Exhibitions

Tawny Chatmon – If I’m no longer here I…

If I’m no longer here, I wanted you to Know…

Solo Exhibition featuring Tawny Chatmon
May 15 – July 10, 2021
by appt. only

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Galerie Myrtis is pleased to present its first solo exhibition with Tawny Chatmon, If I’m no longer here, I wanted you to Know… The show will be on view May 15-July 2021 and offer eighteen new photographs Chatmon developed featuring intimate portraits of family members and friends imbued with sentiments of love, personal ruminations, and lessons she wants to instill in her three children.

In, If I’m no longer here, I wanted you to Know… Chatmon expands her oeuvre beyond materiality of the gilded imagery and the influence of Klimt, which she has come to be known. Drawing inspiration from the Byzantine period, Chatmon adorns black bodies with semi-precious stones meticulously placed to construct a narrative on black children and dignity through cultural memory.

Chatmon’s imagery rewards the viewer who looks beyond the nuanced surface of the photographs and contours of her subjects. A deeper examination reveals allegory and iconology steeped in metaphors protesting racial and social injustice. Chatmon’s cultural and political discourse also extends to the titles of her work. In your Hoodie or White Tee sends a clear message that black boys, regardless of the clothes they wear, are human beings whose lives should be respected, preserved, and valued by society.

Chatmon’s photos emotively and melodically speak to the legacy she seeks to leave behind. She has transformed the visual to lyrical through undulating figures that sway with the rhythm of a lullaby—a mother’s love song to her children filled with memories she wants them to hold on to and life lessons to pass down through generations.

Chatmon is an award-winning photographer; among them is the People Photographer of the Year, International Photo Awards 2018 and First Place, International Photo Awards 2018.

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An exhibition catalogue will be available: $45.00 (hardcover)
Catalogue Essayist: Tanisha Jackson, Ph.D., Executive Director of CFAC and Professor of Practice in African American Studies, Syracuse University

And Then She Said “I Never Asked You To Worship Me”, 2020
24k gold leaf, 12k gold leaf, acrylic, mixed media on archival pigment print
Framed: Approx 36” x 50”, Unframed: 26” x 40” w/5cm border

Tawny Chatmon Exhibits at Southampton Arts Center

2020 VISION

Presented by New York Academy of Art with Southampton Arts Center
Curators: David Kratz and Stephanie Roach

Artists, writers, and creative thinkers were asked to consider three questions of critical importance: Our lives will never be the same, but what will change look like? What do we want to keep as we rebuild? And what must we guard against?

We invited these creators to express what they saw, what they felt, and what they experienced during this time of pause and reassessment, upheaval and risk, and anxiety and uncertainty.

It is our hope that 2020 Vision marks one of many beginnings in the necessary process of ‘post-traumatic growth’ and positive change for our society and our world.

Note to Visitors: 2020 Vision, by design, presents multiple artists perspectives and observations on all that has occurred in our society over the past year. Please use your discretion when visiting with children due to some mature content.

Artists: John Alexander, Scott Avett, Mary Ellen Bartley, Amy Bennett, Tim Buckley, Tawny Chatmon, Kate Clark, Taha Clayton, Monica Cook, Shiqing Deng, Vincent Desiderio, Peter Drake, Richard Dupont, Eric Fischl, Audrey Flack, Natalie Frank, Elizabeth Glaessner, Ramiro Gomez, Andrae Green, Matthew Hansel, Candace Hill, Nir Hod, Rachel Lee Hovnanian, Rashid Johnson, Kurt Kauper, Cédric Klapisch, Adam Lupton, Steve Mumford, Tim Okamura, Clifford Owens, Adam Pendleton, Luján Pérez Hernández, Jean-Pierre Roy, Bastienne Schmidt, Krista Louise Smith, Pamela Sztybel, Phillip Thomas, Justin Wadlington, Chris Wilson, Frank Wimberley, Alexi Worth, Jiannan Wu

artwork
Eden’s Playdress: The Redemption Series
2019
24k gold leaf and acrylic paint on archival pigment print
60 x 48.5 inches (framed)
Simone and David Levinson collection

Renaissance: Noir at UTA Artist Space, Beverly Hills, CA…

UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020. Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

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The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

Exhibitions

Renaissance Noir UTA Artist Space

Renaissance: Noir
UTA Artist Space, Beverly Hills, CA
Curated by Myrtis Bedolla

UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020. Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

view the exhibition

The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

Renaissance: Noir Blackness on the Continuum


by Myrtis Bedolla, Curator

Tea With Myrtis

Artistically Speaking

Tea with Myrtis: Artistically Speaking

These are one-on-one conversations between an artist featured in the Women Heal through Rite and Ritual exhibit and Myrtis Bedolla. Offered as a twist on the formal teas held in the gallery, the virtual chats promise to be lighthearted and spontaneous. So brew your favorite tea and join me for tea time.


