Art Fairs
The Armory Show 2025 – Felandus Thames – She…
Felandus Thames, She Did What She Could, 2025
Felandus Thames, Minute by Minute, 2024
Art Fairs
Felandus Thames, She Did What She Could, 2025
Felandus Thames, Minute by Minute, 2024
Art Fairs
September 5–7, 2025
Javits Center
429 11th Avenue
New York, NY 10001
Ticket Information
Galerie Myrtis – Booth F1
Jerrell Gibbs | Ronald Jackson
Bria Sterling-Wilson | Felandus Thames
The Armory Show opens New York’s fall art season by bringing the world’s leading international contemporary and modern art galleries to the Javits Center each year. The fair emphasizes thoughtful programming, elevated presentations, curatorial excellence, meaningful institutional partnerships, and engaging public art activations.
Galerie Myrtis will make its debut at The Armory Show, featuring artwork in a special exhibition titled Focus. The exhibition highlights artists and galleries of the American South—a vital region to the American art landscape, and home to some of the country’s most celebrated artists—investigating the region as a nexus for diverse populations and a pillar in contemporary American art.
Exhibitions
August 30 – October 11, 2025
Opening Reception
Saturday, August 30 | 6:00 – 8:00 PM
Galerie Myrtis is pleased to present The Brave: Affirming Power, Presence & Possibility, a powerful group exhibition curated by Myrtis Bedolla. On view from August 30 through October 11, 2025, the exhibition features contemporary artists whose work explores the emotional, historical, and imaginative landscapes of the African diaspora.
Inspired by the anthemic lyrics of Danielle Ponder’s Some of Us Are Brave, the exhibition centers artists who examine the complexities of Black freedom, the weight of injustice, and the radical potential of self-definition. Through painting, sculpture, photography, mixed media, and installation, The Brave calls forth a collective testimony that honors ancestral strength, celebrates embodied truth, and demands space for joy, grief, intimacy, and transformation.
Featured artists: Devin Allen, Lavett Ballard, Wesley Clark, Jerrell Gibbs, Fabiola Jean-Louis, Felandus Thames, Megan Lewis, Delita Martin, Ronald Jackson, M. Scott Johnson, Ya La’Ford, James Seward, and Bria Wilson-Sterling.
Exhibitions

Opening Reception
September 2, 2023
2:00 – 6:00 pm
This exhibition celebrates the rich history of black religious and spiritual traditions while also challenging the ways in which these practices continue to evolve and adapt in response to contemporary social and cultural realities.
Featured artists: Tawny Chatmon, Wesley Clark, Morel Doucet, Monica Ikegwu,M. Scott Johnson, Delita Martin, and Felandus Thames.
Programming includes a book signing for “Shifting Time: African American Artists 2020-2021” on Saturday, September 16th from 5 – 7 pm. The event is in collaboration with the Petrucci Family Foundation (PFF). Claudia Volpe, the Director of PFF, and essayists Klare Scarborough and Berrisford Boothe will join featured artists for the event.
artwork
Light in the Darkness II, 2023
Oil Paint on Canvas, 24 x 18″
by Monica Ikegwu
Art Fairs

