture career late in 1960’s. He received vocational training in general woodworking and carpentry at George Washington Carver High School. A self-taught sculptor, his work is represented in a number of private and institutional collections. Other sculptures are in the Brooklyn Museum, Brooklyn, New York; Reginald F. Lewis Museum, Baltimore, MD; and the American Visionary Art Museum, Baltimore, MD.
Exhibitions

October 15th – February 11, 2012
watch panel discussion | about Delilah Pierce
The “Hidden Masters: Artists Rising Above Anonymity” series explores the artwork and examines the lives of artists whose careers were eclipsed by their contemporaries.
Delilah W. Pierce, a prolific painter, captured the essence of her subjects with elegance and force. A 40 year survey offers a trajectory of her work and places her in context with her peers.
Artist
Born in Washington, D.C., in 1904, Delilah W. Pierce served as an educator, artist and curator. Her artistic abilities were discovered at an early age by a teacher who found it difficult to believe that she was able to draw so well.
Delilah is known for her fluid style, which ranged from figurative to abstraction. Her colorful compositions are inspired by nature, social justice, and her travels to Europe and Africa. Pierce was revered by her peers and according to art critic Judith Means, “The way she perceives the world, with joy and optimism, and the stunning clarity of her finely-developed aesthetic sense are integral not only to her character but also to the vivid visual textures of her work.”
view exhibition | watch panel discussion
Delilah had numerous solo exhibitions and exhibited in more than 150 group shows. During the course of her professional career, she participated in exhibitions with preeminent African-American artists: Elizabeth Catlett, Margaret Burroughs, Richard Dempsey, David Driskell, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Hughie Lee Smith, Alma Thomas, James Wells, and Charles White.
Her works were featured at: Barnett/Aden Gallery, Cosmos Club, Corcoran Gallery, Howard University Gallery, Margaret Dickey Gallery, Smithsonian Anacostia Museum, and Smithsonian Institute in Washington, D.C.; Baltimore Museum of Art, Baltimore, Maryland and Hampton Institute (University), Hampton, Virginia and Kenkeleba Gallery in New York.
In 1988, Delilah served as curator for the exhibition “Inspiration: 1961-1989” which was held at the Smithsonian Anacostia Museum and featured the work of thirty-four African-American artists who were members of the District of Columbia Art Education Association. The exhibition, a survey of the works of its members demonstrated the extraordinary talent and served as stated by Ms. Pierce, “ in documenting the history and the staying power of an organization with more than twenty-five years of community involvement and a rich legacy of service.
She was a member of the Smith-Mason Gallery of Art in Washington, D.C. and the Old Sculpin Gallery and Cousen Rose Gallery in Massachusetts.
Her work is in the permanent collections of the Smithsonian Museum of American Art, University of the District of Columbia, Howard University, Evans-Tibbs Collection, Barnett-Aden Collection, Smith-Mason Gallery of Art, Bowie State College.
Pierce attended Miner Normal (Miner Teachers College) and then Howard University where she earned a B.S. degree. She went on to receive a Masters in art and art education from Teachers College-Columbia University in New York City; and received an honorary degree, Doctor of Humane Letters, from the University of the District of Columbia, Washington, D.C. Pierce received an Agnes-Meyer Fellowship to study abroad in Europe, the Middle East and Africa. Her educational study includes travel to London, Paris, Holland, Rome, Greece, Lebanon, the Holy Land, the River Jordan, Cairo, Ethiopia, Nigeria, Ghana and Dakar.
Artist
artwork | video | statement | resume

Artist
artwork | biography | resale art work

Artist
artwork | video | statement | resume

My sculpture transforms nature into works of art. My intention is to draw the viewer into the natural colors, textures, and undulating interiors of the wood.
In public spaces my work brings sacredness and serenity to the space. Viewers are reconnected to nature. Winding shapes of branches rise upward; holes are filled with lathe-turned spheres; tree-wounds reveal imperfections integral to the form; and, balanced connections mindfully bring shapes together.