AfriCOBRA Photos


September 15 – October 27th, 2018

Featured Artists (year of membership)
Akili Ron Anderson (1979), Kevin Cole (2003), Adger Cowans (1978), Michael D. Harris (1979), Napoleon Jones-Henderson (founding member, 1968), James Phillips (1973), Frank Smith (1973), Nelson Stevens (founding member, 1968), and Renee Stout (2017)

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AfriCOBRA 2018 (back row, left to right) Akili Ron Anderson, Adger Cowans, Nelson Stevens, Michael Harris, Wadsworth Jarrell, Gerard Williams, Frank Smith (front row, left to right) Renée Stout, Napoleon Jones-Henderson, Jae Jarrell, Kevin Cole
Photograph courtesy: Adger Cowans
AfriCOBRA (circa 1990) (standing back row, left to right) Jeff Donaldson and James Phillips, (second row, left to right) Michael Harris, Adger Cowans, Akili Ron Anderson, (front row, left to right) Wadsworth Jarrell, Napoleon Jones-Henderson, Nelson Stevens, Frank Smith
Photograph courtesy Adger Cowans
AfriCOBRA members 1989 (standing, left to right) Adger Cowans, Michael Harris, Jeff Donaldson, Murray DePillars, (on ladder) James Phillips, (seated, left to right) Napoleon Jones-Henderson, Wadsworth Jarrell, Akili Ron Anderson, Frank Smith, (on floor) Nelson Stevens.
Photograph courtesy Adger Cowans

Romare Bearden Secondary Market Out Chorus

Secondary Market

Romare Bearden (1911-1988)

Out Chorus, ed. 59/60, 1979-80
Serigraph with Hand-Colored border, 22”x29 ¾” framed
Bell-Reid Collection
Price: Contact Galerie Myrtis

Romare Bearden was strongly influenced by the works of other artists, including musicians. “Out Chorus” echoes the beats of Harlem’s thriving jazz scene, and the music’s improvisational form.

Romare Bearden (1911-1988), considered one of America’s greatest artists, was a draftsman, painter, watercolorist, and most preeminently, a collagist. He received many honors during his life, and was awarded the National Medal of Arts in 1987 from President Reagan. Born in North Carolina, and raised in Pittsburgh and New York’s Harlem, Bearden worked in various styles, including cartoon and drawing, social genre, modernism, abstract expressionism and photo-collage. Bearden was best known for the universal themes employed in his collage paintings and prints. He found his imagery in both the everyday rituals of African American rural life in the south and urban life in the north, combining those American experiences with his personal experiences and interest in classical literature, religion, and music.

Reference: Smithsonian Anacostia Community Museum

Jacob Lawrence Secondary Market On The Way

Secondary Market

Jacob Lawrence (1917-2000)

On the Way, 1990
Lithograph, 40”x29 ½” framed
Bell-Reid Collection
Price: Contact Galerie Myrtis

In his late composition, On the Way, (1990), Lawrence captures African Americans as they move through the streets with his usual stylistic attention to detail and, at the same time, telling abstract forms. At first glance it is difficult to determine what is happening in this scene, as we see flat shapes and areas of vibrant color that create a brilliant overall design. Heightening the abstract quality of the composition, Lawrence subverts traditional perspective, where bold colors occupy the foreground and paler colors occupy the background. Instead, he applies saturated and vibrant colors not only in the foreground but also in the background. Bright blue and red in the figures located in the foreground are repeated in the window and brick wall in the background. Similarly, yellow objects–boards and other equipment related to the building trade–are carried by the foreground figures and are echoed in the yellow ladder in the upper right. Thus, the tonalities in the foreground and background merge to create shifting, incongruous space, emphasizing the tensions between the picture surface and implied background, and enhancing the overall energy of the scene.

While the colorful, animated design first draws the viewer into the composition, closer examination of On the Way reveals clearly defined figures and objects. Created after the height of the Civil Rights movement, Lawrence shows men and women moving quickly through the streets, on their way to their various destinations. Implicit in this activity is the notion of the African American community on its way to a better future—with the tools for building it in their hands.

Reference: The Phillips Collection

Wesley Clark Biography

Biography


Wesley Clark was born in Washington, DC and grew up in Silver Spring, Maryland. He received his Bachelor of Fine Arts in painting from Syracuse University and a Master of Fine Arts from George Washington University — where he was twice awarded the Morris Louis Fellowship in 2010 and 2011; a fellowship primarily awarded once per incoming graduate class.

Clark primarily creates mixed media wood assemblages that read as familiar to the general masses, and are often hybrids of two or more objects or concepts. He refers to these objects as artifacts or fictional artifacts, made to look as if they’ve lived a life prior to being on display and prompting viewers to question their importance and create their own narratives based on their experiences. Clark infuses social and politic criticisms into his works; merging the historical with the contemporary, to speak on issues faced by Blacks in America.

Wesley Clark has exhibited works at institutions such as the American University Museum at the Katzen Arts Center, Washington D.C.; Columbia College Glass Curtain Gallery, Chicago, Illinois; and Prizm Art Fair, Miami, Florida during Art Basel.

Clark’s works, Target, 456 and Welcome to the Tea Party were acquired in 2013 by noted art collector, Peggy Cooper Cafritz . In 2016, he was commissioned by The American Alliance of Museums to create, Shift. Rotate. Repeat — a public artwork at the site of President Lincoln’s cottage in Washington, D.C. for museum week. Clark was a panelist for the Critical Craft Forum that took place at the College Arts Association 2016 conference. He has also been a guest lecturer at Capital City Public Charter School High School, in Washington, D.C. In addressing the student body, Clark offered insight on the creative process and the development of artwork, from conceptualization to materialization.

Clark has taught at George Washington University’s Columbian College/Corcoran School of the Arts and Design, teaching Introduction to Painting, Introduction to Drawing, and First year Studio 2D. He is a member of the D.C. based artists’ collective Delusions of Grandeur. Clark currently resides in Hyattsville, MD, with his wife and two beautiful children.

Morel Doucet Artwork

Morel Doucet

art | video | statement | bio |resume

mixed media | sculpture

Mixed Media

Nina Buxenbaum Artwork

Nina Buxenbaum

artwork | video | statement | bio

Artwork