Catalogue

Women Heal through Rite and Ritual – Exhibition Catalog

Women Heal through Rite and Ritual

Exhibition Catalogue

Price: $25.00 USD + S&H

Women Heal through Rite and Ritual draws from the imaginative narratives of artists Lavett Ballard, Tawny Chatmon, Oletha DeVane, Shanequa Gay, Delita Martin, Elsa Muñoz, and Renée Stout who look to non-Western traditions for inspiration in exploring a woman’s role as nurturer of family and community; and as a traditional healer, conjure woman, and clairvoyant who dwells in both the physical and spiritual realms.

about the exhibition | artwork

Curatorial Statement by Myrtis Bedolla
 

Paperback: 53 pages | color
Year published: 2021
Language: English
ISBN: 978-0-9819602
Dimensions: 9 x 9 inches

Exhibition Video

Women Heal through Rite and Ritual – Videos

Women Heal through Rite and Ritual – Online Exhibition

Artists | Artwork | Videos | Exhibition Catalog | About the Exhibition

Videos

note: Mishandling of Fires in Australia is referenced in Elsa Muñoz’s artist statement for Controlled Burn 14.

Exhibitions

Women Heal through Rite and Ritual – Artwork

Women Heal through Rite and Ritual – Online Exhibition

Artists | Artwork | Videos | Exhibition Catalog | About the Exhibition

Artwork

Exhibitions

Women Heal through Rite and Ritual – Renee Stout

Women Heal through Rite and Ritual

Lavett Ballard | Tawny Chatmon | Oletha DeVane | Shanequa Gay | Delita Martin | Elsa Muñoz | Renée Stout | exhibition page

Renée Stout

I aim to present my perspective on this society from the point of view of a person who happens to be a woman descended from myriad cultures, but primarily African American. I observe, I experience, I process and I eventually feel compelled to construct a narrative that expresses thoughts, ideas and experiences that are simultaneously personal and universal. Through my work, I seek to tell an ongoing story as a way of bearing witness to the efforts of marginalized people everywhere, who make do to get through and the strength and creativity that often comes with that persistence. My desire is to reveal the rich, ever-evolving, alternate universe inside of my head as I navigate this limited and outdated system that seeks to mold our everyday reality in ways that run counter to our authentic selves. This parallel universe, filled with mysterious visionary soldiers, strange technological devices and evidence of ritual acts, provides me a kind of transcendence to a state of empowerment that I wish to share with the viewer. Through my work I want to convey the idea that while all human beings may have to function within this theater of the absurd, we don’t have to be of it and the ability to imagine and an open mind is a form of resistance and the escape route.


Biography | Resume

Biography
Born in Junction City, Kansas in 1958 and raised in Pittsburgh, Pennsylvania, Stout received her B.F.A. in painting from Carnegie- Mellon University in 1980. She moved to Washington, D.C. in 1985 where she began to expand into mixed media works. Her early sculptural works found their inspiration in the aesthetics and philosophy of Kongo ritual objects, leading to her becoming the first American artist to have a solo exhibition in the Smithsonian’s Museum of African Art. Stout now creates in a variety of media, including painting, drawing, mixed media sculpture, photography and installation. Through her narrative works, she aims to explore issues that are both personal and universal. In recent bodies of work, she has shared her concerns about the current social and political turmoil as she simultaneously offers the viewer a glimpse into the parallel universe she has created. Stout’s has won many awards, including A Joan Mitchell Award, a Louis Comfort Tiffany Award and a Lifetime Achievement Award from the Women’s Caucus for Art. Her work can be found in numerous museums and private collections, nationally and internationally.


I Can Heal by Renée Stout
courtesy of Wellin Museum of Art