Art Fairs

Expo Chicago 2024

Booth # 405

VIP Preview Day
Thursday, April 11th | 12:00 – 9:00pm

Public Hours
Friday, April 12th | 11:00am – 7:00pm
Saturday, April 13th | 11:00am – 7:00pm
Sunday, April 14th | 11:00am – 6:00pm

Galerie Myrtis is pleased to announce our forthcoming debut at EXPO Chicago. The booth will showcase contemporary artists who explore the cultural, social, and political landscapes of our world while showcasing the beauty of humanity.

artwork | exhibition catalog

Booth Concept
Galerie Myrtis presents “Intersections of Identity,” featuring the extraordinary works of painters Monica Ikegwu, Megan Lewis and Ronald Jackson, and master printmaker Delita Martin.

The concept explores the rich tapestry of individual and collective identities, highlighting the artists’ unique perspectives and their profound contributions to the contemporary art landscape.

Presented artworks will delve into the complex intersections of race, gender, and culture, showcasing the artists’ distinct artistic approaches and their exploration of personal narratives and societal experiences. Through their respective mediums, Ikegwu, Lewis, Jackson, and Martin bring forth powerful and thought-provoking imagery that challenges traditional notions of identity and celebrates diversity.




Artworks

Exhibitions

Ronald Jackson – Solo Exhibition

Ronald Jackson: Solo Exhibition
June 25th – August 31, 2022

Opening Reception
Saturday, June 25, 2-6 pm

view artwork | artist talk | statement | bio | resume | press

Galerie Myrtis is pleased to announce Ronald Jackson’s second solo exhibition with the gallery. In this show, Jackson, a figurative painter, draws from his vivid and boundless imagination to construct a fantastical world habited by Johnnie Mae King, aka Aunt Johnnie. Known for creating work focused on the Great Migration, the artist leads us down a different path in his new body of work. Here, the narrative focuses on a single character and the notion of a Black woman’s uninhibited existence. For Johnnie, it is a life free of social constraints such as racial discrimination and gender politics.

Jackson depicts Aunt Johnnie in playful figurations and portrayals of acts of defiance. Lush vegetation binds Johnnie’s various exploits offering dramatic surroundings to her stylized couture. Her identity is concealed by the artist’s traditional masking technique or hidden behind whimsical eyeglasses that serve as devices to draw viewers into Aunt Johnnie’s imaginary world, one of fantasy, freedom, and reckless abandonment.

“Johnnie’s imagination allows her to dream uninhibited, free to do what she wants to do and be whatever she wants to be. Much like a time traveler, her mind allows her to explore the possibilities of navigating other places, times, and dimensions.” Ronald Jackson

Ronald Jackson
Untitled, 2022
Oil on canvas
60 x 72 ″

Press

Ronald Jackson – PRESS

PRESS

Artnet News, February 24, 2020
Arkansas’s Crystal Bridges Museum Just Opened a Sprawling Show About… (featuring Ronald Jackson) by Ben Davis

…Curated by Lauren Haynes—a transplant from the Studio Museum in Harlem—with Alejo Benedetti and Allison Glenn, the result is a 61-artist survey, shared between the cheese-factory chic of the Momentary’s new galleries and the bucolic luxury of Crystal Bridges. full article


BMORE Art, July 2018
BLACK PORTRAITURE: FABRIC, FACE, AND FORM by Angela N. Carroll

The contemporary art world is experiencing a renaissance in Black portraiture. A new generation of master realist painters like Kehinde Wiley, T. Eliott Mansa, Jas Knight and Ronald Jackson build upon a foundation laid by earlier figurative artists like Charles White, Augusta Savage, John Biggers, and Elizabeth Catlett. full article


press-city-pressCity Paper, December 14, 2016
ESCAPE TO MIAMI: Baltimore goes to Art Basel

Galerie Myrtis – SPECTRUM ART FAIR: On the mainland, in Wynwood, Galerie Myrtis efficiently uses nearly every inch of its space, located in a breezy, visible spot near the back at Spectrum, showing work by Delita Martin, Morel Doucet, Anna U. Davis, Michael Gross, Ronald Jackson, and Jamea Richmond-Edwards. This is Myrtis’ first time at this fair – full article


press-international-reviewInternational Review of African American Art, 2015
Stayin Alive

…In this show S. Ross Browne, Nina Buxenbaum, Larry Judah Cook, Ronald Jackson, T. Elliott Mansa, Delita Martin and Arvie Smith draw from the familiar and the imagined to reinscribe the notion of blackness within the context of self. full article