1 Herald Plaza, Miami, FL 33132, USA
Booth #A3
TICKETS & INFORMATION
Galerie Myrtis announces our participation in CONTEXT Art Miami featuring new works from Tawny Chatmon, Morel Doucet, Monica Ikegwu, Megan Lewis, Delita Martin, and Felandus Thames at Booth A3.
Fair Hours
(VIP Preview) Tuesday, November 29 — 6:30pm – 10pm
Wednesday, November 30 — 11am – 7pm
Thursday, December 1 — 11am – 7pm
Friday, December 2 — 11am – 7pm
Saturday, December 3 — 11am – 7pm
Sunday, December 4 — 11am – 6pm
TICKETS & INFORMATION
Exhibitions
Personal Structures, July 2022
The Beauty and Confidence of Blackness
The Afro-Futurist Manifesto: Blackness Reimagined. With this installation, Galerie Myrtis seeks to provide insight into the socio-political concerns of the African-American community and celebrates black culture by paying tribute to the reliance, creativity, ingenuity, and spirituality that has historically sustained Black people, bringing it into a completely new set of Venetian landscapes. full article
Glasstire, June 2022
10 Works from the Venice Biennale that I Wish the Fort Worth Modern Would Acquire by Colette Copeland
[Tawny] Chatmon’s gold-leafed photographic portraits celebrate the beauty of black childhood. Inspired by 15th century Italian artists and artisans, as well as gold-inscribed historical relics, the artist juxtaposes the portraits onto historical landscape paintings as an act of affirmation. full article
New York Public Library, 2022
Tribute to an Afrofuturist Deity: Schomburg Center Artist & Educator M. Scott Johnson Exhibits at 59th Venice Biennale
…The stone chips were flying as M. Scott Johnson, a sculptor and visual arts instructor at the Center’s Junior Scholars Program, began work on the first sculpture of his triptych, The Metamorphosis of High John the Conqueror: Tribute to an Afrofuturist Deity. full article
Artlyst, April 2022
Eight Of The Best Collateral Events – 59th Venice Biennale by Lee Sharrock
Myrtis Bedolla, founding director of Galerie Myrtis in Baltimore MD, has curated a breathtaking group exhibition at the European Cultural Centre in Palazzo Bembo. Titled ‘The Afro-Futurist Manifesto: Blackness Reimagined’, the exhibition groups together 8 artists who are reclaiming the inequality of white art history from the point of view of a black narrative… full article
Pigmment Magazine, 2022
Venice says “BENVENUTO to Galerie Myrtis in 2022
[Galerie Myrtis] is the first Black-owned gallery to be invited to participate in the Biennale-affiliated “Personal Structures: Time Space and existence.” The gallery was invited to the prestigious show by the European Cultural Centre-Italy. full article
Black art in America, April 2022
Galerie Myrtis: Exhibiting Black Art at The Venice Biennale by Shantay Robinson
By invitation of the European Cultural Centre-Italy, Galerie Myrtis is the first black-owned gallery to be invited to participate in the Biennale-affiliated exhibition Personal Structures: Time, Space, and Existence. This historic moment is predated by the 2020 racial reckoning the world experienced. full article
Culture Type, August, 2021
Latest News in Black Art: Guggenheim Hires Diversity Chief, Galerie Myrtis Presenting Exhibition at Venice Biennale, Kehinde Wiley Redesigns MTV Moonperson & More by Victoria L. Valentine
Galerie Myrtis Fine Art & Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined,” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames. full article
Press
Cleveland Art Museum, March, 2022
Resistance in Black and White
Within the exhibition, Jack Whitten’s large-scale monochromatic abstraction, Rho I (1977) is paired with Felandus Thames’s African King of Dubious Origins (2022), an intricately beaded reproduction of a 1990s black-and-white photograph of Rodney King after he’d been beaten by four Los Angeles police officers. full article
Artsy, September, 2021
5 Artists on Our Radar This September – Artsy Curatorial and Artsy Editorial [mention of Felandus Thames]
[Thames] will also be featured in the 2022 exhibition “The Afro‐Futurist Manifesto: Blackness Reimagined,” presented by Galerie Myrtis at the Venice Biennale. Thames’s work has also been shown at the Mississippi Museum of Art, Real Art Ways, Jenkins Johnson Gallery, Kravets Wehby Gallery, Tilton Gallery, the International Print Center New York, and the African American Museum of Philadelphia… full article
Culture Type, August, 2021
Latest News in Black Art: Guggenheim Hires Diversity Chief, Galerie Myrtis Presenting Exhibition at Venice Biennale, Kehinde Wiley Redesigns MTV Moonperson & More by Victoria L. Valentine
Galerie Myrtis Fine Art & Advisory of Baltimore, Md., was invited to participate in Personal Structures, an affiliate exhibition at the 2022 Venice Biennale. The Black-owned gallery founded by Myrtis Bedolla will present “The Afro-Futurist Manifesto: Blackness Reimagined” featuring eight artists—Tawny Chatmon, Larry Cook, Morel Doucet, Monica Ikegwu, M. Scott Johnson, Delita Martin, Arvie Smith, and Felandus Thames. full article
Vanity Fair, May 2021
The Power of Black Art and Visual Storytelling by June Sarpong [mention of Felandus Thames]
A year since the murder of George Floyd, the art world is finally acknowledging Black artists and curators—and recognising the influence of their imagery has never been more significant. In Baltimore, Myrtis Bedolla’s Galerie Myrtis is experiencing demand for Felandus Thames’ thought-provoking work. full article
Connecticut Art Review, March, 2021
Studio Visit | Felandus Thames by Jacquelyn Gleisner
Pleasure. This is the first word that viewers will connect with the work of Felandus Thames at his solo show The Things That Haunt Me Still at Real Art Ways. Bright orange beads pop against a vibrant kelly green backdrop in this central work. The bold, seraphic font alludes to the colors and diction of advertisements for Newport cigarettes from the 1980s. full article
Exhibitions
2022 Venice Biennial Art Exhibition
April 23 – November 27, 2022
Palazzo Bembo, Venice, Italy

Photo by Matteo Losurdo
artwork | artists & curator | curatorial statement | artist talk | press | installation photos
In The Afro-Futurist Manifesto: Blackness Reimagined, artists assert agency over narratives of Black life, offer discourse into the socio-political concerns of African Americans, and pay tribute to the resiliency, creativity, and spirituality that have historically sustained Black people.
● Curated by Myrtis Bedolla, Founding Director, Galerie Myrtis
FEATURED ARTISTS
Tawny Chatmon ● Larry Cook ● Morel Doucet ● Monica Ikegwu ● M. Scott Johnson ● Delita Martin ● Arvie Smith ● Felandus Thames
VENUE
Palazzo Bembo
Riva del Carbon # 4793
30124 Venezia, Italy
Galerie Myrtis thanks the following sponsors


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Daniel F Bergsvik and Donald N. Hastler
Reginald and Aliya Browne
Ilona Sochynsky
The Tibbles Family Trust
Members of the European Cultural Centre Italy Team talk about the sixth edition of Personal Structures, how the project started years ago and its main aim and values
(Galerie Myrtis feature at 1:46)