Exhibitions

A Passion for Collecting-The Vision of Louis Allan Ford

A Passion for Collecting: The Vision of Louis Allan Ford (1942-2020)

October 30 – January 29, 2022
by appt. only

Featured Artists: Romare Bearden, Elizabeth Catlett, Allan Rohan Crite, David Driskell, Victor Ekpuk, Sam Gilliam, Ronald Jackson, Lois Mailou Jones, Joseph Holston, Charles Sebree, Alma Thomas, James Wells, and many more…

view artwork | view exhibition catalog

A Passion for Collecting: The Vision of Louis Allan Ford is a testament to Ford’s cultural pride and the legacy he built through collecting. As a patron of the arts, Louis Ford was a familiar and beloved figure on the Washington metropolitan art scene. His passion for African and African American art is reflected in the collection he amazed of nearly two hundred items. Ford acquired utilitarian and ceremonial objects of West Africa and historically significant works of art created by prominent and emerging contemporary artists. He was also a treasure hunter and was known for discovering rare works at estate sales and auction houses.

Ford was a graduate of Dunbar High School and Howard University. He was a lifetime member of Alpha Phi Alpha Fraternity, Incorporated. Ford served in the U.S. Air Force and after a brief stint in the federal government found his niche in real estate, creating opportunities for homeownership for many African American families.


Audio excerpts: In 2010 Louis Ford took part in the Art of the Collectors II discussion at Galerie Myrtis.

Artist

UTA Artist Space – Literary Muse

UTA Artist Space in collaboration with Galerie Myrtis presents
Literary Muse curated by Myrtis Bedolla

Opening Reception: Saturday, September 4, 2-5PM
UTA Artist Space
403 Foothill Rd. Beverly Hills, CA 90210

utaartistspace.com


UTA Artist Space presents Literary Muse, a new group exhibition inspired by Black literary novelists, poets, and scholars, curated by Baltimore-based Myrtis Bedolla of Galerie Myrtis. On view from September 4 through September 25, 2021, the powerful presentation brings together paintings, photographs, prints, and sculptures by twelve contemporary artists working across the United States: Lavett Ballard, Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames.

The incisive writings of Black scholars, poets, and authors of fiction bear the weight of a complicated history, at times celebrated and at others, bemoaned. In Literary Muse, their words are the interpretive impulse for imagery that defines the architecture of the Black ethos. The result is a visual vernacular constructed in paintings, photographs, prints, sculptures, and conceptual works composed in hair beads and wood that interrogates the inherent complexities of race.

Steeped in the writings of authors such as Ta-Nahisi Coates, bell hooks, Dr. Beverly Daniel Tatum, Charles Sowell, Alice Walker, and Isabel Wilkerson, these artists draw from a lexicon of Black narratives. They create visual illustrations that probe the connection between the past and present, challenge the inequalities of structural racism, honor the traditions of the Black family’s devoted fathers and mothers, encourage Black economic empowerment and selfhood, and give symbolic meaning to poetry and fiction through visual tropes that explore Black plight.

Looking for inspiration beyond the prose of philosophers, economists, theorists, psychologists, sociologists, and historians, artists turn to the lyrics of Black composers and vocalists elucidating a truth—a gospel truth—bound-up in ancestry and spirituality rooted in the polyrhythms of Africa. Here, they find their muse in rhythms first laid down in African American spirituals which influenced the gospel, jazz, R&B, hip-hop, and rap music of today. These are the sounds that permeate the artists’ studios, consciously and subconsciously inspiring works that touch the depths of our souls.

Through the confluence of literature and artistry, Literary Muse contextualizes the Black experience through a non-Western lens. The notion of Blackness, its history, ancestry, and culture are presented as written and interpreted by its people. Scholars and composers who might otherwise remain obscure are placed at the forefront, as their words influence profound works that offer critical discourse on that which affirms and defines what it means to be Black.

— Myrtis Bedolla

“Myrtis Bedolla has a sharp eye for extraordinary artists. To wield their art and animate the words of these great Black authors and poets—to bring their narratives to life visually—is a phenomenal talent,” says Arthur Lewis, UTA Fine Arts, and UTA Artist Space Creative Director.

image
Oluma x Chimdi x Anwi by Monica Ikegwu, Oil on Canvas, 36″ in x 48″ in, 2021,
Literary Muse: Beverly Daniel Tatum, Why are all the Black Kids Sitting Together in the Cafeteria?
Image courtesy of the artist and Galerie Myrtis

Renaissance: Noir at UTA Artist Space, Beverly Hills, CA…

UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020. Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

view the exhibition

The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

Exhibitions

Renaissance Noir UTA Artist Space

Renaissance: Noir
UTA Artist Space, Beverly Hills, CA
Curated by Myrtis Bedolla

UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020. Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

view the exhibition

The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

Renaissance: Noir Blackness on the Continuum


by Myrtis Bedolla, Curator

Ronald Jackson Exhibits in State of the Art 2020…

Galerie Myrtis is pleased to announce Ronald Jackson is among sixty artists selected to participate in State of the Art 2020 at the Crystal Bridges Museum of American Art in Bentonville, Arkansas.