Like every edition, the European Cultural Centre presents the ECC Awards to commemorate the closing of the exhibition and to honour the participants that haven taken part in it
During the Closing Event on Sunday 27th of November, 2022, ECC Italy announced the winners and special mentions of this year’s ECC Awards, which were carefully selected by the European Cultural Centre curatorial team. The winners received the unique award of the artwork “1 meter” by the Dutch artist René Rietmeyer, initiator of the project Personal Structures and of the European Cultural Centre itself. The nominees were selected for the categories of: painting and mixed media, sculpture and installation, photography, video and digital art, and university research projects and lifetime achievement.
Artist
Tawny Chatmon, Artist
view resume
Tawny Chatmon (b. 1979, Tokyo, Japan) is a self‐taught, award‐winning artist who has been working in the field of photography for more than 17 years. The primary theme that drives Chatmon’s practice is celebrating the beauty of black childhood. She is currently devoted to creating portraits that are inspired by artworks spanning various periods in Western Art with the intent of bringing to the forefront faces that were often under‐celebrated in this style of work.
Museum Collection:
Minneapolis Institute of Art
Microsoft Corporate Collection
Petrucci Family Foundation Collection of African American Art
University of Maryland Global Campus
Larry Cook, Artist
view resume
Larry Cook (b. 1986, Laurel, Maryland) is an award-winning photographer and conceptual artist whose work spans installation, video, and photography. Cook’s work explores the cultural aesthetic of “club” photography to examine how urban culture and incarceration systems become entwined through backdrops. The backdrop is central for its relationship to the formal, social, and cultural aspects of photographic history.
Museum Collections:
Baltimore Museum of Art (promised gift)
Museum of Modern Art
Harvard Art Museums
Morel Doucet, Artist
view resume
Morel Doucet (b. 1990, Pilate, Haiti) is a Miami‐based multidisciplinary artist and arts educator that hails from Haiti. He employs ceramics, illustrations, and prints to examine the realities of climate‐gentrification, migration, and displacement within the Black diaspora communities.
Museum Collections (selected):
Pérez Art Museum Miami (PAMM)
UK Contemporary Art Society, Plymouth Box Museum
Petrucci Family Foundation Collection of African American Art
Monica Ikegwu, Artist
view resume
Monica Ikegwu (b.1998, Baltimore, Maryland) is a figurative painter. She presents her ideas of the figure in a way that is not only captivating, but also unconventional in her use of color, texture, and composition.
Museum Collection:
Petrucci Family Foundation Collection of African
American Art
M. Scott Johnson, Artist
view resume
M. Scott Johnson (b. 1968, Inkster, Michigan) is a New York City‐based artist and educator, has carved out a legacy as one of the most stimulating and unique artists of his generation. M. Scott has explored, both in his practice and through his 20‐year visual arts teaching residency at the Schomburg Center for Research in Black Culture in Harlem, New York, a rich vision of contemporary Afro‐aesthetics.
Museum Collections:
The Hampton University Museum
The Schomburg Center Research in Black Culture
Embassy of Oslo Norway, Arts in Embassies Program
Delita Martin, Artist
view resume
Delita Martin (b. 1972, Conroe, Texas) is a master printmaker, illustrator, and painter based in Huffman, Texas. Through the weaving of history and storytelling, Martin offers a new narrative on the power of women whose stories are not only layered in textures and techniques but also symbolism.
Museum Collections (selected):
Crystal Bridges Museum
Minneapolis Institute of Art
Minnesota Museum of American Art
National Museum of Women in the Arts
Library of Congress
The Studio Museum in Harlem
Petrucci Family Foundation Collection of African-American Art
Arvie Smith, Artist
view resume
Arvie Smith (b.1938, Houston, Texas) transforms the history of oppressed and stereotyped segments of the American experience into lyrical two‐dimensional master works.
Museum Collections (selected):
Delaware Museum of Art
Hallie Ford Museum of Art
Petrucci Family Foundation Collection of African American Art
Portland Art Museum
Reginald F. Lewis Museum
Felandus Thames, Artist
view resume
Felandus Thames (b. 1974, Jackson, Mississippi) is a conceptual artist living and practicing in the greater New York area. Thames’ work attempts to transcend didacticisms that are typically associated with anachronistic understandings of representation and instead aligns itself with ideas around the taxonomy of human difference.
Museum Collections (selected):
Aspen Museum of Art
Petrucci Family Foundation Collection of African American Art
Smith Robertson Museum
Studio Museum of Harlem
Myrtis Bedolla, Curator
about myrtis
Myrtis Bedolla is the owner and founding director of Galerie Myrtis, an emerging blue-chip gallery and art advisory specializing in twentieth and twenty-first-century American art with a focus on work created by African American artists. Bedolla possesses over 30 years of experience as a curator, gallerist, and art consultant.
Established in 2006, the mission of the gallery is to utilize the visual arts to raise awareness for artists who deserve recognition for their contributions in artistically portraying our cultural, social, historical, and political landscapes; and to recognize art movements that paved the way for freedom of artistic expression.