Ronald Jackson
State of the Art 2020 represents a cross-section of artists working today and their artwork will be organized into thematic sections including world-building: creating real and fictional spaces; sense of place: investigating ideas of home, family, immigration, and more; mapping: connections to and relationships with landscapes and power, and temporality: the concept of time and how we perceive it.

Lauren Haynes, curator of visual arts at the Momentary and curator of contemporary art at Crystal Bridges, is leading State of the Art 2020, along with Alejo Benedetti, assistant curator of contemporary art, Crystal Bridges and Allison Glenn, associate curator of contemporary art, Crystal Bridges. The team visited studios across the country, resulting in the selection of a diverse group of 61 artists, from varied backgrounds and at different points in their careers.
Cyrstal Bridges

Museum Information

General Admission
There is NO COST to view the museum’s permanent collection, which is on view year-round. General admission to Crystal Bridges is always free, and is sponsored by Walmart.

Hours
Saturday & Sunday 10AM-6PM
Tuesday – CLOSED
Monday 11AM-6PM
Wednesday – Friday 11AM-9PM

Closed on Thanksgiving and Christmas.

Exhibitions

Building Bridges II The Politics of Love – Identity…

Building Bridges II: The Politics of Love, Identity and Race

13th Havana Biennial, Havana, Cuba
April 12 – May 12, 2019

Galeria Carmen Montilla – photo by Chris Bedolla

Location
Galeria Carmen Montilla
Norma Jimenez Iradiz, Directora
Calle de los Oficios No. 162, Old Havana
Opening Reception: April 13, 2019, 6:00 pm – 8:00 pm

Curators Myrtis Bedolla and Ana Joa reunite for the second iteration of Building Bridges II: The Politics of Love, Identity, and Race. In bridging peoples, politics, and cultures, the exhibition investigates the dogma of love, gender politics, and prevailing assumptions about identity and race. We thank Eusebio Leal Spengler, Old Havana Restoration Project for his support.

Los curadores Myrtis Bedolla y Ana Joa se reúnen para la segunda versión de Haciendo Puentes II: La Política del Amor, la Identidad y la Raza. Al unir a los pueblos, la política y las culturas, la exposición investiga el dogma del amor, la política de género y los supuestos prevalentes sobre la identidad y la raza. Agradecemos a Eusebio Leal Spengler, Havana Vieja Restauracion Proyecto por su apoyo.

American Artists: Tawny Chatmon, Wesley Clark, Larry Cook, Alfred Conteh, Anna U. Davis, Morel Doucet, Vance Gragg, Susan Goldman, Michael Gross, Ronald Jackson, M. Scott Johnson, and Delita Martin.

Cuban Artists: Julia Valdés Borrero, Luis Jorge Joa, Daylene Rodriquez Moreno, Caridad Ramos Mosquera, Zaida del Rio, Eduardo Roca Salazar (Choco), Alicia Leal Veloz, and Jorge Jacas Vivanco.


Artwork


Photos


SCOPE Miami Beach


Galerie Myrtis will participate in the SCOPE Miami Beach during Miami, Basel. The art fair runs from December 4-9. SCOPE Miami Beach features 140 International Exhibitors from 25 countries and 60 cities, and welcomes over 60,000 visitors over the course of 6 days.

FEATURED ARTISTS

LOCATION
SCOPE Miami Beach Pavilion – Booth H15
801 Ocean Drive
Miami Florida 33139
scope-art.com

SHOW HOURS
Platinum First View
Platinum Cardholders or By Invitation
Tuesday, December 4th, 12pm – 4pm

VIP | Press Preview
VIP Cardholders and Accredited Press, or By Invitation
Tuesday, December 4th, 4pm – 8pm

GENERAL ADMISSION
Complimentary for VIP and Platinum Cardholders

Wednesday, December 5th, 11am – 8pm
Thursday, December 6th, 11am – 8pm
Friday, December 7th, 11am – 8pm
Saturday, December 8th, 11am – 8pm
Sunday, December 9th, 11am – 8pm

Day Pass | $40
Multi-Day Pass | $75
Student + Senior | $30